The DC DTV animated movie series has had its fair share of ups and downs. It has put out awesome movies, like Green Lantern, or Wonder Woman, and it has put out very bad movies, like Superman Batman: Public Enemies. So where does JL: CTE, the latest film in this series, sit? Well, it’s at the top. This movie was fantastic!
Before I actually review it though, I want to go into the history of the film. It originally was supposed to be Justice League: Worlds Collide, and was going to be part of the DCAU. The film was intended to be released between Justice League and Justice League Unlimited. It would have served as a bridge between the two series. However, the film never got made, and Justice League Unlimited began, albeit, bridge-less. Now, many years later, the film has finally been released, but rewritten as Crisis on Two Earths. Even though The Film has been rewritten, not much has changed. We get to see the League building the new Watchtower, how the expanded roster came about, and even how Wonder Woman got her Invisible Jet. The only actual difference is that Green Lantern is Hal Jordan, not John Stewart. Other than that, CTE fits nicely into the DCAU, and perfectly fills the gap between JL and JLU.
The story is simple enough, a good version of Lex Luthor, from an alternate earth, comes to the Justice Leagues world, asking the league to help him defeat the Crime Syndicate of America, super powered criminals who have the country’s crime under their thumbs. The League goes to Luthor’s earth to take down the Syndicate, but soon discover a more sinister plot to destroy all of reality. The story is not to complex, but excellent nonetheless. Though the movie is made primarily of action sequences (awesome action sequences), it has some nice character development, especially a subplot involving John Jonzz. Dwayne McDuffie delivers one his best scripts with this movie.
The animation is absolutely top notch. The fight sequences are brutal, and exciting, and just look great all-around. The character designs are very good too. They seem to take some inspiration from Frank Quitley’s artwork on the JLA Earth 2 graphic novel written by Grant Morrison. I particularly liked Batman’s fight with Owlman at the end of the movie. It was one of the coolest animated fight scenes I have seen in a while. I won’t talk about it though; you just have to see it.
One of the things that makes the movie so good is the flawless voice cast. Everyone involved is great, there is no weakness in the cast (can we expect less from Andrea Romano though?) In the Justice league we have Mark Harmon as Superman, William Baldwin as Batman, Josh Keaton as Flash (he was awesome, and had the perfect voice for The Flash), Vanessa Marshall as Wonder Woman, Jonathan Adams as Martian Manhunter, and Nolan North as Green Lantern. From the Crime Syndicate we have James Woods as Owlman, Gina Torres as Superwoman, Brian Bloom as Ultraman, and James Patrick Stuart as Johnny Quick. Also from the Crime Syndicate world is Chris Noth as Lex Luthor. Focusing on Batman for a minute; William Baldwin was great! At first I was a little jarred by his voice, it’s definitely different from Kevin Conroy’s DCAU portrayal. However, as the film progressed, I liked his performance more and more. He is actually really good, and I would like him to return to the role. His last line to Owlman is awesome! Speaking of Owlman, James Woods’ performance is one of the highlights of the film. He was the perfect actor for the role, and it shows! His performance alone makes the movie worth watching!
Also, one more thing I loved; the music. The film is scored by James L. Venable, and though he is new to me, I hope I hear more of him soon. His score was very good, and had a big budget cinematic feel.
So all in all, I can’t say enough good things about his movie. It’s certainly the best of the DC DTVs, and I highly recommend that you see it.
Justice League: Crisis on Two Earths:
Reviewed by TheCapedCrusader
We loyal followers of the Dark Knight are in for a treat this year. No, not just a treat, a singular event. Perhaps something that many of us will only experience once in a lifetime. This year DC comics will not only follow the adventures of one Batman but as many as four, or quite possibly seven!
In 2010 in what I call “The Year of the Batmen” I will endeavor to chronicle these various manifestations of Batman and discuss the dynamic of having their respective storylines running concurrently. Even as they exist in different “universes”, alternate realities or as parallel plotlines that remain apart but eventually come together.
How will these Batmen compare? How will the media and readership accept or reject them? Whose storyline will succeed while another may fail? Will the various writers and artists vie for supremacy or just engage in a little friendly competition. Is it possible for all of these incarnations to exist at the same time and avoid saturation? Or will we embrace all of them and insist they continue for years to come? Perhaps multiple readership factions will arise and insist their Batman is the one true Caped Crusader.
As we all know Dick Grayson has picked up the mantle of the Bat in the absence of Bruce Wayne. This particular arc has been admirably filled out by the likes of Morrison, Daniel and Winick. How will the eventual return of Bruce Wayne (written by Morrison) effect Grayson? Will he give up the cape and cowl and go quietly into the night or will there be conflict? Will Bruce actually want it all back?
What of the iteration of the “First Wave” Batman? Brian Azzarello has promised a young Bruce Wayne one that is a, “millionaire playboy; brash, cocky and fully relishing life.” This Batman is inexperienced and makes mistakes that extract “the cost of fighting crime.” Stir in a healthy dose of Doc Savage and the Spirit and we have a whole new Dark Knight. 
Speaking of re-imagining the tale of the Dark Knight how will Geoff Johns’ interpretation compare to Azzarello’s? Johns tells us his Earth One Batman will “break the restraints of any continuity and focus on two things: character and story.” Certainly, what we have seen of artists Gary Frank’s Earth One Batman is in sharp contrast to the First Wave Batman as penciled by Rags Morales. Frank’s take looks indomitable and steadfast while Morales looks more sinewy and athletic.
But I am getting ahead of myself. There are several other incarnations that are worthy of discussion. The ghoulish Black Lantern Batman from the Blackest Night. The “undead” Batman resurrected from a Lazarus pool by Dick Grayson. And what of the Batman that exists in “Superman/Batman” comics or in Batman Confidential? Not to mention the JLA Batman that is both teammate and leader as embodied by Dick Grayson written by James Robinson.
There will be much to discuss and I am eager to get at it. Throughout this massive effort I will seek your input. Comments are welcome. The impressions from you the reader will add fuel to the fire as we discuss and dissect one of the most iconic figures in comic book history. It all comes together in 2010, “The Year of the Batmen”.
Written by Dark Knight Dave
Once again, the DC Comics solicits have lead us astray. No you say? Unfortunately, yes. While we all could have expected the latest issue of Streets of Gotham to be the second part of Mike Benson’s two part arc, the solicits said otherwise. The previews stated that Paul Dini would be returning to the title, however, he didn’t. None the less, Benson pens the conclusion to the “Hardcore Nights” storyline.
Some fans may be disappointed with issue number nine, but not me. Benson doesn’t present the reader with a major villain and the Commissioner Gordon plays a major role. Basically, issue nine is just a downright good Batman crime story. However, while I thoroughly enjoyed this issue, Dick Grayson’s characterization is completely out of whack. First off, I get the strange feeling that Benson initially wrote this with Bruce Wayne as Batman; the dialogue that Dick speaks is very “Bruce like”. Dick displayed a very dark and less optimistic personality, qualities that fit the Bruce Wayne personality. The only other problem I had with issue nine is that the antagonist is revealed rather sudden and everything just comes to a end to quickly and conveniently. This is just my opinion, why don’t you decide after reading the issue summary:
The issue opens where issue eight left off; Dick and the escort are in the penthouse when the armed man busts through the door. Benson pulls a classic trick; issue eight led us to believe that the armed man was the jealous boyfriend. However, Dick soon learns that this is not the boyfriend, but someone completely random. The hunter smacks the escort and demands Dick’s wallet. Throughout this sequence, Dick is studying the man’s movements. The hunter keeps a gun pointed on Dick the entire time when the escort makes a remark distracting him. This gives Dick just enough time to land a knee right to the man’s face. The hunter becomes completely disoriented and eventually becomes unconscious. The escort quickly exits the room and makes her way out of the building. As she is running, the doorman, Anthony asks her if everything is ok. Remember Anthony because he plays a much larger role, later in the issue. Anyway, at police headquarters, the hunter, whose name is Sal, is being questioned by Commissioner Gordon and Batman. Sal is hesitant to talk at first, but soon Batman “persuades” him into singing. Batman and Gordon then bring in the escort, Sophia. We learn that Sophia and Sal have been blackmailing the same men who have been found murdered. Sophia would take them back to the room and then Sal would barge in and scare them. They accuse her of killing the men but she pleads her innocence. Gordon demands a name from her, and she gives the name of her ex-boyfriend, Roland Davis. Batman knows she is innocent and tells Gordon to let her go. Reluctantly, Gordon agrees, but there is a twist. Sophia is dropped off back at the penthouse and then heads back to work. She runs into him in the club and is shaken up by this. She heads home and upon entering in the elevator, Roland enters and begs her to take him back. Anthony then enters and takes control of the situation. Roland learns of the set up and seems to feel differently about Sophia now. Gordon enters the elevator and arrests Roland. In the interrogation room, Roland receives some tough love from Gordon and Batman, but maintains his innocence. Gordon and Batman know they can’t hold Roland for long and decide to take another crack at a set up, with a twist. Back at the night club, we see Sophia sitting with another man, who remains hidden. They leave the club and then head for the penthouse. Two hours later, the man exits the penthouse alone. He begins walking down the sidewalk when we see a large figure approach him. The man turns down an alley and sees the dead body of Roland Davis. The man is shocked by this and we learn that it is none other then Gordon. Gordon then is confronted by Anthony with a knife in hand. Anthony attacks Gordon but Batman is there to moderate the situation. Anthony turns out to be the killer, SHOCKER! Gordon informs Sophia that it is over. Gordon takes Sophia to the bus station, buys her a bus ticket, and tells her to leave and begin a new life. And that’s where the issue ends.
The Manhunter co-feature opens with Manhunter beating the snot out of a low level thug looking for answers she knows he doesn’t have. The issue then cuts to the court room, twelve hours earlier. Dent asks for a bench trial because of his horrid facial features. This leads to Kate asking the judge the relieve himself of the case. This upsets the judge and grants Harvey his request. Court is adjourned and rescheduled for Thursday. Back in Los Angeles, Kate’s son, Ramsey, has decided to head to Gotham to help his mother and is riding in the boxcar on a train. We then cut back to when Manhunter is beating up the thug when she is confronted by Huntress. Huntress offers Manhunter her help in finding something to bring Dent down. We cut to Thursday, back in the courtroom. In the courtroom, Harvey is outwitting Kate and then Commissioner Gordon is called onto the witness stand. Dent asks Gordon why he would have kept him alive if Gordon knew that Dent killed the district attorney. This upsets Gordon, and Kate knows she is in for a roller coaster ride. To be continued…
This past story arc impressed me. I think Mike Benson is a writer with a strong future in comics. He seems to have that gritty style that I so often enjoy. However, how obvious is it that Anthony is the killer? Once he is introduced, the reader automatically knows that he has a major role. None the less, I could dismiss this simple storytelling method. What I could not dismiss, was the poor characterization of Dick Grayson. It wasn’t that Batman was portrayed poorly; it was that this was written to be the Bruce Wayne Batman. This becomes very apparent in the interrogation scenes; Batman is threatening and isn’t planning on taking any prisoners. Dick isn’t Bruce, which is something that, I guess Benson doesn’t understand. However, issues eight and nine are exactly what I want from Streets of Gotham. Good stories that don’t always have to contain a large number of characters. I thought it was great to see Gordon take such a larger role in a story, it seems that recently; Gordon has taken a back seat in the other titles. It’s always good to see a writer stress the importance of Gordon’s character. Bravo, Mike Benson!
Of course, Dustin Nguyen remains to be impeccable and always impressive. I will say that Nguyen surprised me with his ability to pencil such a grim and gritty story so effectively. Derek Fridolfs is consistent as always. Fridolfs seems to be lost in the shuffle sometimes and I think he is just as important to this title as Dustin Nguyen is. But the art is great as always and leaves me with no complaints.
The Manhunter co-feature I found to be a little disappointing. This story felt like filler and not much progressed in the storyline. When you have so few pages to tell a story, Andreyko needs to keep the ball rolling. Needless to say, I am still interested to see where this is all going and I expect a better performance from Andreyko in the upcoming issue. Jeremy Haun is much like Dustin Nguyen, perfect. He art works so well with the Manhunter character and he maintains his consistency.
Overall, I found Streets of Gotham number nine to be an enjoyable read from front to back. While the issue felt a little rushed, I must say I am not missing Paul Dini and hope Mike Benson is giving some more batman-related work in the near future. The book’s art remains candy for the eye and is about the most consistent of any of the bat-books. In the end, if you enjoyed issue eight, you will not be disappointed with issue nine.
Batman: Streets of Gotham #9:
Reviewed by Zfactor
We received a copy of the DVD version of Justice League: Crisis on Two Earths a little while ago and it releases today in stores. Should you head to the store and buy this right now? Well, I am going to let you know.
At first glance, this film seems like another quick story to expand the animated DC Universe, yet something feels strangely familiar. We have the Justice League battling villains in order to save the world. Does that remind you of something? Perhaps, Justice League Unlimited. Well, when this film was announced, that is exactly what I thought it was. In the podcast that you will hear on Friday, I referred to the announcement seeming as if it was another Superman/Batman mishap. Everything seemed to line up as what we saw before. The story originated from Dwayne McDuffie, who wrote many episodes of Justice League Unlimited. All of the characters that were in the film we had seen in the show. So why would you think that this was any different than the many multi-part stories we saw in episodic form for the show? Well, let me tell you why.
The basic plot of the film is that the Justice League of our earth battles the Crime Syndicate from a parallel earth. In this parallel earth, things are different. Despite the Syndicate being an obvious group of villains, they are treated with a level of respect. The heroes on this "Earth" are led by Lex Luthor. Their "Justice League" has been taken out one by one by the Crime Syndicate. We even see The Jester (a parallel version of The Joker) give his life to try and stop the Crime Syndicate. Lex Luthor travels to our universe to enlist the help of the Justice League to help him take down the Syndicate. The Justice League travels to the alternate earth to take them out. Batman stays behind, as he believes that there are enough problems in their universe. Owlman (the parallel version of Batman) is pretty much the main villain. He has created a bomb that will take out not only the the earth of his universe, but destroy Earth Prime, hence eliminating all "Earths." Batman of course comes and faces Owlman head on leading to climatic ending.
Overall, this film was a surprise to me. As I said, because it was first announced as a series of episodes that McDuffie wrote for Justice League Unlimited, I was concerned that it would have a feel of episodes put together as a film. But, it did not have that feel at all. The pace was very quick. It did not feel at any point that there was meant to be a break between acts. It had a more mature feel with the obvious violence. It wasn't overdone. We got more than we would have if this had ever aired on Cartoon Network. I applaud McDuffie for this. He took what was supposed to be a cartoon and made it a film.
On the Batman front, William Baldwin did a decent job at voicing Batman. It isn't the best job, but it fit with the feel of the film. Batman did take a back seat to the first half of the film. Although we see that while he wasn't around, he had a recruitment drive to have more heroes join the league. That kind of seemed out of place. Then again we have seen stranger things in the DC animated films. Batman not only saves the day in the end, but also proves to be smarter than most of the Justice League within the final scene with the Crime Syndicate.
For the special features, there were some interesting ones. The main feature was a piece about the various "crisises" that have happened in the DC Universe. They did a very good job getting many of the main creators that were involved in everything from Identity Crisis to Final Crisis. There was also a preview of the next DCAU film, which we know will be Batman: Under the Red Hood. There wasn't any footage from the film, but we did see the voice cast as well as some storyboards.
Also in this release, was the first DC Showcase film. It featured The Spectre. A good story that laid out his origin and told an interesting story in a very short amount of time. This was maybe even better than the main film. I look forward to more of these.
Overall, the film was good. I would not place it in the top three of DCAU films, but it was definitely better than I expected. One thing that many do not know is that the film will be released at Best Buy with an exclusive Owlman figure. This will be in limited quantities and only be with the Blu-ray and 2-disc DVD version. So you may want to get that right away and not wait until the end of the week to pick it up. I think if you are questioning it, rent it on iTunes or at your local video store. You will see that the film is worth adding to your collection of DC films.
Justice League: Crisis on Two Earths:
Reviewed by Dustin
Tony Daniel’s current arc on Batman has been solid, to say the least. As the story is beginning to wrap up, we are getting ever closer to finding out the identity of the Black Mask.
Last time we saw Batman, he had fallen into a trap set by the Penguin and the Mad Hatter at an abandoned amusement park. This issue basically picks up the story an unspecified time later. Batman is washed up on the shore in Gotham Harbor, and is found by Damian. Dick is seen to be beaten up pretty badly when he is discovered, and is wearing a broken mask that the Black Mask has been giving to the “false faces.”
Now throughout the book, Batman continuously goes in and out of consciousness. At the same time, the story is going back and forth between the present time, and flashbacks of the previous nine hours that are running through Dick’s mind. Going back nine hours, we see that Batman is under the control of the Penguin, following his orders by way of the altered gas mask. Damian has already figured this out, but just hasn’t figured out whose orders Dick had been following. We see that the Penguin had sent Batman to break into the Mayor’s office where he takes two tubes of the antidote to Black Mask’s mind control toxin. As Batman is beginning to gain consciousness again in the present, he blacks out once more and the story goes to Catwoman and Kitrina Falcone who are going after Black Mask as well. Catwoman saves Kitrina from the third member of their group who was about to kill Kitrina. Batman shows up, still under Penguin’s control and takes them down, but goes with Kitrina to Devil’s Square, which has attracted both the National Guard and the Marines due to the Black Mask and his followers.
While going through all of the flashbacks in his mind, Dick is slowly beginning to remember what happened. We see that he had confronted Black Mask and his inner circle of Fright and Dr. Hugo Strange. They fight and Batman had gained the advantage until Black Mask pulled a gun, and shot Batman in the chest, who proceeded to fall out a window, off a cliff, and into the ocean below. And that is where he reaches the point at the beginning of the book. It ends with a now fully aware Batman telling Babs that he thinks he may know who Black Mask really is.
I enjoyed this book, despite its non-linear timeline. I think Tony Daniel did a good job pulling it off, though I will acknowledge that I am not a huge fan of this style. The reason he was able to keep the story from being too confusing or choppy was the fact that the main focus was in the flashbacks, with no action in the present. That’s the trap that many writers fall into, but Daniel avoided. The actual story started off great, with Damian doing all the talking. That first scene gives the reader a reminder that even though he may think of himself as an adult, Damian is still just a kid. I got a small chuckle out of the first line when he saw Dick lying on the beach and yelled out, “Epic Fail!”
The one issue I had with this book was the absence of Dick’s thought process during the fight scenes. This was obviously because he was being manipulated, but maybe it would have been a little cooler if we saw conflicting views between the Penguin and Dick’s thoughts. Either way, Daniel’s doing a good job, and his art has been excellent as well. It’s nice to get a break from the seemingly never ending Blackest Night with a good Batman story (I’m sure I’ll get some flak from that).
Batman #696:
Reviewed by RiddleMeThis
Superman/Batman 69 starts off where the last issue took place, with Superman staring down NRG-X who actually is that Bronze Age villain, Grant Haskill, (this is shown in a flashback as a shadowy man, Anderson Gaines, is asking for the hit on Clark Kent) I mentioned in the last review. They fight, have some exposition dialogue and Superman is left wondering who would want him killed.
Meanwhile, Bruce Wayne while at a function gets to meet Gaines, afterward. After Gaines unwittingly gives Bruce a DNA sample, contacts Clark and the two convene at the JLA Watchtower.
While Gaines is going back to his penthouse apartment we learn why we’ve never heard of this character before. Gaines is in fact one of the shape shifting alien terrorists from the Kryptonian ship that Superman and Batman found in issue 64. Currently the ship is still on the dark side of the Moon and is shown on the last page of the issue. Gaines also reveals his Durlan form and it does look interesting. It’s a nice grouping of all these green tentacles coming out. We then end with Batman telling Superman that instead of taking on Gaines head on, that they’ll have to do it guerrilla warfare style.
Well, it’s moving the story well, which is a good thing of course. But at the same time the story is still leaving me wondering what is the need for it to be set after “Our Worlds At War.”
It does seem that Joe Casey had this idea, the editors were saying “Yeah okay, but just so you know, when the Blackest Night crossover is over, the book is getting an overhaul. So can you do your thing around it?” So it’s like we are getting two stories; this Durlan vs Krypton story that Casey started back in issue #64 and the aftermath of Our Worlds At War, which is getting the “shoehorned in because I have to drop references” treatment. At some point I’d like to know if there is a reason that the time of this story had to be where it is, and not say after “Legends” or “Invasion.” Actually Invasion would have been a more intriguing setting as that would have been just before Superman literally went into his self-imposed “Exile” (that was the name of the storyline). Whatever results from this story could have added to the reasons Superman just left Earth for a time.
But the story Casey is telling is still an intriguing one, and I am interested in seeing where this is going. I’m going to drop the rating a bit though, because it still has a run-of-the mill feel to it, as opposed to an epic feel that an aftermath tale should be.
Superman/Batman #69:
Reviewed by SteveJRogers
Yesterday, we got a somewhat amusing image from Cameron Stewart over on his Twitter page.
Rejected cover sketch for Batman & Robin #9
Posted by Dustin
Yesterday, there was a big announcement from DC about the future of the company. The press release stated a new executive team that will be put in place to run things. Back in September, we heard about the creation of DC Entertainment. The idea behind the creation was to bring the DC Universe to the mainstream public by way of movies, TV shows, toys, and video games. We gave you our thoughts about the announcement back then and with the news yesterday, we should again give you our thoughts. First, let's cover the press release from DC.
Jim Lee and Dan DiDio Named Co-Publishers DC Comics
Geoff Johns to Serve as Chief Creative Officer
John Rood Named EVP, Sales, Marketing and Business Development
Patrick Caldon Named EVP, Finance and Administration
(February 18, 2010 – New York, NY and Burbank, CA) DC Entertainment, founded in September 2009 to unleash the power of the DC Comics library of characters across all media platforms, has named its executive management team, including new co-publishers of DC Comics and a Chief Creative Officer, as well as heads of Sales/Marketing/Business Development and Finance/Administration. Diane Nelson, President, DC Entertainment, made the announcement today.
The new senior executive team includes Jim Lee and Dan DiDio, who have been named Co-Publishers of DC Comics, and Geoff Johns, who will serve as Chief Creative Officer of DC Entertainment. Additionally, John Rood has been named Executive Vice President, Sales, Marketing and Business Development, and Patrick Caldon will serve as Executive Vice President, Finance and Administration. Each of these executives will report directly to Nelson.
“DC Entertainment’s new executive team is a creative ‘dream team,’ with accomplishments and talent unrivaled in the business,” said Nelson. “This announcement continues and underscores DC’s legacy as the ultimate destination for creators. We’ll benefit enormously from the deep experience this team represents, while re-energizing the direction and focus of the company. I’m excited and honored to have each of them with me at the helm of DC Entertainment.”
“With this new leadership team, Diane will be able to fully and respectfully integrate DC’s brand and characters, not only as key content drivers in the film division, but across all of the businesses of Warner Bros. and Time Warner,” said Jeff Robinov, President, Warner Bros. Pictures Group. “I am very proud and excited about the accomplished executives who are charged with expanding this powerful library. They each have a diverse and complementary skill-set and are deeply committed to contributing to the DC Comics legacy.”
Prior to his current post, Lee served as Editorial Director, where he oversaw WildStorm Studios and was also the artist for many of DC Comics’ bestselling comic books and graphic novels, including “All Star Batman and Robin, The Boy Wonder,” “Batman: Hush” and “Superman: For Tomorrow.” He also serves as the Executive Creative Director for the upcoming DC Universe Online massively multiplayer action game from Sony Online Entertainment.
Lee is an award-winning comic book illustrator/creator/publisher who started his professional career at Marvel Comics where his work on the X-Men continues to hold the all-time sales record for single issue sales at eight million copies sold in one month. At Marvel, he also drew the Punisher and co-created many characters, the most popular being Gambit, featured in 2009’s “X-Men Origins: Wolverine” feature film. In 1992, he started his own production company, WildStorm Productions, and co-founded Image Comics, an independent comics company which quickly grew to become the number-three North American comics publisher. His most notable creations, “WildCats” and “Gen 13,” saw life beyond comic books as a CBS Saturday morning cartoon and as a direct-to-video animated movie distributed by Disney, respectively. In 1998, he left Image Comics and sold WildStorm to DC Comics.
DiDio most recently served as Senior Vice President and Executive Editor, DC Universe, overseeing the editorial department for the DC Universe imprint, including the ongoing adventures of Superman, Batman, Wonder Woman, and scores of heroes and villains. He also worked to develop new titles with the industry’s premier writers and artists. At DC Comics, DiDio has spearheaded such bestselling projects as “All Star Batman and Robin, The Boy Wonder,” “Identity Crisis,” Green Lantern, Teen Titans and The Outsiders.
Before joining DC in 2002, DiDio was with Mainframe Entertainment, where he most recently served as Senior Vice President, Creative Affairs, overseeing the development, distribution, marketing and promotion of all Mainframe’s television properties. Prior to that, he served as Executive Director of Children’s Programming for ABC, where he was also a publicity manager, having started his television career at CBS, working in a variety of positions.
Johns builds on his current role at DC from being one of today’s most prolific, popular and award-winning contemporary comic book writers with this new executive role. He is a New York Times bestselling author who has written highly acclaimed stories revitalizing Green Lantern, Superman, the Flash, Teen Titans, and the Justice Society of America for DC Comics.
Johns began his comics career creating and writing “Stars and S.T.R.I.P.E.” for DC Comics while at the same time working with film director Richard Donner. After acclaimed runs on Flash, Teen Titans and the bestselling “Infinite Crisis” mini-series, Johns co-wrote a run on Action Comics with his mentor, Donner. Johns has also written and produced for various other media, including the acclaimed “Legion” and “Absolute Justice” episodes of Warner Bros. Television’s “Smallville” and Adult Swim’s “Robot Chicken” and “Titan Maximum.” He also wrote the story of the DC Universe Online massively multiplayer action game from Sony Online Entertainment.
Rood returns to Warner Bros. after 10 years with the Disney ABC Television Group, where he most recently was Senior Vice President of Marketing, ABC Family. While at ABC, he also consulted for ABC News during the recent transitions at “Good Morning America” and “ABC World News with Diane Sawyer.”
Prior to Disney, Rood worked for six years at Warner Bros. Consumer Products, negotiating promotional deals with national advertisers using Warner Bros.’ properties, including the DC Comics characters. He has also worked in promotions for Equity Marketing on the Burger King account and in advertising for Leo Burnett on the McDonald’s and Miller Brewing accounts.
Caldon most recently served as Executive Vice President, Finance and Operations of DC Comics and MAD Magazine. Before that, he served as Senior Vice President, Finance and Operations, and his other posts at DC include Vice President, Finance and Operations, and Controller, the position in which he joined the company in 1985. Prior to joining DC Comics, Caldon spent a decade at Warner Communications in corporate accounting and as Senior Vice President and CFO of the Cosmos soccer team (owned by Warner Communications at the time).
DC Entertainment, a division of Warner Bros. Entertainment, is charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. and all its content and distribution businesses. DC Entertainment utilizes the expertise the Studio has in building and sustaining franchises to prioritize the DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business is the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month as well as continuing to build on its creative leadership in the comic book industry.
Alright, so there you have it. Jim Lee gets a huge promotion. Didio moves up the corporate ladder. Johns gets a position that will keep him at DC for a good amount of time, while he gives input on everything that has to do with the DC Universe. So a couple of the normal posters here at TheBatmanUniverse.net gave their two sense about this big news.
The first thought come from SteveJRogers:
Well, Dan DiDio, Jim Lee and Geoff Johns have nice shiny promotions. I don’t think the full scope of what is happening here though won’t be felt until a successor to DiDio’s EIC role is filled. And I’d like to see how this affects the Green Lantern books as well as the Flash title. It was going to be interesting to see the EIC take over Outsiders as it really is more of a Batman satellite than a cornerstone of the entire universe. I doubt Johns will have much time to do anything other than a brief fill-in or mini or one-shot.
The important question for Bat-Fans of course is how does this impact the Bat-Books? I’m not entirely sure if it does just yet, of course Johns is in the midst of the new OOC graphic novel series, or I am calling it, the latest attempt of DC creating an Ultimate Universe (see All-Star Batman & Robin The Boy Wonder and All-Star Superman), but as I said, I can see an executive having that kind of project on his/her plate, but not any of the major on-goings (Batman, Batman & Robin, Detective are the big three at the moment).
What I hope doesn’t happen, and it has been seen far too many times (Marvel in the 1990s for example) is when you have giant seismic paradigm shifts that the first thing that happens is immediate change. So maybe it’s a good thing that the big three were promoted within, and whatever change happens is a gradual process.
Interesting times indeed.
So next we have some thoughts about Geoff Johns and his new position from Dark Knight Dave:
James Cameron may “King of the World” but Geoff Johns is King of the Universe. The DC Universe that is. I always when I reached work today I fired up the trusty Dell and started poking around the ‘net for any cool and unusual news. One of my more frequent stops is “The Source” brought to us by DC. Alex Segura usually has something to tease us with and I enjoy clicking on preview panels and checking out some new art and or storylines.
Who the heck is David Hyde? And why is he writing so many “War and Peace” type entries into the “Source” blog. I scroll down, I scroll down some more, this guy is pretty excited about something but it seems pretty dry. I think I’ll click on one of my favorite sci-fi sites, io9, and see what they have to offer. Oh, something has rocked the DC world. I read it. Geoff Johns is what? He’s in charge of what now? I zoom back to the “Source” blog and things are still pretty dry there but I am glad David Hyde is happy as I click back to io9.
Geoff Johns is being named “Chief Creative Officer for DC Entertainment.” Holy promotion Batman I thought the guy was busy now. Not only is he the brains behind the cash cow that is “Blackest Night” for DC comics (although he stumbled a little with the last issue of “BN” after a great Batman centric Blackest Night #5) he wrote the highly rated and well received “Absolute Justice” two parter for the WB’s Smallville series and he has single handedly thrust Green Lantern as one of the if not the foremost hero in the DC pantheon of heroes. Let’s add to his resume the much anticipated “Earth One: Batman” and a little thing called “Brightest Day” as a follow up to “Blackest Night”. Phew! You’d need the “Flash” just to write this guys Wikipedia page just to get it done before years end. Oh, right, he writes “The Flash” also.
Good luck Geoff the eyes of the DC Universe are upon you and its loyal readership eagerly awaits your next offering. I have no doubt it will be a hit.
P.S. Geoff I have a movie treatment for you! Geoff? Geoff?!!
Alright and lastly, Zach gives his thoughts about everything:
Yesterday, February 18th, DC Entertainment announced their plans for the future. DC Entertainment has decided to play quite a large game of musical chairs for the year of 2010. Some major players will be stepping up and taking control of the DC Imprint. Here is the latest news on the future of DC, that no one saw coming.
First off, the Jim Lee and Dan DiDio have been named new co-publishers of DC Comics. What does this mean? Jim Lee is experienced with being the editorial director of Wildstorm Studios, while also having a large hand in the upcoming video game, DC Universe Online. This is a huge promotion for Jim Lee, and this really is DC thanking him for all the hard work that he has put in over the years at DC Comics. Congratulations Jim, very well deserved. Now, Dan DiDio has also taken a much larger seat at the table. I know that many fans feel iffy about DiDio, but I think he will be able to handle this position. I think that while he hasn’t always made the best call, he has been consistent as the Senior Vice President and Executive Editor at DC. This also confirms that DiDio is going nowhere after rumors have swirled over the last couple years that he was on the hot seat. None the less, I am excited and I think DiDio will really flourish under his new position.
As if the news couldn’t get any bigger! DC Entertainment also announced that Geoff Johns will serve as the Chief Creative Officer of DC Entertainment. While some may know, I am not Johns’ number one fan, but I do know that he knows comics. And it is this reason that I know that the DC Imprint is in good hands. He truly loves the DC Universe and all of its characters. Now, don’t worry! Johns will continue to write, but now he will give his creative input on all the comics. In addition to this, he will use his control to get the DC Universe into other imprints such as film, merchandise, animation, and video games. I think Johns has proven himself to be worthy of the job, especially after the large work loads that he has taken over the years at DC.
In addition to these announcements, John Rood will become Executive Vice President of Sales, Marketing and Business Development. Rood has previously worked at Warner Bros. and to be a key asset in the growth of DC’s consumer products. Patrick Caldon was also named the Executive Vice President of Finance and Administration. Caldon has been with the company since 1985, about 25 years. I would definitely say he has earned his stripes.
Now, nothing was announced directly towards Batman, but I will say that this news does impact the Batman Universe, therefore affecting you, the fan. First off, Jim Lee knows Batman; he has done some terrific work over the years with the character, and will continue that work. He knows the passionate following the character has and I am sure will do everything to enlarge that following. In regarding Dan DiDio, I think during DiDio’s time as the Executive Editor, the character has been through some major changes. Some have been good and some have been bad, but I think for the most part he gets it, and therefore I am not very concerned. And I think once Morrison finishes his tale of the dark knight; Geoff Johns will definitely oversee many of the future tales. I think that from a creative stand point, Johns loves the character and looks forward to getting his hands on the Batman Universe.
Well it was a wild day over at Warner Bros. Many are already calling this the most talented executive team in the comics industry. I know I am excited to see what this team does. Are you? We will have to wait and see what kind of magic the new crew is able to pull off.
So there you have it. For the most part this will be in fact another new chapter for DC and DC Entertainment. Hopefully, now that they have the staff announced we can get to some news about future projects. As soon as we hear something, you will be the first to know.
Posted by Dustin
Reviewing this title each month is becoming increasingly difficult – I'm finding there are only so many ways to say 'good story', 'great dialogue', 'fun characters', 'superb art', 'striking covers' … but I'm enjoying the challenge nonetheless as Batgirl continues to be my most looked-forward-to book each month.
This issue, the third and final part of the Batgirl Rising: Core Requirements story-arc, picks-up just where the last issue left-off: Batman is in trouble, Batgirl and Robin are rushing to his aid before his hunters – Roxy Rocket, Riot, and Doctor Phosphorus, each fuelled by a mix of infamy and Roulette's wealth – can kill him.
As Stephanie and Damian race across the roof-tops of Gotham City the bickering – such an enjoyable feature of recent issues – continues: 'What the hell is wrong with you?' asks Stephanie as Damian charges ahead refusing, as he sees it, to be hampered by his companion – 'And you swing like a girl' he counters before disappearing, quite literally, in a puff of smoke to pick up his motorbike.
At the Batcave Barbara Gordon is monitoring the web-feed of Roulette's performance as she tries to locate the source of the broadcast. Aware that Dick is injured and that he needs BOTH Stephanie and Damian if he is going to survive she directs Steph to her private garage, where she's been saving something for a 'special occasion' – and Batman's plight certainly qualifies as just such a special occasion.
As we see Damian, now on his bike, weaving in and out of the Gotham traffic we catch sight of Stephanie advancing rapidly in her own vehicle that's not quite a car, not quite a motorbike … as we find out later on in the story!
Meanwhile, back in Devil's Square, Batman – weak but not yet beaten – is barely one-step ahead of Phosphorus with Roxy Rocket not far behind. Stephanie and Damian, join forces and work together as Dick, now close to being overwhelmed, sees that help from his young companions is just moments away. Wrestling himself free from his assailant Dick jumps to safety as Damian leaps from his bike … moments before it impacts on Phosphorus.
With Phosphorus temporarily out of the picture Roxy Rocket sees her opportunity and swoops low for an attack – as she does Stephanie positions herself beneath Roxy's rocket, hits her vehicle's 'eject' button and fires herself skyward towards Roxy, where the two women fight for control of the aircraft.
With Riot – several Riots in fact – now beating on Dick, Damian positions Phosphorus for a very painful meeting with Roxy. Two down, one to go. As Stephanie leads Dick to safety the young boy – 'little Lord Fauntleroy' – confidently confronts around a dozen Riots … and it soon becomes obvious that he's out of depth: Batgirl to the rescue!
Much later, having put an end to Roulette's plans, Dick, Damian, and Stephanie join Barbara back at the Batcave. As the two youngsters eat, and recommence their bickering that had been largely abandoned while they worked as a team, Barbara and Dick take time-out to talk about where they've come from, where they are, and where they are going – and, perhaps more importantly, why they are going there.
When discussing 'creativity' I'm always quick to acknowledge there's no such thing as good or bad, rather something that is to my personal tastes or otherwise. The Batgirl title very much falls into the former category.
Throughout the series so far the stories themselves have been largely uncomplicated and beautifully told through strong narration and some great dialogue – and this issue continues that tradition. As regular readers will know I'm enjoying the lighthearted bickering between Stephanie and Damian but it wouldn't take much for this fun relationship to cross the line into silly: it's credit to Brian Q. Miller's writing that I'm confident that particular pitfall will be avoided.
I've long-since been a fan of Lee Garbett's art and feel his work gets better with each passing issue – as I've said before, this clean, sharp, confident style of artwork is VERY much to my personal taste and therefore credit also goes to Trevor Scott and Guy Major for their inks and colours.
As the concluding issue of a story-arc featuring no less than four villains, it would have been easy for this issue to have turned into nothing more than a 22-page 'chase-and-fight.' Needless to say, it didn't, as moments of high drama were interspersed with moments of quiet reflection, none more so than the scene, late in the issue, with Barbara and Dick in the Batcave. I was genuinely touched as the two discussed their past – and their futures – and I have a feeling that in time we'll look back to these five panels as something of a turning-point for the two characters.
While I'm not saying the Batgirl title is perfect, I can't, in all honesty, identify any flaws and I'm not sure what else I'm looking for to consider it perfect – it makes me smile, at times it makes me feel a little sad, it makes me think. It makes me want to read and then re-read the issue and makes me look forward to the next.
Batgirl #7:
Reviewed by Zaius
The roller coaster ride continues! DC wasted no time in releasing the second part of Morrison and Stewart’s story arc. After an excellent, yet confusing issue in number seven, we receive the answer to the question; who is the resurrected Batman? In a fast-paced and wonderfully scripted issue, Morrison continues to provide us with the freshest approach to Batman that we haven’t seen for years. And I haven’t even mentioned Cameron Stewart yet!
Let me start off by saying that any doubts that you may have had after issue seven; forget about them. Morrison approaches issue eight with a much more cinematic style of story telling. He also clears up the mysteries behind all of these Batman corpses. He does a fantastic job of pacing and structuring the issue, a slight problem with issue seven. He incorporates flashbacks and references to R.I.P and Final Crisis, and they make perfect sense. However, to fully understand what is going on, if you haven’t read any of the titles previously mentioned, you might want to go check those out. The issue reads quickly and forces the reader to keep up, but these qualities provide the reader with a very exceptional reading experience.
The issue begins with Batwoman explaining her predicament and how she exactly ended up in a coffin, like she was in issue seven. As she is explaining, alongside Batman, Squire, and Cyril the Knight, they all wait for the rising of the Batman from the Lazarus Pit. Of course, when this Batman comes face to face with the group of heroes, he is rather uncontrollable to say the least. He quickly begins to attack the group and we then learn who this Batman truly is. Tying back into R.I.P and Final Crisis, we learn that this is the one remaining clone of Bruce Wayne. Returning to present time, the crew is having quite a bit of difficulty bringing the clone of Wayne down. Outside of the mine, King Coal’s men escape and return to King Coal himself. They tell him of the masks inside and he then proceeds to detonate a bomb. The roof of the mine explodes, separating Dick from Cyril and Squire and the clone. However, Dick manages to find Batwoman beneath all the rubble. The clone finds the exit and begins to leave. We then see Alfred accessing the sealed vault that Dick removed the body from, and he learns of Dick’s horrible mistake. The clone commandeers the bat-plane and heads for the plane back to Gotham City. Back in Gotham, Alfred meets an injured, but heeled Damian at the top of Wayne Tower. In the mine, Dick comforts Kate but she then explains she has to die, and does. The plane arrives back home, and the clone makes quick work of a curious Alfred. While Damien is researching Dick’s recent actions, he is confronted by the cloned Batman and believes him to be his father. To be continued…
Like I said, this issue reads fast! But Morrison does a great job of knitting it so tightly together. I also thought the issues cliffhanger leaves the reader with some interesting predictions. Morrison continues his fun and action-packed ride that I just cannot get enough of.
While Morrison remains on top of his game, Cameron Stewart is the true hero in this issue. Stewart’s artwork is much more refined and his style and lines remain very strong. In some very difficult panels, he makes a clear distinction between Dick and the cloned Batman during their fighting scenes. Readers should no longer question the reasoning for his presences on this title. Truly genius!
Overall, I found this issue to be an absolute blast. It left me wanting more and I will have a difficult time waiting for the next issue. Luckily, the break is only two weeks. Morrison and Stewart make their collaboration a very memorable one with issue eight. Morrison does a fantastic job of tying all of his previous work together, to form a rather logical story. Morrison’s stamp on the character continues to get larger and larger…
Batman and Robin #8:
Reviewed by Zfactor
With a recent slew of old titles being brought back to tie into Blackest Night, you’re probably wondering if they are really worth picking up. And let me tell you, The Question number thirty seven is definitely worth the purchase.
The Question number thirty seven sees the return of legendary Question writer Denny O’ Neil, who co-writes the issue with the great Greg Rucka. Both known for their previous work on the Question title. The issue also sees the return of former series artist, Denys Cowan. If you are a fan of Vic Sage and the previous work on the Question, this issue is definitely for you. While Sage returns as a Black Lantern, the issue doesn’t feel like it is a part of Blackest Night, but rather a closing chapter on the previous work.
The plot of the issue is fairly straight forward. The issue opens with a brief recap of the eventual death of Vic Sage (the original Question). We then learn that due to the recent events of Blackest Night, Professor Rodor, also known as “Tot”, is attempting to revive Sage with the use of a black ring. Rodor is doing because he wants to know the answers that separate life from death. Meanwhile, Lady Shiva appears and challenges Renee to a fight. While the two are knee deep in combat, Sage rises from the dead as a Black Lantern. When Lady Shiva and Renee are confronted by Sage, we learn that Shiva actually came because she was expecting this. While Tot is trying to get answers from Sage, the two women are set out to destroy him. They eventually learn how to defeat the lantern; Shiva realizes that Sage can only see them through their feelings, so to speak. She tells Renee to keep herself from feeling anything and they will become invisible to Sage. Shiva, Renee, and Tot are able to remain composed and Sage eventually exits. The issue ends with Renee suiting up in her Question outfit, and making her way after the Black Lantern Vic Sage.
First of all, I thought the pairing of the two writers, who have such tremendous respect for the character, was an excellent move on DC’s part. I think the core concepts from the original series are all here. I also thought that having Lady Shiva appear was a real plus. This provided the issue with some of the important characters to arrive and allowed for more action to occur within the panels. I thought the story was very original and I felt like I wasn’t reading a Blackest Night tie-in, which I think is the real secret to making a tie-in successful.
O’Neil and Rucka do a superb job as usual, but the real treat of the issue is being able to Denys Cowan pencil a Question issue once again. Cowan really brought the book to life originally with his grim and somewhat gritty style. In this issue, it is no different. He remains sharp as ever when penciling the fast-paced fight sequences that were always wonderful to look at. This issue also features Bill Sienkiewicz doing the inks. With the two teaming up, we are brought back to the dark and violent panels that made the Question what it was in the past.
Overall, a wonderful issue that made me come to a realization. I realized that the Question co-feature in the back of Detective Comics really isn’t that good. This issue reminded me of what the Question should always be. The Question should always be about strong characterizations and almost hopeless storylines. With well paced and sharp dialogue, terrific artwork, issue number thirty seven is a real knockout.
The Question #37:
Reviewed by Zfactor
Welcome back bat-believers to “Creator Spotlight”. Zach here again, and this time I will be tackling a further look into the career of a true architect of comics, the unforgettable artist, Jim Aparo.
Jim Aparo is one of those artists that will never be forgotten. He was truly a master at his craft. There is no debate over the man’s talent, but his influence on the character of Batman is absolutely astounding.
Jim Aparo began his career around 1966 at Charlton Comics. While at Charlton Comics, Aparo was distinctly remembered for being extremely versatile and working in many different genres. Aparo was also recognized to be one of the few artists who would pencil, ink, and letter all of his own work. After several years at Charlton, former editor of Charlton Comics, Dick Giordano offered Aparo a job and DC Comics. Aparo’s early DC work included such titles as Aquaman and Phantom Stranger. A few years later, Aparo was handed the gig to do the artwork on The Brave and the Bold, in which he began at issue one-hundred. Aparo worked consistently on the title until issue two-hundred, which was the final issue of the series due to cancellation. While working on The Brave and the Bold, Aparo also worked on several other DC titles including a brief time on Detective Comics. However, Aparo’s unforgettable Batman work was yet to come.
Following the cancellation of The Brave and the Bold series in 1983, Aparo and writer Mike W. Barr (future creator spotlight) co-creator what would be called the series, Batman and the Outsiders. Many of the Outsiders that we see in today’s comics, originated from this series. The series initially ran 47 issues from 1983 to 1987. However, Batman left the title after issue 32 and the name was changed to Adventures of the Outsiders. Of course, the Outsiders would later return to comics and receive their own title. During Aparo’s run on the book, Batman played a significant role. Batman even revealed his true identity to the Outsiders during the Aparo run. The stories often revolved themselves around Batman and the team globe-trotting around the world on rescue missions. While the stories were often quite quirky, these remain extremely enjoyable and presented the reader with Batman stories that were quite different from the others at the time. It is also important to note that Aparo worked on the title consistently up until issue 21, with brief absences.
With Outsiders wrapping up, Aparo return to the bat-verse and began working on the titles Batman and Detective Comics once again. By this point in Aparo’s career, he had stopped inking all of his penciled work and, most of Aparo’s work was inked by Mike DeCarlo from this point forward. Aparo worked on Detective Comics consistently from issue 518 to issue 522. However, Aparo would return and work on issue 627 of Detective Comics, which marked the 600th appearance of Batman in the title. He would also work on his final issues of Detective Comics, which would be issues 641 and 716.
During his entire career, Aparo ended up working on a total of 35 issues of Detective Comics from 1972 to 1997.
As I mentioned earlier, and as you all know, Aparo worked on the Batman main series often from 1977 to 1998. Aparo made some major contributions to some major storylines including; The Knightfall Saga, A Lonely Place of Dying, and A Death in the Family.
Many consider A Death in the Family to be Aparo’s most recognized work. The storyline appeared in the issues of Batman from 426 to 429. The story was written by Jim Starlin and revolves around Batman and Robin, then Jason Todd, finding out who Jason’s mother is, and hunting down the Joker in the Middle East. This is also the story in which the Joker beats Jason to death with a crowbar. This storyline would change Batman comics forever. Aparo stands out in this storyline because his pencils appear to be absolutely matchless.
The thing that I will always remember about Jim Aparo was the raw energy that he brought to his pages that so many other artists were and are unable to do. During A Death in the Family, he is able to take one of the most gruesome moments in comics and transform it into a beautifully rendered page. His characters seemed alive and in constant motion. His pages were also perfectly detailed; the backgrounds were never left untouched. He was a master of creating depth within a panel.
Unfortunately, Mr. Aparo passed away in July of 2005. While he has gone, his impact on the comics industry has and never will leave. He will be truly missed.
And that concludes our second installment of Creator Spotlight, which was on the truly unbelievable Jim Aparo. He was truly a master of the craft. Check out the blog for the next Creator Spotlight which will be on Alan Grant. Tune in next time, Same Bat-Time, Same Bat-Blog.
Posted by Zach
Red Robin #9, written by Chris Yost, art by Marcus To, not Ramon Bachs who is on the cover of the comic as artist, but following the many screw ups in the DC office with soliciting Paul to be writing books, which he’s not actually doing, I can let that slide for now.
This issue sees Red Robin come back to Gotham, to take down Ra’s, who has now sworn to destroy everything Bruce Wayne made.The story is mixed with Red Robin getting back to grips with how Gotham works, by taking down Killer Moth, in a sequence that is the most enjoyable in the book. Tim, instead of whining about how Bruce is alive, is now just doing what I want this comic to do, be in the middle of a fight, with a second tier villain.
The rest of the comic has Tim meeting his old friends, like Conner Kent, who Tim has a heartfelt moment with, referencing a sequence in a comic that I didn’t read. That comic was Adventure Comics #4. What is Yost’s obsession with making the reader have to read other comics to understand just what Tim is talking about? I’m sure the DC editors love that Yost is doing this, but I, as a reader, am just left feeling lost.
Next we have a sequence with Tim and Ra’s, with Ra’s reminding Tim, that although you are in a boring comic that really is a filler issue at best, you still have to face the league.
Following this revelation, Tim realizes that he needs help, in the form of the bat-family, and who does he find in the cave, smiling? Stephanie Brown as Batgirl, and she says “Well, I’m not spoiler anymore tee hee…” Yes, that’s where we end this comic, with a shock ending, that was given away in solicitations three months ago.
The art in this comic, as usual with Red Robin at this point, is average at best. It does look good in places, but as with Red Robin itself, just when you start to enjoy it, the creative team pulls it away from you. The page that bothers me the most, is the final page, with Batgirl. She seems so posed on that page and is in complete contrast with what she is saying. So, overall, acceptable art, that could be better.
Chris Yost’s writing is his usual work here, it is serviceable. But like the art, it is nothing special. Red Robin seems to be that little comic that just can’t get to where it wants to go, and for that reason, I still remain disappointed with the comic.
Red Robin #9:
Reviewed by Suavestar
Yesterday, we were treated by another preview from Jock. Again he posted it on his Twitter page.
the mighty David Baron bringing the colours, from DETECTIVE COMICS
Posted by Dustin
November 2009-Batman and Dial H for Hero
Just in case you don’t know what Dial H for Hero is, he is kinda like the cartoon Ben 10. Instead of having a watch which turns the wearer into different aliens, the Hero Dial turns the wearer in to different heroes with different powers. So this issue is basically Ben 10 meets Batman.
This issue starts with the Hero Dial’s current owner, a teenage boy called Robby Reed, and his Grandfather checking in to a hotel in Gotham City for an Army reunion. While they are checking in, the desk clerk tells them to be careful while they are outside in Gotham since it is a dangerous place. The Grandpa replies to the clerk that it’s not his first time in Gotham. Meanwhile, Robby is looking out of the lobby’s window at a down and out man sitting on the steps of building across the street. We then learn that this man used to work at a local steel mill. He is upset because he got hurt and then was laid off. Then we see The Joker (looking kind different then I’m use to, but hey), talking to his henchmen and telling them that he finally wants to kill Batman and how he has an awesome plan to finally end the Bat.
A few hours later, Robby is watching the news with his Grandpa. He doesn’t understand how there is so much crime in Gotham City with Batman around, so his Grandpa tries to explain to Robby that Batman can’t be in four places at once, let alone two places. Soon afterward, Robby can’t sleep and decides to use his Hero Dial to help Batman. The dial turns him into a hero called Mental Man, who is meant to be “The Greatest Psychic who ever lived.” I think every time he transforms he gives a brief description of the hero’s powers. I could be making that all up or confusing it with Digimon. Well back to the story. Mental Man then use his powers to see into the future and gets scared at what he sees. He then turns back to Robby and goes to bed.
The next morning Robby and his Grandpa leave the hotel. But as soon as they leave, the guy that caught Robby’s eye the day before, breaks in to their hotel room and steals some of their things including the Hero Dial. After leaving the hotel room, he goes to an alley and takes a look at the stuff his stole. He starts to think if it was really worth it until a friend of his comes along and tells him that somebody is offering him and other lowlifes a $100 for tripping alarms to keep the police busy. This is where we learn that his name is Travers. So Travers tells his friend that he will think about it. While he is thinking he takes a look at the Hero Dial and makes a joke about how the analog dial is dead and wonders if the person who made the dial ever heard of digital. He then pushes one of the buttons which results in him turning in to a hero called The Star (who looks a lot like the Sentry from the Marvel comics) who is super-strong and can fly. Travers hears somebody crying for help and he saw a window cleaner falling, so he quickly flies up and save him before he falls to his death. After bringing the window cleaner to safety , Travers gets a hero's welcome from the public. While he is introducing himself, he see Batman watching from the corner of his eye and decides to go and talk to him. Well, The Star and Batman exchange words. Batman gives the usual speech, “This is my city. And if you mess up, I will hunt you down and beat you down.” So The Star tells Batman about the plan he heard about. Batman thanks him for the information and they shake hands. But while they shake hands, Batman somehow gets his fingerprints.
The Star goes back to the hotel room of Robby, while they are talking to the Police about what has been stolen. He flies away before he is seen. So now he is flying around saving people. Then the next couple of pages are pretty cool, with lots of cool fighting and action scenes. We later see Batman breaking into a warehouse with hostages tied up. Batman goes to save them, but before he can he hears The Joker and his plan to kill Batman. If Batman saves the hostages, he has a few seconds to untie them and leave the building before it blows up, which is impossible and if he walks away the building with still blow up. So either way Batman dies. So Batman leaps forth to save the hostages, but before he does the Star flies in and grabs the C-4. He flies through the window and then the C-4 blows up killing him.
The next morning, Robby is sitting outside of a building where his Grandpa's army reunion is being held. He is reading a newspaper article talking about the death of The Star. Batman appears out of nowhere and hands him back the Hero Dial. Robby then says that he doesn’t deserve the dial and tells Batman that he left the Hero Dial out to get stolen. When he was looking in to the future, he saw The Star die. He didn’t want to die and calls himself a coward. Batman gives him a pep talk and tells him about Travers. He says that Travers always wanted to do something with his life and by stealing the Hero Dial, he got his chance to die as a hero.
This issue was written by J. Michael Straczynski. This is the first comic I have ever come across written by him, but I have heard that he has written a lot of The Brave and the Bold. He is a pretty good writer, but am not too sure on how he writes Batman. The story felt rather short, but I guess that's how The Brave and the Bold comics work. The artist was Jesus Saiz, whose art is pretty good, but a lot of his male characters look girlie. But his take on Batman and The Joker is pretty cool, despite The Joker looking kind of girlie in some panels. But besides that its a pretty good comic.
The Brave and the Bold #27:
Reviewed by Johnny Impulse