Tony Daniel’s current arc on Batman has been solid, to say the least. As the story is beginning to wrap up, we are getting ever closer to finding out the identity of the Black Mask.
Last time we saw Batman, he had fallen into a trap set by the Penguin and the Mad Hatter at an abandoned amusement park. This issue basically picks up the story an unspecified time later. Batman is washed up on the shore in Gotham Harbor, and is found by Damian. Dick is seen to be beaten up pretty badly when he is discovered, and is wearing a broken mask that the Black Mask has been giving to the “false faces.”
Now throughout the book, Batman continuously goes in and out of consciousness. At the same time, the story is going back and forth between the present time, and flashbacks of the previous nine hours that are running through Dick’s mind. Going back nine hours, we see that Batman is under the control of the Penguin, following his orders by way of the altered gas mask. Damian has already figured this out, but just hasn’t figured out whose orders Dick had been following. We see that the Penguin had sent Batman to break into the Mayor’s office where he takes two tubes of the antidote to Black Mask’s mind control toxin. As Batman is beginning to gain consciousness again in the present, he blacks out once more and the story goes to Catwoman and Kitrina Falcone who are going after Black Mask as well. Catwoman saves Kitrina from the third member of their group who was about to kill Kitrina. Batman shows up, still under Penguin’s control and takes them down, but goes with Kitrina to Devil’s Square, which has attracted both the National Guard and the Marines due to the Black Mask and his followers.
While going through all of the flashbacks in his mind, Dick is slowly beginning to remember what happened. We see that he had confronted Black Mask and his inner circle of Fright and Dr. Hugo Strange. They fight and Batman had gained the advantage until Black Mask pulled a gun, and shot Batman in the chest, who proceeded to fall out a window, off a cliff, and into the ocean below. And that is where he reaches the point at the beginning of the book. It ends with a now fully aware Batman telling Babs that he thinks he may know who Black Mask really is.
I enjoyed this book, despite its non-linear timeline. I think Tony Daniel did a good job pulling it off, though I will acknowledge that I am not a huge fan of this style. The reason he was able to keep the story from being too confusing or choppy was the fact that the main focus was in the flashbacks, with no action in the present. That’s the trap that many writers fall into, but Daniel avoided. The actual story started off great, with Damian doing all the talking. That first scene gives the reader a reminder that even though he may think of himself as an adult, Damian is still just a kid. I got a small chuckle out of the first line when he saw Dick lying on the beach and yelled out, “Epic Fail!”
The one issue I had with this book was the absence of Dick’s thought process during the fight scenes. This was obviously because he was being manipulated, but maybe it would have been a little cooler if we saw conflicting views between the Penguin and Dick’s thoughts. Either way, Daniel’s doing a good job, and his art has been excellent as well. It’s nice to get a break from the seemingly never ending Blackest Night with a good Batman story (I’m sure I’ll get some flak from that).
Batman #696:
Reviewed by RiddleMeThis
Yesterday, we got a somewhat amusing image from Cameron Stewart over on his Twitter page.
Rejected cover sketch for Batman & Robin #9
Posted by Dustin
Reviewing this title each month is becoming increasingly difficult – I'm finding there are only so many ways to say 'good story', 'great dialogue', 'fun characters', 'superb art', 'striking covers' … but I'm enjoying the challenge nonetheless as Batgirl continues to be my most looked-forward-to book each month.
This issue, the third and final part of the Batgirl Rising: Core Requirements story-arc, picks-up just where the last issue left-off: Batman is in trouble, Batgirl and Robin are rushing to his aid before his hunters – Roxy Rocket, Riot, and Doctor Phosphorus, each fuelled by a mix of infamy and Roulette's wealth – can kill him.
As Stephanie and Damian race across the roof-tops of Gotham City the bickering – such an enjoyable feature of recent issues – continues: 'What the hell is wrong with you?' asks Stephanie as Damian charges ahead refusing, as he sees it, to be hampered by his companion – 'And you swing like a girl' he counters before disappearing, quite literally, in a puff of smoke to pick up his motorbike.
At the Batcave Barbara Gordon is monitoring the web-feed of Roulette's performance as she tries to locate the source of the broadcast. Aware that Dick is injured and that he needs BOTH Stephanie and Damian if he is going to survive she directs Steph to her private garage, where she's been saving something for a 'special occasion' – and Batman's plight certainly qualifies as just such a special occasion.
As we see Damian, now on his bike, weaving in and out of the Gotham traffic we catch sight of Stephanie advancing rapidly in her own vehicle that's not quite a car, not quite a motorbike … as we find out later on in the story!
Meanwhile, back in Devil's Square, Batman – weak but not yet beaten – is barely one-step ahead of Phosphorus with Roxy Rocket not far behind. Stephanie and Damian, join forces and work together as Dick, now close to being overwhelmed, sees that help from his young companions is just moments away. Wrestling himself free from his assailant Dick jumps to safety as Damian leaps from his bike … moments before it impacts on Phosphorus.
With Phosphorus temporarily out of the picture Roxy Rocket sees her opportunity and swoops low for an attack – as she does Stephanie positions herself beneath Roxy's rocket, hits her vehicle's 'eject' button and fires herself skyward towards Roxy, where the two women fight for control of the aircraft.
With Riot – several Riots in fact – now beating on Dick, Damian positions Phosphorus for a very painful meeting with Roxy. Two down, one to go. As Stephanie leads Dick to safety the young boy – 'little Lord Fauntleroy' – confidently confronts around a dozen Riots … and it soon becomes obvious that he's out of depth: Batgirl to the rescue!
Much later, having put an end to Roulette's plans, Dick, Damian, and Stephanie join Barbara back at the Batcave. As the two youngsters eat, and recommence their bickering that had been largely abandoned while they worked as a team, Barbara and Dick take time-out to talk about where they've come from, where they are, and where they are going – and, perhaps more importantly, why they are going there.
When discussing 'creativity' I'm always quick to acknowledge there's no such thing as good or bad, rather something that is to my personal tastes or otherwise. The Batgirl title very much falls into the former category.
Throughout the series so far the stories themselves have been largely uncomplicated and beautifully told through strong narration and some great dialogue – and this issue continues that tradition. As regular readers will know I'm enjoying the lighthearted bickering between Stephanie and Damian but it wouldn't take much for this fun relationship to cross the line into silly: it's credit to Brian Q. Miller's writing that I'm confident that particular pitfall will be avoided.
I've long-since been a fan of Lee Garbett's art and feel his work gets better with each passing issue – as I've said before, this clean, sharp, confident style of artwork is VERY much to my personal taste and therefore credit also goes to Trevor Scott and Guy Major for their inks and colours.
As the concluding issue of a story-arc featuring no less than four villains, it would have been easy for this issue to have turned into nothing more than a 22-page 'chase-and-fight.' Needless to say, it didn't, as moments of high drama were interspersed with moments of quiet reflection, none more so than the scene, late in the issue, with Barbara and Dick in the Batcave. I was genuinely touched as the two discussed their past – and their futures – and I have a feeling that in time we'll look back to these five panels as something of a turning-point for the two characters.
While I'm not saying the Batgirl title is perfect, I can't, in all honesty, identify any flaws and I'm not sure what else I'm looking for to consider it perfect – it makes me smile, at times it makes me feel a little sad, it makes me think. It makes me want to read and then re-read the issue and makes me look forward to the next.
Batgirl #7:
Reviewed by Zaius
The roller coaster ride continues! DC wasted no time in releasing the second part of Morrison and Stewart’s story arc. After an excellent, yet confusing issue in number seven, we receive the answer to the question; who is the resurrected Batman? In a fast-paced and wonderfully scripted issue, Morrison continues to provide us with the freshest approach to Batman that we haven’t seen for years. And I haven’t even mentioned Cameron Stewart yet!
Let me start off by saying that any doubts that you may have had after issue seven; forget about them. Morrison approaches issue eight with a much more cinematic style of story telling. He also clears up the mysteries behind all of these Batman corpses. He does a fantastic job of pacing and structuring the issue, a slight problem with issue seven. He incorporates flashbacks and references to R.I.P and Final Crisis, and they make perfect sense. However, to fully understand what is going on, if you haven’t read any of the titles previously mentioned, you might want to go check those out. The issue reads quickly and forces the reader to keep up, but these qualities provide the reader with a very exceptional reading experience.
The issue begins with Batwoman explaining her predicament and how she exactly ended up in a coffin, like she was in issue seven. As she is explaining, alongside Batman, Squire, and Cyril the Knight, they all wait for the rising of the Batman from the Lazarus Pit. Of course, when this Batman comes face to face with the group of heroes, he is rather uncontrollable to say the least. He quickly begins to attack the group and we then learn who this Batman truly is. Tying back into R.I.P and Final Crisis, we learn that this is the one remaining clone of Bruce Wayne. Returning to present time, the crew is having quite a bit of difficulty bringing the clone of Wayne down. Outside of the mine, King Coal’s men escape and return to King Coal himself. They tell him of the masks inside and he then proceeds to detonate a bomb. The roof of the mine explodes, separating Dick from Cyril and Squire and the clone. However, Dick manages to find Batwoman beneath all the rubble. The clone finds the exit and begins to leave. We then see Alfred accessing the sealed vault that Dick removed the body from, and he learns of Dick’s horrible mistake. The clone commandeers the bat-plane and heads for the plane back to Gotham City. Back in Gotham, Alfred meets an injured, but heeled Damian at the top of Wayne Tower. In the mine, Dick comforts Kate but she then explains she has to die, and does. The plane arrives back home, and the clone makes quick work of a curious Alfred. While Damien is researching Dick’s recent actions, he is confronted by the cloned Batman and believes him to be his father. To be continued…
Like I said, this issue reads fast! But Morrison does a great job of knitting it so tightly together. I also thought the issues cliffhanger leaves the reader with some interesting predictions. Morrison continues his fun and action-packed ride that I just cannot get enough of.
While Morrison remains on top of his game, Cameron Stewart is the true hero in this issue. Stewart’s artwork is much more refined and his style and lines remain very strong. In some very difficult panels, he makes a clear distinction between Dick and the cloned Batman during their fighting scenes. Readers should no longer question the reasoning for his presences on this title. Truly genius!
Overall, I found this issue to be an absolute blast. It left me wanting more and I will have a difficult time waiting for the next issue. Luckily, the break is only two weeks. Morrison and Stewart make their collaboration a very memorable one with issue eight. Morrison does a fantastic job of tying all of his previous work together, to form a rather logical story. Morrison’s stamp on the character continues to get larger and larger…
Batman and Robin #8:
Reviewed by Zfactor
Batman joins the newly reformed Justice League of America in issue number 41 of the JLA written by James Robinson, penciled by Mark Bagley and ably inked by Hunter, Alquiza, and Wong.
First and foremost, what is the most striking detail about this issue? The continuity problem! Not only does this issue take place after Blackest Night is over it also spoils the ending to “Justice League: Cry for Justice”. So anyone who wants an advanced look at how that series ends, help yourselves! (Not that “Cry” has exactly set the world on fire. Also written by Robinson, it is now running late.)
Batman does not take a central role in this book as it is, of course, a team up affair. The story starts out with a disconsolate Donna Troy ready to walk away from it all. Burnt out and “beaten down” Troy happens across a crime scene where children are being held hostage in a hospital and she is forced to act. After securing the children and stuffing the bad guys, she openly questions herself, lashes out at Wonder Woman and proclaims, “I am done.”
Or not.
After a short lecture from Wonder Woman and a brief interlude through America’s colonial period (with a sidebar trip to the Smithsonian, which serves as a future JLA storyline) Troy relents and starts the recruitment process. Starfire and Cyborg quickly sign up and Troy takes off to Gotham City. Here we catch up with the Caped Crusaders in the middle of a beat down of some poor Killer Moth wannabe’s. The new Batman and Robin are at their acrobatic best and seem to be following the Judd Winick model. Lighter in attitude and much less grimmer in tone. The action stops as Troy appears on the scene and says not bad to "Batman". Batman, in quotes, as she knows it is Dick Grayson beneath the cowl. She compliments the duo and refers to Damian as a kid. Cue comedic retort from the new Damian Robin, “Kid?” he says, “How dare you Harlot.” Funny and not too far off as Donna Troy is sporting a skin tight cat suit that might be more appropriate to the bedroom than a back alley.
The two exchange some small talk and catch up quickly. Batman tells Donna that he just put down “Yellow Wasp” and is on the trail of a bigger evil doer called” The Broker” who has been setting up hideouts and putting together groups for what may be a larger storyline in the future. He correctly deduces Donna hasn’t arrived for chit-chat and asks her if her visit means she wants him to join the Justice League. She is amazed at his deductive prowess (he cheated) and the seal the deal with a groan inducing “fist bump”. Again, from the Winick model? Of course if she had asked me to join the League I would have told she had me at revealing, skin tight jump suit that barely covers her ample, um, attributes. Just sayin’. (Oh yes, Damian says he's in too.)
The story continues as Donna goes off to recruit the new Dr. Light, Mon-El as the Superman sub, Green Lantern, and Green Arrow. The final panel is a full pager and is a nice portrait of the Hal Jordan Green Lantern and Batman.
The artwork seems a bit rushed but the inking was fine. Like I said, the last panel is pretty cool and Mon El gets a nice action splash page. The story? Well, it is a reboot of the JLA series, so Robinson had to fit in a lot threads just to pull each character in. Hopefully future plots will be tighter. I’m curious how large a role the Dick Grayson Batman will play in this series and if he will continue the lighter tone discussed earlier. I’m actually hoping he’ll keep the cape and cowl and stay on as Batman in the JLA even after Bruce Wayne returns. There is more than one Green Lantern after all. Anyone think DC has the guts to allow that angle?
Yeah, I didn’t think so either.
Justice League of America #41:
Reviewed by Dark Knight Dave
The much anticipated delayed issue number seven of Batman and Robin has finally arrived. The elusive writing talents of Grant Morrison continue to pack the panels with action-packed entertainment. However, the issue also marks the first of three issues done by the brilliant Cameron Stewart. Issue number seven keeps Batman and Robin as the best bat title, but does falter in some aspects.
Issue number seven returns the series to the quirky and ridiculous nature of the first story arc. Morrison returns to writing fun and action-packed panels that keep the reader at the edge of their seat. Cameron Stewart isn’t Frank Quietly, but Stewart is an improvement of Philip Tan. Issue number seven is by far one of the strongest issues of the series thus far.
The basic plot of issue seven is Dick is attempting to resurrect who he thinks is in the Batman suit, Bruce Wayne, by using a Lazarus Pit. The issue opens were number six left us; Dick is removing the corpse of someone in a Batman suit. I say someone because while most are saying that this is Bruce Wayne, I am not quite ready to make that statement yet. We then cut quickly to England where Dick and Squire are racing across England to rescue civilians on a wired subway train. Dick and Squire successfully prevent the criminal known as Eddie English from completing his plan. English is known as “The Pearly Prince”, the son of “The Pearly King of Crime”. Dick heads over to the prison to meet with the Pearly King. During the discussion, we learn that a game of cards was played and Eddie won a mine from King Coal that contained a Lazarus Pit. As Dick and Squire are leaving the prison, we learn that The Knight is already down in the mine helping Dick because as we know, Damian is currently unavailable. We then see Damian is undergoing surgery at the hands of Talia’s best medical assets. Alfred has come to watch the procedure and shows concern for Damian. Talia assures Alfred of his safety on his way back to Gotham. Talia also asks Alfred if he truly believes Bruce Wayne is dead, in which he explains that he saw the body and the identity has been verified by several people. We then cut to Dick and Squire making their way into the abandoned mines that Dick and the Pearly King discussed earlier. Upon entering the mines, they are attacked by some of King Coal’s men, with the aid of The Knight; the three of them make quick work of the henchmen. After Dick and Cyril greet each other, Dick learns what exactly is in the mine, a lost Lazarus Pit. The three discover a coffin that the henchmen were carrying. The coffin explodes and appears Batwoman. She quickly reacts and begins to question Dick while attacking him. Batwoman demands to know who is being resurrected, in which Dick explains Batman, which confuses Batwoman. Dick explains to her that he is the new Batman and the original Batman died saving the world, however Dick does not reveal his identity to Kate. The four heroes enter the room that contains the Lazarus Pit and we learn that Dick has already had the body wearing the bat suit put into the Lazarus Pit. The issue ends with the hand of the body arising from the pit.
Now aside from one editorial mistake, I found this issue to be a rather fun and entertaining ride that kept me compelled. I thought Morrison did a terrific job to returning to his original light-hearted tone that worked so well during the first story arc. My one problem with this issue is that the pacing is rather erratic and the story can be a bit confusing at first. The issue opens with Dick carrying the dead body of someone in the Batman costume, and then immediately we see Dick racing across England. What? I guess I would have liked some sort of plot point that explained Dick’s movement from point A to point B. However, Morrison returned the title to its original roots and I am excited to read more.
When I first learned that Cameron Stewart was going to be working on this title I thought, wow, he is a terrific artist but he is not someone I would think of working on a Batman book. However, Stewart is an excellent storyteller and he does not disappoint in issue seven. Stewart’s clean and expressive line works perfectly with Morrison’s style. Stewart brings this raw energy that was lacking during the Philip Tan issues. I also feel like he is the perfect artist to be working on this current story arc, that appears is going to be quite silly and action-packed. I look forward to see the next two issues he will be working on.
Overall, this issue is by no means perfect. The pacing is so fast that I feel some key details were left out and I found myself a bit confused at times. However, this confusion did not detract me from the story. I felt the artwork lent itself perfectly to the storyline. This title continues to remain at the top of the stack for me and I look forward to issue number eight.
Batman and Robin #7:
Reviewed by Zfactor
It's felt like a long month since turning the last page of Batgirl #5 and seeing Stephanie Brown, lying on the floor, having been shot in the head. Sure, I knew she'd be okay but I was genuinely taken-aback by the conclusion of the issue and I was looking forward to seeing how the story continued.
Batgirl #6 – Batgirl Rising, Core Requirements, part 2 of 3 – begins with Stephanie dropping in and out of consciousness as she receives treatment in the back of a Gotham ambulance. As one painful memory after another crosses her mind she wakes with a start on the realization that she's been shot.
With Stephanie 'missing in action' Barbara Gordon is back at the Batcave scanning the emergency service radio frequencies for information about her whereabouts when her systems lock onto the codename that Stephanie gives the medics. Realizing that the ambulance is heading to West Mercy Hospital – where Steph's mother works – Barbara distracts (and this is the understatement of the year!) the medics long enough for Stephanie to escape their attention.
Atop the Gotham Police HQ Commissioner Gordon, accompanied by Detective Nick Gage, meets with Batman to discuss the kidnapping of young Francisco Gracia. From a neighboring building Stephanie – now dressed as Batgirl – spies on them before being interrupted by the young Robin. As we discovered in issue #5, the two just can't get along and inevitably start bickering – with hilarious results! Forced to intervene Dick – in 'guardian' mode – breaks the pair apart and sends them both away for a time-out.
Furious with his young associates behavior Dick is reminded by Barbara that Stephanie and Damian aren't the first Batgirl and Robin to have trouble getting along … a comment both Dick and Barbara immediately regret as, for a moment, the mood between them turns sour.
Having temporarily settled their differences, at least enough to semi-agree on a plan, Stephanie and Damian break into Jordanna Spence's apartment and confront Francisco's girlfriend – what does she know about his disappearance? Why aren't the kidnappers demanding a ransom? Where is he?
In the meantime, Dick finds himself under attack as he pilots the Batmobile high over Devil's Square. As he reacts to avoid a collision he discovers his attacker is none other than Roxanne Sutton – 'Roxy Rocket' – who sends a figure resembling Francisco Gracia tumbling to earth. Rescuing the young man Dick discovers it's not Francisco but Freddie 'Riot' Frankenstein who in turn replicates and begins attacking the Batmobile.
As Dick struggles to keep his vehicle airborne we witness an angry roof-top exchange between Francisco and his father in which the older man explains that he knows he's made mistakes in his life but his plan will help him to clear his debts. As Jordanna had earlier told Stephanie, Gracia Senior is a gambler, often doing very well, and just as often very badly … he's in debt to 'Roulette' and his only release is to help her.
Elsewhere, with the Batmobile grounded and Dick injured, Barbara orders Stephanie and Damian, who along with Jordanna are following Roulette's plans to hunt down and kill Batman via an on-line video feed, to find Dick and bring him home.
Once again, another great – fun – issue of Batgirl. Without wanting to dismiss the storyline itself, which is certainly strong enough to maintain my interest, at the moment the true joy in this book for me is following the 'cast' as they develop their individual and group personalities.
The bickering, or banter, between Stephanie and Damian is brilliantly written by Brian Q. Miller and one of the highlights throughout this issue. Carrying on like brother and sister, their verbal dueling is genuinely funny and it must be said, at times quite charming – Stephanie describing Damian/Robin as a 'little badger' and Damian responding to Stephanie's declaration that she's been shot in the head by replying that she's got brain damage and he's not surprised had me chuckling.
The art throughout the issue, literally from cover to cover, is magnificent. I can't at the moment think of a book that's offering better interior art than we're seeing from Lee Garbett and Phil Noto's covers are great: I loved the sense of mischief between Stephanie and Damian as they are interrupted by Dick on this cover. Take a look at the look on Damian's face – he's startled that he's been discovered but at the same time he just can't hide the joy he's feeling!
I enjoyed the 'villains' in this story – Roulette, Riot, Roxy Rocket, and to a lesser extent, Doctor Phosphorous – and I'm looking forward to seeing them hunting their prey through the next issue.
Aside from Stephanie and Damian's relationship I again enjoyed the exchanges between Barbara and Dick and the way the mood between them quickly swings from affection, to irritation and back again to affection. I struggled somewhat to understand Barbara's actions in preventing the ambulance carrying Stephanie from reaching the hospital – would she really make the vehicle crash and risk injuring the medics, passers-by or an already injured Stephanie? I don't think so and this 'misjudgement', so early in the issue, troubled me throughout my read. Likewise, the ease with which Stephanie (or more to the point Mr Miller) shook-off the gun-shot wound to the head was a little … unsatisfactory – clearly I was relieved she was okay but I did feel just a little cheated after the jolt with which the previous issue ended.
These criticisms aside, this really was another excellent issue of Batgirl – great writing, quality artwork, fun without ever being silly, a real 'page-turner' that at the same time satisfied me and left me wanting more: quite possibly the most enjoyable book I'm picking up at the moment.
Batgirl #6:
Reviewed by Zaius
Everyone’s favorite 10 year old crime fighter is back and this time he is teaming up with Metropolis’ own Guardian in the second entry of the four part “World’s Finest” miniseries. Before I get to the nuts and bolts of the book (and how lucky Guardian must feel to be working with Damian) allow me to address the title of “World Finest” itself.
The title “World’s Finest” to me means the very best our planet has to offer in the way of super hero crime fighters. And for our trouble we are given Guardian and Robin? Please! I just hope the fate of mankind doesn’t come down to a ten year old terror with daddy issues and the cloned head of the Science Police who admits to not knowing much about science.
Yes, the premise of the “World’s Finest” books is to bring together heroes from the spheres of Batman and Superman while the aforementioned are either off world or trapped somewhere in time. The idea, apparently, is to fill the void left by those men. But don’t you think the Dick Grayson Batman would be just a little more than miffed to learn he doesn’t qualify for some reason? Ah well, at least in the next book of this series we get the compelling match-up of Supergirl and Batgirl.
As far this book goes I’ll make it as brief as possible. Not being an artist sometimes I find it difficult to judge someone else’s art work. However, I can only say the cover to this edition was truly uninspiring. As for the art work inside I thought it drifted between overly simplistic to slightly better than average. Perhaps DC is trying to entice a younger newer readership with less sophisticated tastes. The dialog also followed this same basic template. Which to be fair, again may be geared to the younger set with less discerning tastes.
As far as the story goes, which is all I am really interested in, we find Robin in all his petulant ten year old splendor in hot pursuit of a stolen device from Wayne Tech. Damian, as usual, pushes the boundaries of normal crime fighting discipline which leads him to bump heads with the Guardian. In typical boilerplate style the two heroes work against each other more often than with each other. Fortunately they have the Parasite and Mr. Freeze to unite them in their quest to solve the crime. It helps that Parasite and Freeze are easy to track and act like a couple of B leaguers themselves. A battle ensues and the baddies are easily vanquished. Damian gets the Tech back and Guardian gets to lock up the evil doers.
The MacGuffin you ask? We don’t get to see that till the final two pages. Toyman resurfaces from the first World’s Finest edition of this series and with the help of his trusty “Toyboy” Mr. Freeze is hijacked from his impending incarceration as his abilities are apparently integral to the Toyman’s latest contraption an impossibly large Superman/Batman robot that spells nothing but trouble for Supergirl and Batgirl in the next issue. Good luck to them.
World's Finest #2:
Reviewed by Dark Knight Dave
About half-way through reading this book and it occurred to me – and I might be the only person who this hadn't previously occurred to – Batgirl is a TEAM book. I'm not talking particularly about Batgirl being part of the 'Bat-family' but it occurred to me that, for me at least, the character 'Batgirl' is Stephanie Brown AND Barbara Gordon – both of them. At the same time.
I think it was the use of the word 'I' in Barbara's narrative, just a couple of pages after Stephanie had said the same thing, that helped me realize this – I'm not sure if it's a technique that's been used in the previous issues or whether I just hadn't noticed it – and it's part of the reason I'm enjoying the book so much.
Issue #5, Core Requirements, part one of three, opens in Devil's Square as the city Fire Department tackle a huge fire that has engulfed a social-housing project known as the Gracia Global Housing Development. On hand to witness the destruction is 'Real Estate Mogul' Stefano Gracia along with his son, Stephanie Brown's university class-mate Francisco.
At the same time, Commissioner Jim Gordon and Fire-Chief Nguyen are talking about the blaze with Nguyen remarking that he'd never seen flames quite like these and he hoped none of Gordon's 'men' were inside the building.
No men, but there is a girl inside the building – Batgirl of course! – and she's certainly got her hands full wrestling with 'Diesel', a giant of a creature who is spraying gasoline, flame-thrower like, in her direction. With Barbara on the com-link offering support, Stephanie turns to 'Mama Oracle's secret weapon': freeze-batarangs!
Unable to contain Diesel for long, it looks like the situation is getting out of hand for Stephanie as Barbara warns her that 'company' is on the way. Thinking this means the police Stephanie is surprised – 'offended' she says – to discover that the company is none other than Batman and Robin. With three-on-one Diesel doesn't stand a chance and is eventually overcome and knocked to the ground. With Robin pounding Diesel, Batman realizes there's a gasoline leak … 'Batgirl to the rescue'.
Later, Barbara and Dick are back at base discussing – arguing mainly – the events of the evening with Dick questioning Barbara's judgment of Stephanie's abilities. Barbara reminds him that his own 'protege' doesn't have a great track record either. With tempers now at boiling point Barbara pushes Dick just a little too hard – as he storms off he warns her that if she doesn't control Stephanie, he will.
Another day, and we're with Stephanie in the library at Gotham U where she overhears – 'earwigs' where I come from! – the aforementioned Francisco and his friend Jordanna discussing the building fire and the loyalty he feels towards his father. As Jordanna leaves, Stephanie sees an opportunity to find out more and asks if there's anything she can help with. Taking in some fresh air, Francisco feels that Stephanie is prying just a bit too much about his father before realizing that they are being followed … Damian.
Across town Barbara is waiting for her father when she's spotted by Detective Nick Gage who is also there to meet with Commissioner Gordon – they've been set up! After some very brief flirting the two start bickering before Gage grabs his coat and leaves, with Barbara realizing that she's still frustrated from her earlier row with Dick.
Later that evening, Stephanie discovers Francisco sat alone in a diner. Changing into some clothes hastily borrowed from Barbara she says 'hi' just as a gang of masked gunmen enter. Despite Francisco's instructions to leave she tackles the raiders only to find herself outnumbered …
This was another cracking read from the Miller/Garbett/Scott creative team. Yes, some of Stephanie's dialogue appears a little cliched but for me that part of her charm, she's 'storming': trying to prove to others – and herself – that she's confident and up to the job. Besides, she's still a young girl, what else should we expect? As I've suggested before, I'm really enjoying Barbara's role in the book and what's more I'm enjoying seeing the Stephanie/Barbara relationship develop.
The inclusion of Dick and Damian in this issue made for some interesting character exploration – there felt a tangible undercurrent of tension throughout the scenes involving Dick and Barbara while it's clear that Stephanie and Damian – like bickering siblings – just aren't getting along. My only disappointment with the Stephanie/Damian interaction was that we didn't get to see the results when Damian was 'rescued'!
Furthermore, it'll be interesting to see how the Barbara/Nick Gage relationship grows – with Batgirl possibly having a crush on the detective through the earlier books it could be interesting to see how – if? – this theme develops.
It's often said that there's no such thing as good or bad art, rather there's art that we either enjoy or don't enjoy, and I'm certainly enjoying the art on this book: from Phil Noto's striking, eye-catching covers to the warm, bold – confident – interior artwork and panel layout.
'Team Batgirl' goes from strength to strength.
Batgirl #5:
Reviewed by Zaius
Philip Tan must feel like the middle child in a family of celebrities. No matter how solid his art may be, it will never live up to his “older brother” Frank and his “younger brother” Cameron. Tan’s collaboration with Grant Morrison and run as primary artist on Batman and Robin will probably be forgotten once this series is done, but his style and tone continued the drama in an interesting visual direction even if it wasn’t as magical as his predecessor or as anticipated as his successor.
Tan and Morrison finish up the Revenge of the Red Hood arc with a slew of dramatic panels that are the most violent of this series to date. Morrison uses the maniacal Flamingo not only as a means to bring Red Hood and Scarlet’s fate to a climax, but to resolve the question of who will be Gotham’s protectors. The writer slyly does this without Dick and Jason having to physically confront each other directly. Much is left open ended at the end of the story: Damian is paralyzed; Jason is off to jail; Flamingo’s body can’t be found; Scarlet, free of her mask is off to start a new life, and a battered Dick Grayson opens a sealed vault to what I’m not sure by uttering the password “Zur en arrh”. I’m not even going to try and speculate on the reason why Grant Morrison has Dick utter that infamous phrase at this time of the story. I think my brain would explode if I did.
I appreciated the action and the depth of drama in this issue, but the writing and panel layouts seemed sloppy and rushed. The artistic simplicity that made the first arc so unique and popular is almost reversed here, with too much going on at the same time. Scarlet’s plot resolution is the most successful and effective of the characters. Her horrific happy ending gave the arc’s finale an edge that made the book worth reading. Dick once again doubts his significance, but there was awkwardness to this portrayal that I found unusual for the author who understands this Batman more than anyone. His cool lecturing of Jason followed by a verbal flare-up while Gordon and the cops are all around, was strange and out of character. Especially considering Robin is laying face first with multiple bullet wounds in his back. And then how does Talia show up all of a sudden? Is Damian headed for the Lazarus Pit? Is this a foreshadowing of his future?
Morrison also inserts a page of Oberon Sexton and El Penitente as if to make sure we don’t forget them. The two insignificant characters will hopefully have a meaningful purpose in the next storyline.
I think Philip Tan is a very talented artist. However, I would love to have seen this issue have fewer panels on each page. His detailing isn’t precise enough to bring out the emotion of the characters and the ferociousness of the violence in such small space. His visual expression would have had a much more profound impact with the use of splash pages. Unlike Frank Quitely, whose panels stand on their own, Tan needs the dialogue to give his work definite meaning. The last page, which should have left me wanting more, instead frustrated me. The actual standout from a graphic art perspective was Jonathan Glapion’s inks and Alex Sinclair’s colors. The quality of those elements has remained consistent from the first issue.
What I find so interesting is how Grant Morrison’s writing changed with the artist. It really makes one realize how essential the chemistry between writer and graphic artist are to the success of a comic book.
Much like Philip Tan, this story arc seemed like the misplaced middle child of the “Pyg” arc and of the story yet to come. I know Blackest Night will deeply impact this series in the upcoming issues, and fellow Canadian Cameron Stewart will no doubt bring the magic back to what was just a few months ago the best book in print. But whatever the future holds for Dick and Damian, I have a feeling we should brace ourselves for a tumultuous ride!
Batman and Robin #6:
Reviewed by Tiggerbrown
So we haven't seen much lately besides a bunch of blurry images from Philip Tan for Outsiders. Today, however, Lee Garbet posted not one, but two different things related to his work on Batgirl. The first comes from his blog. This is what he had to say:
It seems I've been neglecting my blog a bit. Apologies but deadlines and life sorta got in the way and I didn't realise two issues of Batgirl had passed since I last posted.
To hopefully make ammends I've got a brand spanking new page from issue 5, fresh from superstars Sandra Hope (inks) and Guy Major (cols).
Hope you like. More to come!
Then later in the day, he posted up on his Twitter page a new pic with this to say:
BATGIRL learns how to deal with DAMIAN WAYNE part II
Posted by Dustin
When we last left our masked crusaders they were careening out of control and heading for a crash landing in a cemetery at the outskirts of Gotham city. The new Batman, Dick Grayson, has a plan where he can isolate the Black Lanterns away from the citizens of Gotham and provides a means of escape for his battered passengers Barbara and Jim Gordon. What Batman didn’t count on was the arena for this plan would turn into a circus macabre starring his dead parents.
Batman rightly deduces that the best way to limit the feeding frenzy of the Black Lanterns is to rob them of their nourishment. A stratagem that will serve him well by the end of the book. He orders Damian to escort the Gordon’s to safety through a secret passage through the grave of an Archibald Stanton. (Like a million other people I Googled Archibald Stanton and the best match I could come up with was the grave of a Arch Stanton from the classic western, “The Good, The Bad & The Ugly.) Damian typically refuses but Red Robin (Tim Drake/Wayne) has Batman’s back and orders Damian to comply. It’s good to see Dick and Tim work as a team, when the chips are down their personal differences are tossed aside for the greater good. I also appreciate the small doses of humor introduced when Batman calls Robin through his link and both Tim and Damian answer. Dick is forced to clarify, “No, the other Robin!”
Despite the fact that Batman has a plan, so do the Black Lanterns. The source of the Lanterns energy is siphoning off the rage they elicit in their perspective victims. By running their adversaries through a gamut of emotions that typically reach an apex of rage the Black Lanterns then tear their hearts out to fuel their nefarious energy. In this story the bad guys pull no punches. A giant big top is constructed complete with trapeze for the dead Grayson’s to perform on and an apartment where Red Robin sees the night his father died. Despite Batman’s pleading advice to Red Robin to resist this farce, both heroes succumb to this hellacious hallucination. Peter Tomasi does a good job of spinning a fable where both Dick and Tim are given the opportunity to save their parents but more importantly take revenge on their killers. This rage of revenge falls right into the hands, literally, of the Black Lanterns and the gruesome ghouls make a play for the hearts of Dick and Tim.
But this Batman hasn’t played his last card and proves he is worthy of the mantle of the Bat. Before entering the fray, Batman tells Deadman to go get Jason Blood aka Etrigan the Demon! Continuing the theme of “family” Peter Tomasi weaves in the need to close ranks when those dearest to you are in danger. Dick, Tim, and Damian work as one. The Gordon family is made safe with Alfred’s help and the concept of the extended Batman family is shrewdly used. Both Deadman and the Demon are part of this “family” and without them the battle would have surely been lost. While the Deadman-possessed Demon holds off the reinforced Black Lanterns with his Hellfire, Batman’s last gambit is played out. Upon orders from Dick, Robin sends a “winger” stocked with a gun from Mr. Freeze that a trusting Tim allows Dick to use on him after which Batman uses it on himself. This clever design works as Batman and Red Robin are frozen over depriving the Lanterns of a target to focus on. Deadman completes the ploy entering the bodies of our heroes allowing them to break free of their frozen cocoons.
Family, trust, sacrifice and courage. These integral themes are woven into a foundation that is critical to Tomasi’s story. With these themes Batman lives to fight another day and valuable information is gleaned to carry on this battle when it is to be renewed on a greater scale.
I’ll give this story a four out of five Bat-a-rangs. There was no clear cut resolution to this saga for it just part of a far greater epic. An epic that the Batman and his family will play an important role.
Blackest Night: Batman #3:
Reviewed by Dark Knight Dave
The second part of this “Revenge of the Red Hood” storyline, is again a strong performance from Grant Morrison and Philip Tan. Batman and Robin #5 is another action-packed story, and another reason why Grant Morrison is the man to be writing Batman write now.
Issue #5 opens up with the Red Hood and Scarlet again quarreling with Batman and Robin. I think that Morrison does a really solid job when writing the dialogue between the two dynamic duos. I also feel that Morrison’s characterization of Jason Todd is the best interpretation that we have seen since his return from the dead. He makes Jason feel like such a hopeless and cold character. Morrison also continues his well executed investigation into Dick and Damian’s relationship. This to me is what makes the book so good. Throughout Batman Reborn, Morrison has been the best at writing the relationships between these characters and that continues in this issue. The introduction of the Flamingo was also very well done. Anytime Jason Todd takes a shot to the head, it’s always enjoyable. The biggest problem with this issue is that because it is so action-packed, we do not get very many of those emotional scenes between Dick and Damian. I my mind, this doesn’t take much away from the issue though. I also hope that “The Gravedigger” character becomes much more prominent in the next issue. I also still feel that this current story arc isn’t grabbing me like the first arc. My main reasoning is that while Morrison’s version of Jason Todd is an enjoyable one, I still don’t care very much about the character. The Red Hood isn’t nearly as interesting to me as Professor Pyg was in the first story arc. The issue also leaves Batman and Robin in a rather problematic predicament that I think Morrison will play off of in the upcoming issue.
I feel that Philip Tan’s art is greatly under appreciated. I think Tan is a terrific artistic who is being criticized because he is not Frank Quitely. It is not fair to compare Tan to Quitely, Quitely is a master at his’ craft and is in a league of his own. I just think that people should get over the fact that Philip Tan is the one on this book right now and take his’ art for what it’s worth. While I do think that Tan shows some inconsistencies in his’ pencils, the art is still quite good. I think the bigger problem here is not Philip Tan, but Jonathan Glapion. Glapion is the inker on the book and I feel that at times the inks get rather sloppy. Nonetheless, the art is still well done.
At the end of the day, I still consider this to be the best book to come out this week, and the best Batman title to come out every month. This book is just consistently well written, well drawn, and just a lot of fun. Keep picking up Batman and Robin.
Batman and Robin #5:
Reviewed by Zfactor
Blackest Night Batman vs. Blackest Night Superman
Round 2
Hopefully you’ve all had a chance to read Blackest Night Batman and Superman parts two of three. My aim here is not to recap the issues but to engage in a little friendly competition between two of DC’s greatest heroes as they tangle with the latest threat to the DC universe, the Black Lanterns! In round one of this competition I divided the battle into four parts. Cover Art, Reveals, Raw Emotional Impact and Supporting Cast and Villains. As we complete the second issue of each I’ve added, Cliffhangers, as a way of rounding out the competition.
Cover Art
The cover of Blackest Night Batman #2 by Andy Kubert and Alex Sinclair pictured here reminded me of the classic Bill Murray comedy, “Ghostbusters”. While the movie made you howl with laughter this scene is of a grimmer nature. Here we see Damian, Dick and Tim unleashing torrents of hell fire from their weapons as they are besieged by legions of demonic Black Lanterns. Our heroes’ bodies are aglow with weapons fire as they stand amidst the gathering gloom and the city topples around them. Their desperate faces grimace with fear and rage knowing that this could be their last stand.
Over on Blackest Night Superman #2, we have a cover by Eddy Barrows and Nei Ruffino. This cover too could come from some classic horror movie but perhaps of a much earlier era. Pictured here we have the standard tableau of the vulnerable heroine held in the clutches of the dastardly villain. It looks like any movie poster from a vampire flick of the 20’s or 30’s where the young and innocent female is about to be violated by a nightmarish monster. Only in this case the young lady is Kara, also known as Supergirl, and the monster is her once dead father out to kill her and destroy Kandor.
Decision=Blackest Night Batman
-While both covers depict and evince the horror of the monster movie genre I’m giving the nod to Batman. The Superman cover, while classic, has been done a million times. The Batman cover is dynamic and lends itself to famous last stand movies like the Alamo or Zulu where the odds were insurmountable.
Reveals
In this section I’m looking for clues to see how the overall Blackest Night storyline is to proceed. In Blackest Night #3, Ray Palmer, the Atom, theorized that the Black Lanterns’ power rings are made possible by some amalgamation of dark matter coupled with microscopic worm holes that channel energy. A pretty significant step, whether it is true remains to be seen. In these two books unfortunately we don’t learn too much. Zombie Lanterns are shredded and re-form in both books and the heroes realize quickly that their weapons and powers are near useless. At least Supergirl confirms what Green Lantern Kyle Rayner comes to know that their loved ones would never speak to them or acts like their current evil incarnations (Green Lantern Corps #40).
Decision=Tie
-When there isn’t much to go on from each issue I’m not going to split hairs and force a winner.
Raw Emotional Impact
Certainly there is no shortage of emotional impact in either book. In the Batman book we find Priests, Cops, Firefighters, and Civilians are being torn to shreds by the Black Lanterns. Commissioner Gordon and his daughter Barbara are trapped together in seemingly their last moment as they try to blast their way free in utter futility. As this happens, the Black Lanterns taunt their victims with bitter memories and make a mockery of their lives and loves. Red Robin comes to the rescue with low altitude high speed pass that temporarily decimates the Black Lanterns. But the grotesque icing on the cake is when Tim and Dick are confronted by their dead parents, the Drakes and the Graysons.
Over in Blackest Night Superman Black Lantern Kal-L continues to provoke Superman into rash action while dead Earth 2 Lois holds Ma Kent hostage. Kal-L orders Lois to kill Ma Kent and this is only narrowly averted by the actions of Suberboy Conner Kent. The most obvious contrast in raw emotion between the two books comes from the manipulations of the dead Psycho Pirate. Suddenly, the citizens of Smallville are turned against each other or in one particular frame forced to kiss each other in a decidedly non heterosexual way!
Decision=Blackest Night Batman
-If only Pa Kent was resurrected as a Black Lantern! Now, that would have been horrific. I have no doubt that it would have pushed Superman right over the edge and I would have loved to see that. Unfortunately, this was an opportunity missed. That act would have only been superseded by seeing Bruce Wayne rise from the grave. (Hmmm, or maybe not?) The combination of the Drakes and the Graysons trumps Supergirl’s newly risen father since he is not a character that carries the same emotional impact in the DC universe.
Supporting Cast and Villains
Much of the characters we saw in the first issues of each series return in the second. In Batman, Red Robin takes on a larger role however briefly. The Drakes and Graysons get some speaking roles but they are regulated to the end of the issue. Deadman reanimates a paralyzed Barbara Gordon and they all pile into Red Robins jet powered flying bus.
But over in Blackest Night Superman #2 we have Psycho Pirate! This addition was a real hoot. Not only does he turn staid and sweet Smallville into a maelstrom of emotion he does it with hilarious and bold results not often seen in comics. We also get to see Connor Kent turn on Big Blue and lastly it’s the totally b**chin’ Martha Kent telling us, “it’s on!”
Decision=Blackest Night Superman
-This was a no brainer. (Hey, just like a zombie.) The addition of Black Lantern Psycho Pirate easily tipped the scales. I loved the interaction of the Gordon father daughter team but the citizens of Gotham are strangely absent. Smallville’s populace on the other hand, writhe together in an orgy of violence and lust not meant for our younger readers. Throw in the torch wielding Ma Kent and like the lady said, “it’s on!”
Cliffhanger
Speaking of that crazy lady in the cornfield, I wouldn’t put any money on her chances against the Black Lantern Lois. The lady’s got grit, but, please, someone has to bail her out and it doesn’t look like its going to be Conner Kent. (My guess would be Krypto to the rescue!) Kara also has her hands full with her malevolent father. And exactly how is Superman going to take on Earth 2 Kal-L, Psycho Pirate and Conner Kent? Oh yeah, there’s that whole orgy thing going on in the town square too.
Over in Blackest Night Batman our heroes have crash landed in a cemetery. No crazy citizenry to contend with unless we include the ones buried below and that is not out of the question. No, their battle seems to be isolated to the graveyard. Who knows what mayhem will go on in Gotham without the heroes around? The Graysons and the Drakes should take front and center here. Will Tim and Dick turn their fry-o-laters on their own parents?
Decision=Blackest Night Superman
-This was a tough call. Dick Grayson’s Batman seems to have his head screwed on right but Damian’s Robin and Tim Drake seem a little uneasy. I don’t think the Gordon’s will be too much help either. Deadman? We’ll see. It looks like the new Batman could be on his own and that will be toughest test for our hero.
Similarly, Superman is on his own unless we count Ma Kent and the recovering Krypto. As much as I like to see Batman battle it out in a rain soaked and darkened graveyard I am really jonesing to see Martha Kent “git it on.” The whole town spinning out of control with Psycho Pirate and Supes battling two super powered antagonists is too much to ignore.
So, much as we found in Blackest Night Batman #1 versus Blackest Night Superman #1 we have a tie. It looks like the third and final issue of each series will have to serve as the tie breaker. I promise you one will win over the other. (I hope!) Will anything come of these short series? Probably not, as the overall series will go on into next year. It’s been fun so far to see these two heroes deal with the Blackest Night in their own books and they will return in such incarnations as the JLA Blackest Night, Blackest Night Superman/Batman and the over arching Green Lantern-centric Blackest Night series. Until we meet in round three.
Posted by Dark Knight Dave
Don’t fix it if it ain’t broke. Change for the sake of change is never a good thing. These wise adages prove to be true more often than not. Issue #4 of the incredibly successful Batman and Robin monthly marks the title’s artistic debut of Philip Tan. In my opinion, Frank Quitely’s unique style and cinematic pacing have made every page of B&R a visually stunning work of art. His mastery of creating emotion and action without the need for narration has even pushed Grant Morrison’s writing to new heights. So I naturally had some trepidation as to how this week’s issue would turn out.
The result……. well it’s mixed. Visually the look is more traditional, but I liked it. The homage to the 60’s show is gone and replaced by a much darker tone. On first glance I loved Tan’s imposing take on Batman. It almost reminded me of Jim Lee. Then I thought about it for a minute, and realized that one of the most refreshing elements of Quitley’s Batman and to a lesser degree Dustin Nguyen’s was that the character is drawn to be uniquely Dick Grayson. Philip Tan’s Batman is spectacular, don’t get me wrong. It just looks like Bruce Wayne in the suit. Maybe that was intentional, especially as it relates to my favorite scene in the issue. Dick and Damian are on a rooftop staking out a crime boss meeting. Dick is looking as menacingly Batman-esque as he ever has, and starts lecturing Damian about the art of surveillance. Dick is definitely revelling in mentoring his Robin the way Bruce educated him. Unfortunately for Dick, Damian isn’t your typical rookie Boy Wonder. When he tries to teach Robin a lesson about the danger of wearing a hood, Damian quickly gets the upper hand on Dick and gets in the line of the book; "I can hear you breathing and beat you senseless in pitch darkness. Your point is?" You can almost see Dick pouting through his cowl.
Tan’s pencils are very detailed and really accentuate the violence and intense action. His drawing of the Penguin’s beaten face is gorgeously horrific. I also really admire how he is able to exude emotion from a faceless villain using body shape and movement.
The main focus of this issue is to introduce Red Hood and Scarlett as violent psychopaths, hell bent on taking out the criminal element in a much more literal way than Batman and Robin. This isn’t original in its premise, as we have seen vigilante characters self-create in the past because of Batman’s refusal to kill. The briefly mentioned Abuse character from Streets of Gotham comes to mind, as does Lock-Down from BTAS, and Andrea Beaumont from Mask of the Phantasm. What makes this different is the team-up with Scarlett to create an antithesis dynamic duo, but with an even greater influx of irony because it is Red Hood, and the assumption that he is Jason Todd. The pin-up of Red Hood and Scarlett in a very Caped Crusaders on the move pose is very well done. Now I used the word "assumption" when mentioning Jason as Red Hood. Morrison plants the seed of doubt by introducing us to Oberon Sexton, aka Gravedigger as an obvious candidate to be Red Hood. But I suspect that this is a red herring. "Oberon" is actually a reference to the King in Shakespeare’s Midsummer’s Nights Dream who sets the stage for the play’s misunderstandings that have become a staple plot device in modern literature. This could be a clue to Sexton’s actual purpose in this story arc.
I found Morrison’s style to be a little more akin to his work in RIP as compared to the first three issues; somewhat muddled and a bit too wordy. Red Hood’s quoting of Milton’s Paradise Lost didn’t work for me the way the Shaw citations did for Pyg in the last arc. I also didn’t quite get the reason for the Flintstones reference. Maybe someone can explain it to me in the comments. There were some nicely written scenes though. The aforementioned hood scene, as well the over the top massacre of the crime bosses, reminiscent of Heath Ledger in TDK but a lot more violent. Morrison earns novelty pop culture points too for having Scarlett post on Twitter. The Batman-Red Hood meeting is predicable, but still creates anticipation for next month.
So, is Philip Tan a change for the better? Most certainly not. Is he a worthy successor? Absolutely. Can this creative team continue the high quality we have come to expect from B&R? I think they can. And if things go down hill, we always have Seaguy coming to the rescue in issue #7!
Batman and Robin #4:
Reviewed by Tiggerbrown