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TBUP episode 288 podcast cover
The Batman Universe Podcast

The Batman Universe Podcast Episode 288 – Peacemaker Season 2 discussion!

by Ian Miller November 18, 2025
written by Ian Miller

TBUP episode 288 podcast cover

https://media.blubrry.com/tbup/thebatmanuniverse.net/video/Podcast/01-The%20Batman%20Universe%20Podcast/Episode%20288/TBUP%20E288.mp3

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In episode 288 of The Batman Universe Podcast, Ian (@ibmmiller) and BJ (@bjshea33) discuss the full season 2 of Peacemaker, written and directly primarily by James Gunn! What are our analyses of the many characters seen in this season? What about the controversial multiversal storyline? And, of course:

For our Bat-Family: How do you think season 2 of Peacemaker compares to season 1?

Drop us a line at TBU@TheBatmanUniverse.net.  As always, if you like this episode, please rate, share, and subscribe on the streaming platform of your preference. It’s a great way to show your support, and it’s quick and easy! Thank you, loyal Bat-fans!

Find past episodes of The Batman Universe Podcast right here.

November 18, 2025 0 comments
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Poison Ivy 2025 Annual #1 main cover
Comic Reviews and Editorials

Review: Poison Ivy Annual #1

by Gareth Turner November 17, 2025
written by Gareth Turner

In this review of the Poison Ivy 2025 Annual, Poison Ivy sees the history of an ancient conflict involving kings, sorcerers and the biblical Tree of Knowledge. 

 

Poison Ivy 2025 Annual #1 main cover

Poison Ivy 2025 Annual #1 main cover by Jessica Fong (DC Comics)

POISON IVY 2025 ANNUAL #1
Written by G. WILLOW WILSON
Art by MARK BUCKINGHAM
Main Cover: JESSICA FONG
Variant Covers: JAE LEE, SEB McKINNON
Page Count: 48 pages
Release Date: 11/12/25

 

This comic book review contains spoilers 

Poison Ivy 2025 Annual #1 sees Ivy seeking out the Tree of Knowledge, otherwise known as Tuuru, to ask it about The Green’s ultimate purpose. When she finds it, she eats its fruit and is transported back to an earlier time thousands of years in the past where a sorceress communes with nature, both the Green and the Gray. For years the sorceress serves as ambassador between the people and nature, until one day she meets a king. The sorceress briefly espouses some proto-Marxist ideas about resource distribution before being sucked in by the king’s charms, so she follows him to his grand castle in the woods. The king describes his vision for the kingdom where people of all kinds will come live and where they will have schools, hospitals, and roads. He promises to keep the balance between mankind and nature. 

The pair sleep together before the king invites the sorceress to his wedding and she leaves to make him a wedding gift. She asks Tuuru for help but the tree warns her of the dangers of mankind, still she is able to convince the tree to help her forge a golden sword out of its sap. 

At the wedding, the king is married to a princess from an unnamed land, and the sorceress meets a fellow magician who has come with her. Over time the magician becomes a malignant influence on the king, feeding into his vanity and ambition rather than his warmth and magnanimity. One day, the sorceress comes across a deforested area and weeps. The magician tells her that humankind takes precedence over nature and the sorceress releases that she made a mistake in trusting the king. 

The sorceress goes to plead with the queen to ask her to stop the king from consuming the forest for the benefit of his kingdom. She says she will give her the sword she originally made for the king. However the magician finds her in the woods before she is able to get it and he drowns her in the river. He tells the queen what he has done but she takes a boat out into the river to find the sorceress. She emerges from the water grasping the golden sword and gifts it to the queen before making her promise to maintain the balance between humans and nature. 

Finally, the sorceress settles the score by turning the evil magician into a tree. Then, many years later after the kingdom had prospered and the king had died, the queen returned to the sorceress bearing the broken golden sword. The queen admits that she destroyed the forest when her people were hungry and that there is no way to live in perfect harmony while building a civilization for humankind. 

Back in the present day, Pamela realizes that the Tree is trying to tell her that mankind will never live in harmony with nature and that her human allies will always betray her. She chooses to ignore this lesson and continue to attempt to rectify the two sides in the future.

Analysis

Poison Ivy 2025 Annual #1 was cool. I liked this a lot. The biblical inspiration mixed with a vaguely Celtic sword and sandals adventure is a really interesting change of pace from the normal narrative of this book. The sorceress is clearly a stand-in for both Eve and Ivy and her seduction into the world of man and away from nature is a tale as old as time (literally). This isn’t a complex or surprising story by any means. Instead it’s more occupied with broad ancient archetypes and legends, and cleverly doesn’t ground itself in any specific place in time. The characters are all simple archetypes: good hearted king, evil magician and confidant, wise sorceress, etc. which leans into the fairy tale atmosphere G. Willow Wilson is clearly going for here. Having said that, the magician did recall the more contemporary Rasputin here, in both his mystical ways and his ‘devil on the shoulder’ presence in regards to the king. 

Ultimately Poison Ivy 2025 Annual #1 works much more as a standalone story than as part of the greater narrative of the Poison Ivy book. For one thing, Ivy essentially brushes off the entire moral of the story which makes the whole 40 pages kind of moot. Still, as it’s own thing it’s a nice little fairy tale that avoids any big surprises or twists (unless you count the queen’s revelation at the end) but is nonetheless still quite entertaining. 

In general, Mark Buckingham’s art is solid and provides a kind of classical grace that is akin to an illustrated edition of Grimms’ Fairy Tales or something of the like. However there are moments where he struggles, especially in the side profiles like on page 12 where the sorceress’ face looks truly bizarre. The sorceress’ side profiles throughout look somewhere between ET and a frog, which really clashes with the antiquated beauty in the rest of the art. Luckily he avoids those angles as much as possible. This is really the perfect project for him and makes me wish we got some kind of medieval epic akin to Fables that he could really stretch his legs in. 

Final Thoughts

Overall, Poison Ivy 2025 Annual #1 is an odd but welcomed detour to the main Poison Ivy arc. There’s some classical storytelling and some really lovely old-timey art from Mark Buckingham. Definitely a fun issue. 

Poison Ivy 2025 Annual #1 main cover
Poison Ivy 2025 Annual #1
Final Thoughts
Overall, Poison Ivy 2025 Annual #1 is an odd but welcomed detour to the main Poison Ivy arc. There’s some classical storytelling and some really lovely old-timey art from Mark Buckingham. Definitely a fun issue. 
4
Final Score
November 17, 2025 0 comments
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Batman #162 main cover
Comic Reviews and Editorials

Batman #162 Review

by Gareth Turner November 15, 2025
written by Gareth Turner

In this review of Batman #162, Batman battles his own teammates and family.   

 

Batman #162 main cover

Batman #162 main cover by Jim Lee (DC Comics)

BATMAN #162
Written by JEPH LOEB
Art and Main Cover: JIM LEE
Variant Covers: DAVID FINCH, GABRIELE DELL’OTTO, ESAD RIBIĆ, JIM LEE, GERALD PAREL, JAE LEE, CHRIS BACHALO
Page Count: 40 pages
Release Date: 11/12/25

 

This comic book review contains spoilers 

Batman #162 picks up with Nightwing, Robin, Huntress, Red Hood, Riddler, Catwoman, and Batgirl all teaming up to take Batman down. Batman injects Batgirl with a sedative to occupy the team while he is pursued by Catwoman into a church. They briefly talk about their history together before Batman is captured by Damian and dragged along behind his motorcycle like a ragdoll. He fights Riddler and Red Hood before using the Batmobile to deploy explosives, dropping him down into the sewer system. There, he encounters none other than The Joker. 

Analysis

Batman #162 features lazy writing from pretty much all angels right from the start. Batgirl is awkwardly standing with her back to Batman telling Nightwing to stand down because she can handle Batman on her own? This is supposed to be the same supergenius who spent two decades as Oracle and now she rejects help and sets herself up for sedation without so much as a fight. What a slap in the face to Barbara Gordon fans. Bruce knowingly associates this in his mind to what the Joker did to her in the Killing Joke and admits that Dick and Barbara may never forgive him but that didn’t stop it from being his first impulse. 

The next scene is even better, as Catwoman says both her and Batman know she could kick his ass if she wanted to, which I don’t think any of us are buying. Then she says Barbara is the closest thing to a daughter Bruce will ever have which the internet has already derided for its blatant erasure of Cassandra Cain. Batman responds by saying “she started it!” which, setting aside its juvenility, I’m not even sure what he means. She started it by standing in front of him and telling Nightwing to stand down? 

Jeff Loeb seems determined to depict this era of Batman as an overgrown petulant child, and while that may be a small element of his psyche, it’s so overplayed here that it just makes me wonder if he even likes the character anymore. 

Batman gives absolutely no resistance with a remotely operated bird with a rope attached, binds him up and drags him behind Damian’s bike. I just don’t know how to make sense of this story when every single plot beat unravels with the slightest bit of thought. Forget the fact that Damian would almost certainly have killed Batman if there was any semblance of physical reality present in this story. 

Riddler has one of the dumbest lines I think I’ve ever seen him say, and that’s saying something: “question, what time is it to expect the unexpected? Answer: Nygma time.” There is a convoluted confrontation between Red Hood and Huntress before another tired reveal of The Joker. 

For all the issue’s faults, I do think this is the best Jim Lee’s art has looked since the beginning of this run. For one thing, there are a ton of fun easter eggs like his depiction of Brian Bolland’s shooting of Barbara Gordon, and the death of Robin’s parents, although I think that is literally just a Tim Sale panel repurposed. Batman turning his head to see Hush on the rooftop at the bottom of page 4 is a direct echo of the original Hush. The stained-glass church scene looks pretty good too although probably not as good as it could look. 

I enjoy the way Scott Williams and Alex Sinclair use blacks with often obscuring parts of Batman’s costume giving him a kind of three-dimension depth (of the kind that’s lacking in the writing). However, I find that the colorful mix of tones in the Bat-family’s different costumes comes across a bit garish in how brightly they are depicted. Most of the modern costumes are far from each character’s best and moments like the issue’s first page just look a little goofy, especially Damien’s along with Catwoman’s absurd cleavage cutout. 

Final Thoughts 

Batman #162 is a pretty terrible issue, maybe bordering on ‘so bad it’s good.’  There’s so much to laugh at and meme here, and Lee’s art has a few highlights. Depending on what you want, you might want to pick up this issue just for morbid entertainment but I can’t recommend it on its merits.

Batman #162 main cover
Batman #162
Final Thoughts
Batman #162 is a pretty terrible issue, maybe bordering on ‘so bad it’s good.’  There’s so much to laugh at and meme here, and Lee’s art has a few highlights. Depending on what you want, you might want to pick up this issue just for morbid entertainment but I can’t recommend it on its merits.
2
Final Score
November 15, 2025 0 comments
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Trinity: Daughter of Wonder Woman #5 main cover
Comic Reviews and Editorials

Review: Trinity: Daughter of Wonder Woman #5

by Stephanie Mounce November 13, 2025
written by Stephanie Mounce

In this review of Trinity: Daughter of Wonder Woman #5, Trinity returns to Gotham with Robin in order to find Super-corgi. But things are different this time.

 

Trinity: Daughter of Wonder Woman #5 main cover

Trinity: Daughter of Wonder Woman #5 main cover by Belén Ortega (DC Comics)

TRINITY: DAUGHTER OF WONDER WOMAN #5
Written by TOM KING
Art and Main Cover: BELÉN ORTEGA
Variant Covers: JONBOY MEYERS, JAE LEE, and JORGE CORONA
Page Count: 32 pages
Release Date: 11/26/25

 

This review contains spoilers

Trinity: Daughter of Wonder Woman #5 can be summarized very simply. Middle Lizzie goes to find Super Corgi in young Jason Todd’s timeline. Though he’s been officially fired from being Robin, since Batman is off world, Jason is taking the opportunity to do his best to fight crime in Batman’s absence. Lizzie and Jason spend the whole time pretending to look for the Super Corgi, because they know that when they have found it, Wonder Girl has to leave, something neither of them want. Unfortunately, they run out of crime to fight and sandwiches to eat and after admitting they’ve both known where the Super Corgi was the whole time, they kiss and say goodbye, Lizzie knowing that Jason will die someday soon.

Trinity: Daughter of Wonder Woman #5 ends when she gets home her younger and future selves remind her, through tears, that they love her and that dad will be coming home soon!

 

page from trinity: daughter of wonder woman #5

Awkward… (DC Comics)

 

Analysis

Obviously, Trinity: Daughter of Wonder Woman #5 being a Tom King story, the shortness of the summary does not reflect the lack of content in the story. This being the second installment in Lizzie and Jason’s story, there is no need to take the time with setup and introductions. They just pick up where they left off. In fact, Jason points out that he hasn’t died yet, something that she predicted would happen. Of course, this heaviness drapes a pall over them, yet does not stop young love and infatuation to take root.

It really is a sweet little story, with the stupidity, fragility, and joy of love young love being front and center. Their story can obviously only end in tragedy – Lizzie has to leave and Jason has to die, but within the pages of this story, we get two young people who really want to just stay in each other’s presence, whether it’s posturing (Jason fighting crime the Jason way), Lizzie giggling every time she hears the phrase “Boy Wonder”, them eating the sandwiches that Alfred leaves out for Jason even though Jason totally doesn’t need them, or they just sit in silence and hold hands, this story reminds us that we can find beauty and joy in the midst of chaos. In fact, I feel like, too often, we focus on the bad that has been, is, and inevitably will be, but we also can take the time to see the joy and beauty in the present and bask in it for a while.

Even when the Lizzies unite and Wonder Girl is crying her eyes out, she is still surrounded by love (self love, if you think of it a certain way) and the reminder that her dad, who she’s never met, is on his way, though they don’t know this for sure.

Trinity: Daughter of Wonder Woman #5 was a wonderful little story of hope and heartache that was filled with Tom King story telling, humor, and delight.

Trinity: Daughter of Wonder Woman #5 main cover
Trinity: Daughter of Wonder Woman #5
Final Thoughts
Beautiful little story that reminds us to enjoy the beautiful opportunities in front of us, in spite of the tragedy all around.
Pros
Cute story that feels a lot more deep and poignant than it has any right to.
Cons
None
5
Final Score
November 13, 2025 0 comments
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Batman and Robin #27 main cover
Comic Reviews and Editorials

Review: Batman and Robin #27

by Stephanie Mounce November 12, 2025
written by Stephanie Mounce

In this review of Batman and Robin #27, some old friends pay a visit to Bruce and Damian. A good time is to be had, right?

 

Batman and Robin #27 main cover

Batman and Robin #27 main cover by Carmine Di Giandomenico (DC Comics)

BATMAN AND ROBIN #27
Written by PHILLIP KENNEDY JOHNSON
Art by FICO OSSIO
Main Cover: TONY S. DANIEL
Variant Covers: GUILLEM MARCH, DERRICK CHEW, ASHLEY WOOD
Page Count: 32 pages
Release Date: 11/12/25

 

This review contains spoilers

Batman and Robin #27 begins with Batman, Robin, and The Quiet Man continuing their fight as the Gotham Irregulars watch with fascination from afar. Two-Face’s and Penguin’s goons start firing guns from a giant typewriter, but Robin is able to knock them off. Two-Face uses Penguin’s umbrella to weaken and knock over a giant mechatronic figure. It’s about to fall on Robin, but Batman is able to push him out of the way, though they both end up trapped. Two-face wants all three of them taken out by the goons, but the Quiet Man, who isn’t trapped, goes into the wreckage to help a defiant Damian out. But TQM does free Robin, reprimanding Batman for bringing a child into a fight like this. Batman, still trapped under the fallen structure, and Damian manage to knock out the goons with baterangs while Penguin and Two-Face get away.
TQM leaves, warning Robin that Batman should only be digging his own grave instead of bringing a boy into this foolishness.

We find out that Arnold Wesker, the rogue TQM is looking for, has no memory of his life as a villain and is being rehabilitated outside of Arkham Tower with a trusted friend, Simone Blair. Batman pieces together that during a shootout involving Falcone, Two-Face, Penguin and Scarface (Ventriloquist’s doll) a young army vet who appeared to be an innocent bystander, was badly wounded. Batman suspects the vet was TQM’s son. As Wesker is trying his best to start a new life, Batman is determined to protect him.

At Pennyworth Manor, Bruce asks Damian to do media interviews to promote Sacred Heart’s rebuilding. Upstairs the reporter, Clark Kent, and his son, Jon Kent, are waiting. Jon instantly hugs his best friend, and confesses he knows about Damian’s new friends and wants to meet them. So while Bruce and Clark continue to talk, Robin and Young Superman go and have burritos with the Gotham Irregulars at a park to talk and play around.

Back at the manor, Bruce is asking for advice on how to be a normal dad. Clark points out that Jon and Damian are very different, that the answer to being a great dad depends on the kid and the dad – they’re all unique. Bruce is worried because at his heart, Damian takes things the hardest when he can’t save everyone. After talking, the duo decide to check on Robin and Superman and admire their sons from a distance.

Two-Face and Penguin have figured out that The Quiet Man is after Arnold Wesker and are happy to help him find him. Batman and Robin #27 ends with the villains villains appearing at the undisclosed workshop and holding Wesker up at gunpoint.

Review

I shall attempt a review sandwich. Good bread and outer layers with a layer of yuck in the middle.

I really like that Batman is encouraging Damian in Batman and Robin #27. He is really making the effort to give Damian as normal a childhood as he can while still being Robin and grandson of the Demon’s head. This includes being humble enough to acknowledge he needs help and advice. It was a joy to see Clark and Jon back, and the dynamic duo going the Supermen for emotional support and encouragement.  Say what you want about PKJ’s characterizations of Batman (I mean, I have) but I am really happy with this current version (though it was a rough road getting here).  Jon and Clark bring things out of Damian and Bruce that no one else can, there is a freedom of vulnerability the Dark Knight and his family can have with the Spit-curls of Metropolis they don’t have with anyone else, and PKJ shows that beautifully here, while staying in character.

In the poor section of my review of Batman and Robin #27, I will tip my hat to my podcast co-host, Theo, who hates the fact that Batman is getting his butt handed to him too much lately. Here, we have a man, The Quiet Man, who’s gimmick is  a little weird and repetitive from villains seen in this very book (Hush and Shush). He is also pretty OP, being John Wick lite, and seems to be able to take out any amount of opponents with no problem, including Batman and Robin. I personally don’t have a huge issue with this, though I do see his point. The more I read this arc, the more I realize that it isn’t about TQM, it’s about relationship between a father and son, living or dead. I can therefor ignore the butt whopping and chalk it up to badassery.

No, the true crime in Batman and Robin #27 issue is the art. As I was trying to make my way through this scratchy mishmash of art, I almost spat out my drink looking at the Kents. Jon, who is supposed to be an 18 year old heart throb, looked like a poorly assembled Mr. Potato Head.

I’ve been told that Ossio is pretty great and this is not his best work, but I have not been loving him on this book and this issue was truly the bottom of the barrel for me. I really just don’t care for his style, in particular his scratchy shading. I know I’m pretty biased, because these are my favorite characters and I want them to look good, but I think the kicker is that the main cover is done by Carmine Di Giandomenico, and to have that tease and then open the book to not-that is pretty disheartening.

And, to round things out with a positive for this issue, I appreciate PKJ’s Batman caring for the rogues of Gotham who are trying to reform. Through the years there are so many versions of Batman, and everyone has their quintessential Batman they cling to. For me, it’s the Batman who wants Gotham to be healthy, and this means more than just putting ne’er-do-wells in prison, it means healing the heart and encouraging growth. The Batman in Matt Fraction’s Batman run is returning to this, and here, we have Batman trying to protect Arnold Wesker, who is living his life Scareface free. I love a Batman who care and is willing to forgive and protect. I feel like this flows well with his humility to ask Clark for help, he realizes that others need  help to, and he helps where he can.

Truly, it feels like Batman and Robin #27 isn’t about the conflict or the villain, it is about the relationship between a father and his son, and how to encourage health and growth before it’s too late. Because you never know when the end will come, as it did for TQM and his son.

Batman and Robin #27 main cover
Batman and Robin #27
Final Thoughts
Wonderful character growth, Bruce and Damian are able to be vulnerable with the Kents, and we see the importance of working on a relationship before it is lost. The art, however, is not for me.
Pros
Great characterization and growth
Cons
Art is not to my liking
3.7
Final Score
November 12, 2025 0 comments
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tbu comic podcast season 17 episode 20 podcast cover
The Batman Universe Comic Podcast

TBU Comic Podcast: Season 17 Episode 20

by Theodis Wright November 9, 2025
written by Theodis Wright

tbu comic podcast season 17 episode 20 podcast cover

https://media.blubrry.com/tbucp/thebatmanuniverse.net/video/Podcast/02-The%20Batman%20Universe%20Comic%20Podcast/S17%20E20/TBUCP%20E429.mp3

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Steph and Theo are back with Season 17 Episode 20 of The Batman Universe Comic Podcast, live on all of your favorite platforms. After some news Steph and Theo review Detective Comics #1102 and Batman #3. As Vandal Savage continues his quest to destroy Bruce and Tim in the public’s eyes, could a bystander be the key to bringing the evil police commissioner down.? Listen in and find out. After that, they have fun with a lot of books in Greater Gotham.

Books Covered In Season 17 Episode 20

Detective Comics #1102
Batman #3

 

Greater Gotham Titles

Immortal Legend Batman #3
Justice League Unlimited #12
Absolute Batman 2025 Annual #1
Batman and Robin: Year One #12
Batman: The Long Halloween – The Last Halloween #10
DC K.O.: Knightfight #1
Batgirl #13
Birds of Prey #27
Harley and Ivy: Life and Crimes #1
Gotham Academy: First Year #2
Batman: Wayne Family Adventures 171-173


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November 9, 2025 0 comments
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Poison Ivy #38 main cover
Comic Reviews and Editorials

Review: Poison Ivy #38

by Gareth Turner November 9, 2025
written by Gareth Turner

In this review of Poison Ivy #38, Poison Ivy grapples with the fact that her close ally Janet-from-HR betrayed her to Bog Venus. 

 

Poison Ivy #38 main cover

Poison Ivy #38 main cover by Jessica Fong (DC Comics)

POISON IVY #38
Written by G. WILLOW WILSON
Art by MARCIO TAKARA
Main Cover: JESSICA FONG
Variant Covers: KYUYONG EOM, NOOBOVICH, ZEEN CHIN
Page Count: 32 pages
Release Date: 11/5/25

 

This comic book review contains spoilers 

The secret is out: Janet betrayed Ivy to Bog Venus. Ivy is livid and determined to bring Janet deep into the Green to kill her. Janet passes out before they reach Venus and Venus psychically shows Ivy the history of her rivalry with the Grey over the millennia. The two have been entangled in an intergalactic battle for supremacy since their inception and Venus appeals to Ivy to support her mission to destroy the Grey once and for all. Ivy agrees to step back as ambassador between the two forces if Venus agrees to hide Marashview from public view once again. Ivy brings Janet back home and forgives her with a kiss. They then team up to hack Bog Venus apart with a labia laced kitchen knife before collapsing together in the pose of Michelangelo’s Pietà. 

Analysis

This was a good issue. G. Willow Wilson channels some of her better impulses with the exploration of the nature of betrayal as well as the cosmic battle between the Green and the Grey over the millennia. Ivy’s inner struggle is really forefronted here, as she’s forced to grapple with her flaws as well as the distrust she must feel from every corner of her life. Wilson’s narration is especially on point this issue with Ivy constantly doubting herself and re-evaluating all her assumptions about people, friendship, loyalty and betrayal. It’s not all perfect though. 

There seems to be a weird false-parallel being drawn by Janet and by extension G. Willow Wilson that somehow Ivy’s vaguely neglectful attitude towards Janet justifies her being betrayed. At no point in this run did I ever feel like Ivy wronged Janet in such a way that it justified this alliance with Bog Venus. The story even wraps up with Ivy realizing her own actions were the root cause of all the drama that followed. While this might be true in some small part, Ivy’s actions pale in comparison to Janet’s cowardly defection. Her defense of this is that Ivy “wears people out” which is presented as a reasonable justification for her actions. 

Marcio Takara remains the number one selling point for this comic in my book. Right from the opening full page splash of Ivy dragging an unwilling Janet deep into the woods, you know you’re in for a visual feast. Just look at the way he draws her fiery red hair as a plume of smoke rising up above her. Logically it doesn’t make sense but emotionally it is perfect and nobody else would think to do that. You can read the emotions on the character’s faces, the subtleties that greatly enhance Wilson’s interpersonal drama into something real and tangible. It’s so great. 

Every page has a panel layout that is different from the one previous, but it somehow still feels congruous and right for the story. Even the cosmic visage that Bog Venus presents Ivy with stands apart from past psychedelic imagery presented in this run. Arif Prianto’s colors are perfect and Hassan Otsamne-Elhaou’s letting elevate the dialogue, especially for Bog Venus whose bizarre dialogue is impossible to read without an unworldly distortion due to the way it looks on the page. Great stuff. The entire team is doing anything and everything to elevate the comic medium by implying sound and vocalizations in ways that most comic teams wouldn’t even bother to explore. 

Final Thoughts

All and all a very strong issue of Poison Ivy with Poison Ivy #38. The wonky character motivation still plagues some of the writing but there’s some really complex ideas being expressed here and the art is absolutely second to none.

Poison Ivy #38 main cover
Poison Ivy #38
Final Thoughts
All and all a very strong issue of Poison Ivy with Poison Ivy #38. The wonky character motivation still plagues some of the writing but there’s some really complex ideas being expressed here and the art is absolutely second to none. 
4
Final Score
November 9, 2025 0 comments
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Harley and Ivy: Life and Crimes #1 main cover
Comic Reviews and Editorials

Harley and Ivy: Life and Crimes #1 Comic Book Review

by Adam Koppel November 8, 2025
written by Adam Koppel

In this review of Harley and Ivy: Life and Crimes #1, the question of how Harley Quinn and Poison Ivy became “Harley & Ivy” is officially answered, (and it is one of the strangest meet-cutes, even for Gotham City).

 

Harley and Ivy: Life and Crimes #1 main cover

Harley and Ivy: Life and Crimes #1 main cover by Erica Henderson (DC Comics)

HARLEY AND IVY: LIFE AND CRIMES #1
Written by ERICA HENDERSON
Art and Main Cover: ERICA HENDERSON
Variant Covers: MARK BROOKS, NATHAN SZERDY, LEIRIX
Page Count: 32 pages | Variant $4.99 US (card stock) | Variant $6.99 US (foil)
Release Date: 11/5/25

 

This review contains spoilers 

Harley and Ivy: Life and Crimes #1 begins with a quick happy montage of Harley and Ivy, while the question is posed as to how the pair became a couple. The story cuts to Poison Ivy’s hideout, where the activist/supervillain prepares for her mission to destroy the Ace Chemicals factory, (also known as the “birthplace” of both Harley Quinn and The Joker, and is currently  the demented duo’s current hideout).

Soon after, at Ace Chemicals, Harley Quinn sits alone loudly commiserating about her toxic relationship with Joker, when Poison Ivy warns her to leave before she destroys the building with modified plant bulbs (don’t ask). Harley freaks out and attacks Ivy, Harley’s concerns over her future now at odds with her codependent attachment to both Joker and Ace Chemicals. A frustrated Ivy drops her guard, attempting to defuse the situation, but Harley gets in a solid kick.

Ivy loses her balance and the mutated plant bulb cracks open on impact, unleashing a rapidly expanding tangle of vines that tear through the factory wall. As police sirens wail in the distance, the pair continue to argue while freeing themselves from the vines, and are confronted by the Joker wearing a purple zoot suit and hat, (and looking more hideous than normal).

Harley greets Mister J, and gets her head slammed into a pipe for her effort. Joker goes on a tirade and accuses Ivy of scheming to take Harley away, referring to her as “property”. Ivy bristles at the Clown Prince of Crime’s brutality and megalomania and decides to act.

Harley and Ivy: Life and Crimes #1 ends with Ivy rescuing the concussed Harley, leaping off the catwalk and using the tangle of vines to slow their descent. Meanwhile, Joker looks down at the pair from above and notices another one of Ivy’s explosive plant bulbs nearby.

Analysis 

Harley and Ivy: Life and Crimes #1 is an absorbing read, mixing in the fun and mayhem from Joker and Harley’s antics in the classic 1990s “Batman: The Animated Series” with darker elements that could only be hinted at at the time. Writer/artist Erica Henderson (Unbeatable Squirrel Girl) weaves in crucial elements from BTAS as well as certain 1990s Batman comic book stories (including Harley’s official first appearance in the DCU from 1999).

Henderson builds on the story framework and art style established by BTAS cocreators Bruce Timm and Paul Dini that showcased Harley and Ivy as a supervillain sister act, with just the vaguest hint of romance. In Harley and Ivy: Life and Crimes #1, Harley and Ivy are both at a crossroads as they finally attempt to make a huge leap (literally) and achieve a sense of agency over their own lives.

The characterizations are spot on: Harley is conflicted, reactionary, frightened and codependent, Ivy is cool, methodical and driven while Joker is at his most unhinged and dangerous. Henderson’s more minimalist style complements the story’s animated series roots, but with her own flourishes. While both Harley and Ivy wear their classic BTAS outfits, Joker rocks a purple zoot suit, large hat and bowtie. Also, his damaged face is covered by a mask that provides an even more menacing look than usual.

Henderson’s storytelling is able to push beyond the limitations of BTAS, especially in regards to Joker’s ghastly appearance, his volatility and especially his violent behavior. Joker’s brutal attack on Harley is a shocking and sobering look at their abusive relationship, but is also the impetus for Ivy’s actions in caring for Harley and ultimately rescuing her from her tormentor who views Harley as only a possession.

Final Thoughts 

Harley and Ivy: Life and Crimes #1 is an engrossing and tragic opening act about three broken people, a nod to the classic animated series where the enduring bond between the title characters began, as well as the sinister presence of an unrepentant and manipulative killer.

Harley and Ivy: Life and Crimes #1 main cover
Harley and Ivy: Life and Crimes #1
Final Thoughts
Harley and Ivy: Life and Crimes #1 is an engrossing and tragic opening act about three broken people, a nod to the classic animated series where the enduring bond between the title characters began, as well as the sinister presence of an unrepentant and manipulative killer.
4.5
Final Score
November 8, 2025 0 comments
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Birds of Prey #27 main cover
Comic Reviews and Editorials

Review: Birds of Prey #27

by Ian Miller November 8, 2025
written by Ian Miller

In this review of Birds of Prey #27, as the Birds of Prey battle the Shadow Army inside The Unreality, betrayals and violence threaten all of Gotham.

 

Birds of Prey #27 main cover

Birds of Prey #27 main cover by Annie Wu (DC Comics)

BIRDS OF PREY #27
Written by KELLY THOMPSON
Art by SAMI BASRI
Main Cover: ANNIE WU
Variant Covers: CHRISTIAN WARD, SERG ACUÑA, FRANCESCO FRANCAVILLA
Page Count: 32 pages
Release Date: 11/5/25

 

As Birds of Prey #27 begins, in Gotham’s “Unreality” game world, Batgirl (Cassandra Cain) asks Sin/Megaera, Black Canary (Dinah Laurel Lance), and Big Barda who’s coming with her into “the Seam”, and Barda volunteers. Oracle cautions them all, and urges them to evacuate civilians. At BOP HQ, the villainess Inque and Oracle trade barbs about the mission. In “The Seam”, Cass and Barda see no sign of the Shadow Army, but their game avatar illusions begin to degrade, so they are forced to leave.

Back in “Unreality”, Barda meets with the other Birds, while Cass confronts Vivi, head of the Unreality company. She discovers that Vivi’s twin sister fell into the Seam as a small child, and Vivi is searching for her. Just as Vivi seems willing to cooperate, a huge blimp appears, and Cass realizes that the Shadow Army will gas everyone with the chemical, making people aggressive and easily led.

The rest of the Birds find the Shadow Army and start a battle, using teamwork to take them out, but still have to inhale the chemical. Meanwhile, Inque betrays Oracle to let Daemon Prime in to steal Oracle’s data.

Somehow, Golden Lion’s magic makes the Unreality real, and a game player shoots Sin with an arrow straight through the chest.

Analysis

In Birds of Prey #27, our penultimate issue of Kelly Thompson’s run, the Birds of Prey vs. the Shadow Army fight ramps up to a very personal casualty. I’m really hopeful that Thompson won’t kill off Sin, as she remains a fun character in this run and a lovely redemption of the frequently ignored or misused character from Gail Simone’s beloved run in the early 2000s. Only next month’s issue will tell if we’re ending on a dark note, as the original Birds of Prey title did with issue #127, or on a more hopeful one.

Sami Basri’s art is once again extremely appealing and clean, assisted quite well by Vicente Cifuentes’s inks. Adriano Lucas’s coloring emphasizes the Unreality, the Seam, the real world, and all of the Birds’ wacky costumes really nicely. All in all, the Birds of Prey book continues to be one of the most fun and appealing books on the shelves, matching the days of Butch Guice, Greg Land, Ed Benes, Nicola Scott, Jesus Saiz, and so many other wonderful Birds of Prey artists.

Thompson has said that she didn’t plan to end the book on issue #28, so some of the compression of Birds of Prey #27 makes sense. Still, the gas from the blimp and its effect on people are very choppily handled, and it’s quite confusing how the Lion’s spell makes the virtual reality into real reality. The revelation of Vivi’s sister as motivation for the construction of the game space is fine, but given more time likely would have been revealed in a flashback instead of dashed off in a few words of dialogue. All in all, while not bad, there’s definitely signs of hurry towards the ending here. But Birds of Prey #27 is still a reasonably solid issue with characterization and humor Birds of Prey fans have come to expect.

Annie Wu’s main cover features the Birds in their Unreality disguises in a cyberpunk setting – classic girl power Matrix vibes. Christian Ward’s variant features Inque in all her melting, goopy, sexy glory. Serg Acuna’s variant also features Inque, though in a more action-heavy pose alongside Black Canary, with a magic portal style background. Francesco Francavilla’s variant features Inque once again, this time posing like a model in front of a larger Batgirl portrait. If you like Inque, this month is your month for variants!

Final Thoughts

Thompson and Basri begin the wrap-up of their final arc with the Birds, and despite a few rushed pieces, the adventure and characterization remains pretty solid.

Birds of Prey #27 main cover
Birds of Prey #27
Final Thoughts
Thompson and Basri begin the wrap-up of their final arc with the Birds, and despite a few rushed pieces, the adventure and characterization remains pretty solid.
3
Final Score
November 8, 2025 0 comments
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Batgirl #13 main cover
Comic Reviews and Editorials

Batgirl #13 Review

by D.M. Grant November 8, 2025
written by D.M. Grant

In this review of Batgirl #13, Batgirl and her allies sneak their way into the Unburied’s hidden fortress! Can they make it out alive?

 

Batgirl #13 main cover

Batgirl #13 main cover buy Reiko Murakami (DC Comics)

BATGIRL #13
Written by TATE BROMBAL
Art by TAKESHI MIYAZAWA
Main Cover: REIKO MURAKAMI
Variant Cover: NIMIT MALAVIA
Page Count: 32 pages | Variant $4.99 US (card stock)
Release Date: 11/5/25

 

This review contains spoilers

Interspersed with a series of flashbacks, Batgirl #13 kicks off as Batgirl, along with Tenji Turner, Angel Breaker, Aruna and Jaya Jayesh, travel to the Himalayas to infiltrate the Unburied’s underground compound. Their mission – locate and destroy their collection of poppy flowers which grants them strength and abilities. As soon as their mission is completed, the centuries-long war between The Unburied and the League of Shadows will cease.

Before their mission, Cassandra keeps remembering various traumatic parts of her past, including the first man she killed as a child and Shiva’s death. She refuses to let go of the dark parts of her heart, and wants to use her pain to focus on the mission at hand.

Aruna finds Tenji’s training for the mission by himself and taunts him for his lack of experience. She challenges him to a spare, urging him to not hold back and prove his worth to the team.

Angel Breaker and Nyssa discuss the latter’s plans for Samsara, and each other once the mission is completed. The two share a kiss but Nyssa pushes back, swearing that both physically and emotionally she’s been drained of all feeling.

Once the team makes it to the Himalayas, they get the drop on a patrol squad and disguise themselves to gain entry into the Unburied’s compound. Using cross-language communicators, they sneak into the heart of the stronghold where Cassandra sees parents lovingly care for their children. At the moment a festival telling the tale of the war between The Unburied and the League of Shadows presents its history with Ra’s and Nyssa Al Ghul as having begun the war, striking The Unburied when they were most vulnerable before Shiva wiped them all out. This gives Cassandra a panic attack, just as Kalden the Unseen walks into area, upon whom Cassandra is ready to strike down.

 

page from batgirl #13

Of course it’s easy for Cassandra (DC Comics)

 

Analysis

Batgirl #13 is a solid issue, with decent focus for all the characters but keeping Cass as the most interesting focal point. Her guilt, self loathing and vulnerable feeling surrounding Shiva and everything she’s learned of her still plague her daily thoughts, and comes back at the end in a big way to set her off. It’s s solid cliffhanger and great characterization.

It’s also a decent twist to have The Unburied present their history of violence as one of oppression from Ra’s Al Ghul. Whether there’s a third, truer history to be learned or this is the truth, it makes them more interesting than they had been, and more tolerable as antagonists. I worry now that they’ve been presented as sympathetic, they’ll be immediately nerfed as cannon fodder in the near future. I really don’t have much love for them as characters or a concept, as DC has enough secret societies of people that have existed for hundreds of years, but if they’re gonna exist and constantly be a physical threat for Cass, that better stick, otherwise it’d be hack writing. If Cassandra has them underneath her and she’s whaling on them while they’re being helpless, it would only be due from the final pages of the last scene in this issue. Let’s see where this goes but keep the integrity of the book’s previous twelve issues intact.

I don’t have too much to say beyond enjoying Cassandra’s presentation this month. I’m not all that terribly interested in Nyssa’s plot, and how she’s “been forgotten”, which feels like a lame meta-commentary, because by her own admission she was presumed dead for over twenty IRL years. Also, any time a character does anything extreme out of vengeance of being forgotten, it’s weak motivation. I do like that she doesn’t feel anything, which makes her an intriguing split from both Ra’s and Talia. I wonder if she’ll meet Damian in future issues…

Artwork was very solid, with a particularly cool look of Batgirl with no sleeves or cape. Awesome variant. There seemed to be some odd coloring which made it look as though she were wearing a skirt in those brief panels, but it’d be nice to see this look again.

That’s essentially it. Batgirl #13 is a good issue, with a good cliffhanger. Here’s to the next one bringing this book three solid issues in a row.

Batgirl #13 main cover
Batgirl #13
Final Thoughts
That's essentially it. Batgirl #13 is a good issue, with a good cliffhanger. Here's to the next one bringing this book three solid issues in a row.
4
Final Score
November 8, 2025 0 comments
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