In this review of Trinity: Daughter of Wonder Woman #4, it’s Wedding Day at Wayne Manor, but young Lizzie Prince is on a mission – find the corgi.
TRINITY: DAUGHTER OF WONDER WOMAN #4
Written by TOM KING
Art and Main Cover: BELÉN ORTEGA
Variant Covers: DERRICK CHEW, MIKEL JANÍN, KAREN S. DARBOE
Page Count: 32 pages
Release Date: 9/10/25
This review contains spoilers
Like most of the series, the “summary” of Trinity: Daughter of Wonder Woman #4 is very simple. Little Lizzy goes to Wayne Manor on Bruce and Selina’s wedding day to catch a Robin Corgi Puppy and enlists the help of Alfred. By the end, Wayne Manor is in rough shape, but everyone is in good humor. The story is told by the currently deceased Alfred Pennyworth to Steve Trevor, both of whom are rowing boats down the River Styx.
However, as with most Tom King stories, the meat and substance in the story come from the interaction and the dialogue. And boy, he doesn’t disappoint in this one.
Review
I am struggling with wanting to take this whole comic page by page, dissecting why I love every word bubble and action taken by the characters. Since I don’t really want to write an entire book on it, I will try to contain myself to just a few highlights.
Trinity: Daughter of Wonder Woman #4 starts with Lizzy bursting into the Kitchen and telling Alfred who she is and why she is looking for the Damian Wayne Robin Corgi Puppy, else the universe and time itself should explode. Alfred, of course, is not phased by any of it and appears to accept it. She explains how she doesn’t have time, she really shouldn’t tell Alfred anything, but she proceeds to pull up a chair, tell him everything as best she can, which isn’t very well, and ask multiple times for a piece of cake…wedding cake.
King manages to capture the charm of Little Lizzy, her desire to help save the world, but also take into account that she is about six years old and loves cake. Alfred, the de facto leader of the Wayne/Batman household, takes her story in stride and maintains a strict stance on cake consumption, corgi chasing, and world saving, but making her feel heard and cared for.
Another thing I adore about Tom King’s writing are his reoccurring jokes. After interacting with Bruce, who is having a stress induced meltdown because he’s getting married, there’s a strange Wonder Robin in his house, and he just stepped in dog feces, Alfred understates his reaction in typical British Butler fashion by describing it as “minor bots of ill humor”. Lizzy points out the minor bout again when Bruce completely loses his cool over Ace destroying the Grandfather Clock Secret Cave Entrance. It’s hilarious.
A second interaction that deserves highlighted is Ace and Robin Corgi Puppy. The juxtaposition in story telling, a particular strength of Kings, is done to perfection here. Ace, who’s top notch Bat-training Alfred the Narrator describes in detail, is shown at first from a low angle barking and viciously growling at Robin. By the end, though, Robin has asserted his dominance by way of being Damian Wayne.
The story ends, as they often have, with the girls breaking one final law of time travel by telling Alfred that the wedding won’t happen and that Alfred is going to die. She gives him a hug before he can react. But he tells her that he hasn’t as much fun or laughed as hard as that day, and in spite of the near or far future may bring, he will hang on to that moment of merriment, and their current hug. It’s such a sweet moment, and a reaction only Alfred could give.
Trinity: Daughter of Wonder Woman #4 ends with a cloaked figure rowing away from Steve Trevor on the River Styx, giving a fleeting hope that Alfred will come back to the world of the living with Steve.


