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Batgirl #15 main cover by Reiko Murakami (DC Comics)
Comic Reviews and Editorials

Comic Book Review: Batgirl #15

by D.M. Grant January 8, 2026
written by D.M. Grant

In this review of Batgirl #15, after the mission to destroy the Unburied’s power source, Batgirl has questions that demand answers from Nyssa Al Ghul!

 

Batgirl #15 main cover by Reiko Murakami (DC Comics)

Batgirl #15 main cover by Reiko Murakami (DC Comics)

BATGIRL #15
Written by TATE BROMBAL
Art by STEPHEN SEGOVIA
Main Cover: REIKO MURAKAMI
Variant Cover: JORGE FORNÉS
Page Count: 32 pages
Release Date: 1/7/26

 

This review contains spoilers

Tormented by the confusing nightmares of guilt and rage, consisting of her past crimes, her mother Shiva and Jaya, Batgirl awakens back in Samsara to a worried Tenji. Cass angrily attacks him until Jaya arrives and hits them both with a chakra strike, clearing their heads. Tenji runs off in despair, while Cass describes her dream to Jaya, expressing anxiety that she inherited her mother’s vengeance.

As Batgirl #15 continues, Batgirl confronts Nyssa about the mission’s true purpose, accusing both her and the late Ra’s Al Ghul of pirating the Unburied’s land. Nyssa cops to Ra’s complicity but feigns innocence on her part. Cassandra asks her the color of the sky, realizing she cannot tell when Nyssa is truthful or lying to which Nyssa owes to the result of her torture that left her body physically and expressively numb.

Tenji discovers a secret room where members of the League of Shadows are seemingly aiding people in a medical bay, then finds Kalden the Unseen in a holding cell. Kalden mocks Tenji’s shallow sense of heroism, and through their conversation Tenji realizes that the Unburied have managed a tunnel leading directly to Samsara. Racing to tell Cassandra, he’s stopped by Nyssa who assures him that everything is going according to plan. As Angel Breaker prepares to slice him in half from behind, Jaya releases Kalden, stating that what’s buried will soon come to light.

Analysis

Batgirl #15 is Tate Brombal’s more forward moving script in the run, posing a mystery that’s decently compelling while managing to keep Cassandra’s ongoing crisis of faith at the emotional core. While there were one or two beats I didn’t care for, I found this to be a generally enjoyable issue.

As usual, the dialogue is more than a bit much. Some months I’m used to it, others like the last two are too much for me to not knock off critical points. Every time this book arrives, I yearn for the sweet tranquility of Batgirl #5. Brombal’s got a solid enough handle on Cassandra, and knows when to pull her dialogue back. However when anyone else is talking, it’s wither overwritten or uninspired writing like much of what comes out of Tenji’s mouth. Tenji as a character has yet to activate for me beyond a simple little bro archetype who is too eager, too earnest and too annoying to be enjoyed. If he ends up dead by this story’s end, I won’t be crying. Additionally, he brings out the worst in Cassandra. We open with another out-of-character crash out where she’s flinging fists wildly at him. Granted, it’s noted that this isn’t like Cass, but that’s remarked upon in a throwaway line. I wish that the OOC moments meant to be reacted to by the reader were actually written with the intended punch and not simple story beats representative of any generic story.

But okay, let’s hit up the positives. We’ve got Stephen Segovia on art, doing a terrific job of making Batgirl look fierce from the first page to the last. I’m familiar with Segovia’s work on the Jace Fox-led book I Am Batman. Always a solid artist, but here his stuff has improved dramatically. He excels at the action, as well as the dynamic moments such as Tenji with Kalden in the cell. I also really love the half-mask scenes with Cass in the beginning.

I also like the switch-up pulled on our heroes. Cassandra’s ability to trust are at an all-time low, and having her friend Jaya seemingly betray her at the end when she already doesn’t like Tenji and doesn’t trust Nyssa was a solid reveal. Now I think when it comes down to it, with the exception of Kalden, none of these people could or should conceivably take Cass on in a fight. I’m not eager to test that, as Brombal’s generally let Cass’ fighting abilities down in this series. Her marital arts skills being her specialty is just not something kept in the forefront of this series’ mind most of the time. But in a tighter story, it would be really cool to watch Batgirl fight Nyssa, Angel Breaker and Jaya all at once.

Nevertheless, the implication that Cass has allied herself with all of these people and walked into a den of lions is really one of the most enjoyable reveals in the entire book. I am excited to see how things end up, and if this accelerates Cassandra’s return to Gotham, which is something that Brombal has promised is happening this year. Batgirl #15 was decent throughout with really nice artwork, but the cliffhanger at the end definitely bumped it up a few points.

Batgirl #15 main cover by Reiko Murakami (DC Comics)
Batgirl #15
Final Thoughts
The implication that Cass has allied herself with all of these people and walked into a den of lions is really one of the most enjoyable reveals in the entire book. I am excited to see how things end up, and if this accelerates Cassandra's return to Gotham, which is something that Brombal has promised is happening this year. The issue was decent throughout with really nice artwork, but the cliffhanger at the end definitely bumped it up a few points.
4
Final Score
January 8, 2026 0 comments
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TBUCP season 17 episode 23 podcast cover
The Batman Universe Comic Podcast

TBU Comic Podcast: Season 17 Episode 23

by Theodis Wright December 27, 2025
written by Theodis Wright

TBUCP season 17 episode 23 podcast cover

https://media.blubrry.com/tbucp/thebatmanuniverse.net/video/Podcast/02-The%20Batman%20Universe%20Comic%20Podcast/S17%20E23/TBUCP%20E432.mp3

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Season 17 Episode 23 of The Batman Universe Comic Podcast live on all of your favorite platform. With this episode, we conclude our 17th season of the Comic Cast. This week, Steph and Theo tackle Detective Comics #1104. Jonathan Crane is still missing and the fear poison that has infected Batman appears to be taking more control over him. Can Batman overcome his lack of fear before The Lion pulls off his final plan? They close things out with Greater Gotham and news on what’s on tap from TBU in 2026. Listen in and find our what’s next.

 

Books Covered In Season 17 Episode 23

Detective Comics #1104

 

Greater Gotham Titles

Nightwing #133
Batman / Superman: World’s Finest #46
DC K.O.: Harley Quinn vs. Zatanna #1
Catwoman #82
The Bat-Man: Second Knight #2
Absolute Wonder Woman #15
Justice League Unlimited #14
DC K.O.: The Joker vs. Red Hood #1
Immortal Legend Batman #5
Harley Quinn #57
Batman / Static: Beyond #2
Justice League vs. Godzilla vs. Kong 2 #6
Trinity: Daughter of Wonder Woman #6
Harley and Ivy: Life and Crimes #2
Wayne Family Adventures 186 & 187


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December 27, 2025 0 comments
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Harley Quinn #57 main cover by Yanick Paquette (DC Comics)
Comic Reviews and Editorials

Harley Quinn #57 Comic Book Review

by Adam Koppel December 27, 2025
written by Adam Koppel

In this review of Harley Quinn #57, this is it; the first meeting, and final battle between Harley Quinn and the dreadful Deconspirator (wait, what?) Celebrate Harley’s 200th issue with a pair of titanic tales that trace the paths that lead the anti-heroine to her current life.

 

Harley Quinn #57 main cover by Yanick Paquette (DC Comics)

Harley Quinn #57 main cover by Yanick Paquette (DC Comics)

HARLEY QUINN #57
Written by ELLIOTT KALAN
Art by TERRY DODSON, CARLOS OLIVARES
Main Cover: YANICK PAQUETTE
Variant Covers: DAVID NAKAYAMA, INHYUK LEE, JESSICA LUNA, TERRY DODSON
Page Count: 32 pages
Release Date: 12/24/25

 

This review contains spoilers 

Harley Quinn #57 chapter one begins with an exhausted Harley dozing in the car as her new frenemies the Gunbuddies (and Convoy) head back to Gotham City and Harley’s Throatcutter Hill neighborhood. Harley soon “wakes up” to find herself in a weird parody of “This is Your Life”, with the Deconspirator as her guide. The villain spouts lyrical nonsense (and enough meta commentary to get slapped with a cease-and-desist from Deadpool), which Harley seems to take all in stride.

Deconspirator attempts to convince Harley that her life is not one of her own making, but rather is conceived by a cohort of comic book creators adding new elements to her backstory as needed. Deconspirator claims that this entire conversation and his own exposition comes from those same conspiratorial creators. Harley’s not buying it though, but she appears to enjoy the trip down memory lane (so many outfits), but now she decides it’s time to wake up.

Chapter two begins with Harley back in the waking world as she and her new allies see the mayhem Deconspirator has wreaked upon Throatcutter Hill. Costumed blowhards with a sense of entitlement trade punches as fires and explosions erupt around them. Harley and the Gunbuddies make short work of the troublemakers (with more explosions). Harley finds Dolores, one of her neighbors, who confesses to killing another neighbor, but Harley comforts Dolores, realizing that the Deconspirator manipulated her.

The Gunbuddies find Althea Klang and Harley confronts her over hiring the Deconspirator. The pair admit to their growing mutual attraction as they traverse the dangerous hellscape that was Throatcutter Hill.  The pair arrive at Harley’s home and confront Deconspirator inside Mrs. Grimaldi’s apartment. Harley’s landlady managed to shake off Deconspirator’s influence, but her grandson Richie is still in his thrall.

Harley and Mrs. G rough up Deconspirator but he refuses to participate in the brawl. Harley then points out that he failed in his efforts as she made allies with her former captors (which is either a healthy move or Stockholm Syndrome).

Harley Quinn #57 ends as Harley drops a logic bomb at Deconspirator’s feet, alleging that his corruption of others to reject connections has actually manipulated people into aligning with his world view and the coup de grace comes as Harley mentions that his bodily organs work in collusion with one another. Shocked, Deconspirator collapses and dies. Althea enters and Harley tells her she will go out with Althea, but that first she needs to leave the neighborhood.

Analysis 

Harley Quinn #57 celebrates her 200th issue in style, with a lot to digest as writer Elliot Kalan wraps up numerous plot threads from the past year and sets the table for the next story arc. It was a clever move to introduce Harley to Deconspirator in the dreamscape (what would you call it?) as it gets the introductions out of the way as Harley and the Gunbuddies head back from their California adventure.

Deconspirator revisiting Harley’s DC Comics origin, and her evolution as a character is a helpful introduction to new readers and allows longtime fans a chance to marvel at the last twenty-six years of storytelling. The meta/fourth-wall breaking “we are in a comic book” isn’t an original conceit, but Kalan adds his own clever spin through Deconspirator to deconstruct the concept of free will, destiny and storytelling as a conspiracy.

Kalan’s rapid-fire one-liners ripple throughout the extra-sized issue, but their purpose is more than just for comedy, there is truth through humor in Harley’s social commentary and observations.   illuminate Harley’s world view. The two-act structure works as set-up and showdown as an entire event within a single oversized comic (Robert Kirkman did something similar in an issue of Invincible).  Even without previous knowledge of the series, Harley Quinn #57 is a complete story for readers to enjoy.

Kalan also continues to portray Harley as a human being, rather than just a wacky cartoon character, for instance when she comforts her traumatized neighbor Dolores

Artist team Terry and Rachel Dodson return to Harley Quinn after helping to launch her original ongoing series back in 2000. Their clean, fluid and dynamic art style is a welcome addition to this anniversary tale as they revisit Harley’s origin story (while showcasing her many costume styles from the past quarter century). Harley’s dreamscape trip down memory lane (including a menacing glimpse of the Joker) suits the Dodson’s talents.

Series artist Carlos Olivares tackles chapter two, and the artist revels in the unchecked mayhem of Throatcutter Hill’s descent into mayhem that was unleashed by Deconspirator’s powerful influence. The air is thick with smoke, flames and bits of floating debris. Olivares’ style lends itself to the chaotic closing chapter with exaggerated facial expressions, energetic body slams and wide eyed mania.  Olivares provides wide screen style action with a mob of enraged citizens and Convoy’s timely arrival (on a big rig truck) among other things.

Final Thoughts

Harley Quinn #57 is a fitting tribute, celebrating the anti-heroine’s 200th issue (and enduring popularity) in high quality style, with amazing character moments, plot development, gorgeous artwork and plenty of laughs.

Harley Quinn #57 main cover by Yanick Paquette (DC Comics)
Harley Quinn #57
Final Thoughts
Harley Quinn #57 is a fitting tribute, celebrating the anti-heroine's 200th issue (and enduring popularity) in high quality style, with amazing character moments, plot development, gorgeous artwork and plenty of laughs.
4.8
Final Score
December 27, 2025 0 comments
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Immortal Legend Batman #5 main cover by Dan Mora (DC Comics)
Comic Reviews and Editorials

Review: Immortal Legend Batman #5

by Kris Burke December 27, 2025
written by Kris Burke

In this review of Immortal Legend Batman #5, the Legends return to Gotham where they find another Shadow waiting on them. But there’s also someone else waiting for them to arrive.

 

Immortal Legend Batman #5 main cover by Dan Mora (DC Comics)

Immortal Legend Batman #5 main cover by Dan Mora (DC Comics)

IMMORTAL LEGEND BATMAN #5
Written by KYLE HIGGINS and MAT GROOM
Art by ERICA D’URSO and DAN MORA
Main Cover: DAN MORA
Variant Covers: TOKITOKORO, ETHAN YOUNG
Page Count: 40 pages
Release Date: 12/24/25

 

This review contains spoilers

In the rare event a comic finds Batman outside of Gotham, inevitably Bruce Wayne finds himself back home one way or another.

Immortal Legend Batman #5 starts off with Batman, Robin, and Nightwing arriving back on Gotham after they reunited at the end of the previous issue.

And just like other issues, we meet this world’s version of Barbara Gordon, whose father has been abducted by “Bruce Wayne” and she asks for Batman’s help to find him. He tells her if he’s alive, he’ll do everythinghe can to find him.

That’s not the highlight of the second-to-last issue in the series, though. One look at the cover tells you all you need to know who Batman is battling and it’s the “shadow” version of the character everyone is waiting to see in mini-series like this one.

Yep, it’s Batman vs. The Joker time once again.

An absolutely epic battle ensues between the Joker and Batman with their mechs (including Batman using the “henshenite” mentioned in an earlier issue). Batman holds onto the Joker mech, which explodes and wounds Batman pretty badly.

Alfred arrives to help him before he’s shot by this world’s version of Hush, who was alluded to in the backup stories of previous issues.

Tommy Elliot wants the belt that Bruce used to become the Immortal Legend Batman but naturally, the Joker says that wasn’t part of the deal and sends both Tommy and Bruce into the water.

The Joker dons the belt and becomes the new Immortal Legend Batman. This sets up one heck of a series finale next month.

 

page from immortal legend batman #5 showing the team returning to gotham

There’s no place like home… Gotham. (DC Comics)

 

Analysis

DC deserves a fair bit of criticism for going to the Joker well too often but the reinterpreting of the rivalry between Batman and The Joker should be commended.

Kyle Higgins and Mat Groom have done a wonderful job of keeping up a good pace with the stories and especially succeeded with the buildup to this latest Joker/Batman battle.

It’s that showdown that kicks Immortal Legend Batman #5 into high gear and makes this part of the story feel like the most “real” and like a traditional Batman story, despite the futuristic/galactic vibe of the entire series.

As someone who normally loves grounded, real Batman stories and sci-fi flavored ones, I was surprised how much I enjoyed Immortal Legend Batman #5. That’s what good writing can do for a story and it’s what happened here.

Even if the futuristic setting, at the heart of this story is who Batman is and despite all the technology in this super-advanced world, it’s that human element to this Batman that stands out and shows yet again why he’s endured for nearly 90 years now.

In terms of the artwork, Dan Mora and Erica D’Urso’s take on The Joker was fresh but familiar at the same time. If there was a Joker who decided to look like Bruce Wayne, this is the way to do it. Mora did the entire second half of the issue this time which featured the face-off between The Joker and Robin and Nightwing.

There were some panels here that harkened me back to the Scott Snyder/Greg Capullo run in the New 52 era, particularly the Endgame and Superheavy runs. That’s a pretty high compliment.

If I had one nitpick, it’s that the damage and destruction being shown isn’t quite detailed or heavy enough. These are some powerful things that are exploding, so the carnage should be a little more real. Guess that’s something that happens in a sci-fi story, right?

That said, the final image of Immortal Legend Batman #5 is especially striking and should be having you whet your lips for more.

Final Thoughts

As I read each book to get caught up to do this review, I became more and more intrigued by this version of Batman. It’s definitely been unique but issue #5 has been a perfect blend of the unique and the traditional. It’s definitely got me counting down the days until the final issue is released and I cannot wait to see what’s in store for an Immortal Legend Joker.

Immortal Legend Batman #5 main cover by Dan Mora (DC Comics)
Immortal Legend Batman #5
Final Thoughts
As I read each book to get caught up to do this review, I became more and more intrigued by this version of Batman. It's definitely been unique but issue #5 has been a perfect blend of the unique and the traditional. It's definitely got me counting down the days until the final issue is released and I cannot wait to see what's in store for an Immortal Legend Joker.
4
Final Score
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Batman/Static: Beyond #2 main cover by Nikolas Draper-Ivey (DC Comics)
Comic Reviews and Editorials

Comic Book Review: Batman/Static: Beyond #2

by D.M. Grant December 27, 2025
written by D.M. Grant

In this review of Batman/Static: Beyond #2, Terry’s classmate has transformed into a new villain who can short-circuit powers both super and electric citywide!

 

Batman/Static: Beyond #2 main cover by Nikolas Draper-Ivey (DC Comics)

Batman/Static: Beyond #2 main cover by Nikolas Draper-Ivey (DC Comics)

BATMAN/STATIC: BEYOND #2
Written by EVAN NARCISSE
Art and cover by NIKOLAS DRAPER-IVEY
Variant covers by DUSTIN NGUYEN and RAHZZAH
$4.99 US | 32 pages | Variant $5.99 US (card stock)
ON SALE 12/24/25

 

This review contains spoilers

As Batman/Static: Beyond #2 begins, Melvin Kim wakes up in the hospital with a sharp pain every time he touches technology. This pain allows him to shoot out energy that destroys technology of all kinds. He flees the hospital, realizing he’s been hit with a dangerous amount of Q-Juice: the exact chemical that caused The Big Bang twenty years ago. Melvin sets off to stop The Q-Grid stations from using more Q-Juice, preventing what happened to him from happening to anyone else.

Batman/Terry McGinnis alerts Static about Melvin’s accident and disappearance, infuriating Static the night before he delivers a speech to the world on utilizing Q-Juice for good. While presenting the noble intentions of the Q-Grid to various leaders of the world through com-link, he and Terry stay in communication as power grids all throughout Neo-Gotham are shorting out, with the direction of the blackouts heading towards Dakota. Static orders Terry to stay put while he goes to handle Melvin, taking his old friend Richie Stone a.k.a. Gear with him.

Melvin appears in a mask and costume, now calling himself Shutdown. He’s first intercepted by a superhero named Beacon and defeats her easily, before being confronted by Static and Gear. Gear notes that Shutdown’s powers appear to be telekinetic before getting knocked out. Static resolves to zap Shutdown of his abilities just before Batman arrives to assist. In the distraction, Shutdown uses the rainwater on the ground to not only take out the two heroes but all of the power in Metropolis, Dakota and Neo-Gotham.

Analysis

As a fan of not only both Static and Batman Beyond but also the recent “Season One” relaunch of the Milestone Comics, specifically the new Static as embodied under the pen of artist Nikolas Draper-Ivey, this series was always going to be of interest to me. The brief animated crossovers between Terry McGinnis and Virgil Hawkins were fleeting but fun, and seeing a Batman Beyond adventure with prime adult Static was a solid idea for fans of all kinds.

For the most part, I think writer Evan Narcisse and Draper-Ivey stick the landing. While the first issue had a slightly confusing lead-in with an action sequence featuring a dogfight with alien combatants, this Melvin Kim/Shutdown plotline involving the use of Q-Juice has made for a strong reason to bring the two headliners together. Batman/Static: Beyond #2 reads like a perfectly wholesome Season 3 episode of Batman Beyond – one where there would be more references to other heroes like the Justice League Unlimited. Of course it was in Static’s own animated series Static Shock where the teen hero visited the Tomorrow Knight in the future and met his adult self. And ‘est I leave out the best crossover, the JLU Season One finale “The Once and Future Thing: Time, Warped” had both Batman and Static in his coolest look ever. Part of me wishes Draper-Ivey employed that James Tucker design of Future Static for this story, but that was a different continuity. Static’s meant to be in his thirties in this story, which actually makes Bruce Wayne’s age dubious, since that couldn’t make him be in his 80s. Oh well…

But Batman/Static: Beyond #2 is solid. Writing wise, Narcisse isn’t the most deft with exposition delivery, sometimes needlessly falling into informational tangents seemingly to get a rise out of those in the know. It’s one thing for Richie to appear, and it’s great that we see him as Gear, but Static saying “You’ve just taken down the best man I’ve ever known”…why would he say that? It was more than enough for the two to fight alongside each other a’la season 3 and 4 of Static Shock, we know that they’re buds. It’s also just odd dialogue to say to an enemy/complete stranger. It’s writing like that which also kind of crowds the script and prevents more character based moments. Terry’s character a touch bland in these two issues so far. He’s playing the role of the young hero, underfoot with the older experts on the field, something we’ve seen before. It’s not out of bounds, but not much new to chew on. I’m hoping we see more of him and Static interact that goes beyond simply yelling out information and stating that they’re worried. Same goes for Max, Raquel, and the other cameos.

As far as the artwork, Draper-Ivey is a peculiar case. He is a fantastic artist, but his strengths lie chiefly in spot illustrations moreso than sequential storytelling. Often times his work can look muddy and unfinished, especially where the anatomy is concerned. The future setting also crowds a lot of the panels, although this issue looks better than the last. The dark, cyberpunk aesthetic of Neo Gotham is well achieved.

This series is imperfect, but it’s still fun for longtime fans. It’s also cool to see a third chapter in the continuity of Season One Static. Two issues in, I’m enjoying where we are.

Batman/Static: Beyond #2 main cover by Nikolas Draper-Ivey (DC Comics)
Batman/Static: Beyond #2
Final Thoughts
This series is imperfect, but it's still fun for longtime fans. It's also cool to see a third chapter in the continuity of Season One Static. Two issues in, I'm enjoying where we are.
3.5
Final Score
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DC K.O.: Red Hood vs. Joker #1 main cover by Jorge Corona (DC Comics)
Comic Reviews and Editorials

DC K.O.: Red Hood vs. The Joker #1 Review

by Ian Miller December 25, 2025
written by Ian Miller

In this review of DC K.O.: Red Hood vs. The Joker #1, Red Hood faces down the Joker three times, in three different forms and arenas, in a trip down memory lane.

 

DC K.O.: Red Hood vs. The Joker #1 main cover by Jorge Corona (DC Comics)

DC K.O.: Red Hood vs. The Joker #1 main cover by Jorge Corona (DC Comics)

DC K.O.: RED HOOD VS. THE JOKER #1
Written by SCOTT SNYDER and JOSHUA WILLIAMSON
Art by DUSTIN NGUYEN
Main Cover: JORGE CORONA
Variant Covers: DUSTIN NGUYEN, LEE BERMEJO, GUILLEM MARCH, TAURIN CLARKE
Page Count: 30 pages
Release Date: 12/24/25

 

As Jason prepares for his battle against Joker, he thinks that he will forever erase the idea of Joker creating him with this fight. The Heart declares the rules – 2 out of 3, choosing your own forms – and they begin, guns blazing. Jason struggles briefly, remembering first seeing Bruce fight Joker, then gets a brutal sword stab in, and Joker flees. Jason brought one item to this world – a chemical designed by Bruce to destroy the Joker. He chases Joker into Ace Chemicals, gets a hit with his chemical bullet which mutates Joker into a wacky monster. Joker retaliates by throwing a bomb which knocks Jason into the chemicals, killing him, awarding Joker first round.

Jason chooses his Robin form, while Joker chooses his Death in the Family form, and they rematch in the warehouse where Jason died. Jason declares that he held back as Robin, but doesn’t hold back now. He beats Joker down with the crowbar, then drags the clown’s body out of the explosion after dodging his final shot. Round two Jason.

In Round Three, Jason chooses a future version of himself as Red Hood, while Joker chooses the Red Hood of Zero Year. They fight in a rain-soaked graveyard, and Jason beats Joker literally into an open grave, thinking he finally is free of Joker and Batman’s creation. He lies down and bleeds out as Joker’s heart restarts because of a gadget installed.

In the Watchtower, Booster Gold forces Tim Trapper to watch as Earth turns into New Apokolips.

 

page from dc k.o.: red hood vs. the joker #1 showing red hood and the joker shooting at each other

Round Eight… FIGHT!!! (DC Comics)

 

Analysis

To be perfectly up front as a reviewer, the event of DC K.O. is very uninteresting to me. Entire months spent on individual duels leading up to a conclusion which feels arbitrary and story defined rather than an interesting competition, combined with the usual “ludicrously powerful villain gets even more powerful and threatens to destroy the universe” – it’s all very much Not For Me. I have also never been either a Joker or a Jason Todd superfan. While I don’t think I would have voted to kill Jason, I do rather like the status quo of tragedy and grief in the Batfamily caused by A Death in the Family, and though I do like that he’s back, I’ve never been a really avid reader of his comics outside of the somewhat inspired “Dark Trinity” arc that Scott Lobdell wrote during the first phase of the Rebirth era.

That being said, if you do like the concept, and you like the writers in question – Scott Snyder and Joshua Williamson – they haven’t skimped on artistic talent. Dustin Nguyen’s work on the landmark Jason story “Under the Hood” is still legendary, and his work with Jason vs. the Joker here is quite strong (and he turns in a darn good variant cover as well). Giuseppe Camuncoli is an excellent fill-in option, and also contributed to the Under the Hood era a bit as well. Artistically, it’s a fine package.

Writing-wise, Snyder slips in his obsession with Zero Year and the Spider-Man: No Way Home-esque obsession with mechanically “curing” villains. While I object to this because I think it erases heroism as well as villainy if you say that someone’s evil choices are just determined by chemicals, it’s definitely a nod to his popular run on Batman with a special focus on Joker, so fans of that stuff will likely enjoy its inclusion here.

I don’t find the conclusion very interesting – the writers tried to give Jason a “moral” victory, but unless they have a significant plan of what Jason does AFTER this fight, it feels like it’s going to be completely forgotten next month. The Joker having a cheating device to go to the next round despite losing is pretty nonsensical, and all in all, the issue was just another fight.

Snyder’s obsession with Joker being a chemical determination rather than a choice for evil is stupid.

Jorge Corona (Batgirls, We Are Robin) draws a bloody, chaotic crowbar wielding Joker vs knife wielding Red Hood main cover, with a pale blue destruction background. Interior (and Red Hood legend) artist Dustin Nguyen provides a split-screen effect variant with an over the shoulder, gun-holding Jason, and a crazed Joker face. Lee Bermejo’s hyper realistic cover features our duo over a blazing fire background. Guillem March goes for a Joker arm (again with crowbar) vs Jason cracking his knuckles gunfighter standoff composition. Taurin Clarke’s more digital painted cover provides Jason turning the tables on Joker with the crowbar, with a huge red Darkseid behind him.

Final Thoughts

While Dustin Nguyena and Giuseppe Camuncolo provide excellent artwork, the end result is a bunch of sound and fury, signifying nothing.

DC K.O.: Red Hood vs. Joker #1 main cover by Jorge Corona (DC Comics)
DC K.O.: Red Hood vs. The Joker #1
Final Thoughts
While Dustin Nguyena and Giuseppe Camuncolo provide excellent artwork, the end result is a bunch of sound and fury, signifying nothing.
2
Final Score
December 25, 2025 0 comments
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Harley & Ivy: Life & Crimes #2 main cover by Erica Henderson (DC Comics)
Comic Reviews and Editorials

Harley & Ivy: Life and Crimes #2 Comic Book Review

by Adam Koppel December 25, 2025
written by Adam Koppel

In this review of Harley & Ivy: Life & Crimes #2, while Harley and Ivy try to figure out their next move, Joker beats them to it. Come and witness the wildest (and possibly most infectious) tour of Gotham City’s seamier side.

 

Harley & Ivy: Life & Crimes #2 main cover by Erica Henderson (DC Comics)

Harley & Ivy: Life & Crimes #2 main cover by Erica Henderson (DC Comics)

HARLEY AND IVY: LIFE AND CRIMES #2
Written by ERICA HENDERSON
Art and Main Cover: ERICA HENDERSON
Variant Covers: LEIRIX, MAHMUD ASRAR, EJIKURE
Page Count: 32 pages
Release Date: 12/17/25

 

This review contains spoilers 

Harley & Ivy: Life & Crimes #2 picks up with a frustrated Poison Ivy tending to a concussed Harley Quinn at her lab/lair (where a news program plays in the background). As Ivy confronts Harley about her unhealthy attachment to the Joker, Harley seems to actually respond to Ivy’s prodding, but before the duo can figure out their next move, Joker frames them in a series of high-profile attacks that he perpetrates across the city.

Harley and Ivy attempt to pry information on Joker’s current whereabouts from the Gotham underworld, but a resulting scuffle involving Ivy’s giant, genetically-modified vines draws the unwanted attention of the Gotham’s finest. Harley takes Ivy on a less than scenic tour of some of her previous hideouts in an effort to regroup, but the pair are dogged by the GCPD at every turn.

After arriving at a rundown novelty factory, Harley finds a note from Joker claiming that he will always be able to find her. The note triggers Harley into a complete mental collapse, but Ivy is able to get her back on her feet and back in the game (which is now revenge).

Harley & Ivy: Life & Crimes #2 ends at the site of the now devastated Ace Chemicals factory, where Ivy and Harley hatch a plan that will hopefully take down Joker, but more importantly, this is the moment where there shared bond begins to solidify as Harley finally sees herself living a life with someone who respects her.

Analysis 

Harley & Ivy: Life & Crimes #2 features another breathless chapter as Harley and Ivy duck the GCPD after being framed by the Joker for his crimes (he even gets them labelled as “man-haters”.  While Joker doesn’t physically appear in Harley & Ivy: Life & Crimes #2, he casts a long shadow from which the duo attempt to escape. From Harley’s codependency issues, to his own twisted and clever Psy-ops, the clown prince of crime wreaks havoc from afar.

Writer/artist Erica Henderson nails the characterization of this nascent sister act (and Joker), striking the necessary balance between suspenseful storytelling and domestic violence issues, allowing a palpable sense of fear, dread, confusion, loneliness and frustration in Harley and Ivy, while mixing in a wild series of narrow escapes from the GCPD, and a healthy dose of gallows humor with some clever visual gags and solid one-liners.

Henderson digs deep, pushing Ivy into intervention mode as she delves into Harley’s psyche and  motivations for continually returning to an abusive relationship. Remarkably, progress is made, but there is much work to be done before Harley finally frees herself (and finds herself with a supportive partner). The clever but annoying “man-haters” gag from both Joker and the GCPD illustrates how inherent misogyny can be wielded as an additional weapon against an other.

Henderson also mixes in plot elements/draws inspiration from the classic Batman: the animated series as well as Harley’s first official in-canon DC Comics appearance from 1999. Henderson’s art style reflects the minimalist look of the classic cartoon, as well as using her layouts to add a visual sense of growing chaos, panic, paranoia and anger. Henderson’s art also plays with the format of the comic book page in one of the chase scenes.

Ivy lowers her guard to help Harley (at first, possibly only for her own protection) which comes off as a logical and pragmatic choice (especially for a scientist). Ivy slowly warms to her unwanted partner-in-crime in Harley & Ivy: Life & Crimes #2 , but only a little, (about as much progress as Harley made in breaking away from Joker). The duo currently share a moment of crisis in being hunted by the GCPD, while also bonding over getting revenge on Joker.

Final Thoughts 

Harley & Ivy: Life & Crimes #2 comes out swinging with another taut chapter that threads the needle between suspenseful storytelling, exploring past trauma, forging healthy connections and a solid dose of dark humor.

Harley & Ivy: Life & Crimes #2 main cover by Erica Henderson (DC Comics)
Harley and Ivy: Life and Crimes #2
Final Thoughts
Harley & Ivy: Life & Crimes #2 comes out swinging with another taut chapter that threads the needle between suspenseful storytelling, exploring past trauma, forging healthy connections and a solid dose of dark humor.
4.7
Final Score
December 25, 2025 0 comments
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tbu podcast episode 290 cover
The Batman Universe Podcast

The Batman Universe Podcast Episode 290 – The DC Holiday Special 2017!

by Ian Miller December 24, 2025
written by Ian Miller

tbu podcast episode 290 cover

https://media.blubrry.com/tbup/thebatmanuniverse.net/video/Podcast/01-The%20Batman%20Universe%20Podcast/Episode%20290/TBUP%20E290.mp3

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In episode 290 of The Batman Universe Podcast, Ian (@ibmmiller) and BJ (@bjshea33) check out the DC Holiday Special from 2017 – from some really great talent, like Denny O’Neil, Steve Epting, Christopher Priest, Tom Grummet, Greg Rucka, Bilquis Evely, and many, many more!

For our Bat-Family: What is your favorite Christmas/Winter season DC holiday story?

Drop us a line at TBU@TheBatmanUniverse.net.  As always, if you like this episode, please rate, share, and subscribe on the streaming platform of your preference. It’s a great way to show your support, and it’s quick and easy! Thank you, loyal Bat-fans!

Find past episodes of The Batman Universe Podcast right here.

December 24, 2025 0 comments
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Detective Comics #1104 main cover by Mikel Janín (DC Comics)
Comic Reviews and Editorials

Comic Book Review: Detective Comics #1104

by Adam Koppel December 24, 2025
written by Adam Koppel

In this review of Detective Comics #1104, call it “Forty Scarecrows and a Lion” as the clock ticks down to Batman becoming infectious with the “courage” virus. What happens when the Dark Knight faces an army that feels no fear?

 

Detective Comics #1104 main cover by Mikel Janín (DC Comics)

Detective Comics #1104 main cover by Mikel Janín (DC Comics)

DETECTIVE COMICS #1104
Written by TOM TAYLOR
Art and Main Cover: MIKEL JANÍN
Variant Covers: GREG SMALLWOOD and KRIS ANKA
Page Count: 32 pages | Variant $5.99 US (card stock)
Release Date: 12/24/25

 

This review contains spoilers 

Detective Comics #1104 begins with only four hours remaining before Batman becomes contagious with the courage virus, as the Dark Knight perches on a gargoyle atop a Gotham skyscraper. Batman has made a jump like this many times, but now he is hyper aware of every movement and sensation as he launches his grapple and takes flight. He is concerned that the virus has disrupted his ability to discern between normal actions and extreme risk taking.

Batman tracks down one of the henchmen who abducted Jonathan Crane (Scarecrow) from his cell in Arkham Tower. The henchman, (who is also infected), spills the details to Batman. Back in the Batcave, Batman calls Selina Kyle but is interrupted when Superman returns from the ruins of The Lion’s remote base. Clark updates Bruce and the two discuss what should happen if a cure isn’t found (including several tactics to take down Batman in a fight).

The Dark Knight isn’t waiting around though, he has a contingency plan to keep fighting with the help of a mobile quarantine (an armored, sealed Batsuit). Damian and Bruce share a poignant father and son moment. Later, an armored and infectious Batman takes the Batmobile for a drive upstate and into a cornfield where he is attacked by forty people in Scarecrow masks who all show no signs of fear or hesitation.

Batman hits the ejector seat and lands near a bound figure in a Scarecrow mask and Arkham uniform assuming he is Crane, but it is The Lion in disguise. The villain counters every move that the Bat-armor throws at him, but again Batman has a contingency and the Bat-Family appears to even the odds. The Lion ruptures Batman’s air hose and sets the field ablaze. Batman has to tether Robin as chases after the escaping Scarecrows through the spreading flames.

Detective Comics #1104 ends with Batman freeing Jonathan Crane who quickly explains how he became connected with The Lion. Crane warns Batman about The Lion’s plan, and that all of this is Batman’s fault.

 

page from detective comics number #1104 showing Bruce and Selina sharing a moment

A touching moment between soulmates… but why now? (DC Comics)

 

Analysis 

Detective Comics #1104 ratchets up the tension as the clock ticks down to zero, but even with a dangerous and unknowable villain at large, Batman still has time to spare for those he cares about. Writer Tom Taylor dives deep into Batman’s thought process as he begins to second guess every move and decision he makes. The remarkably detailed inner monologue running through Batman’s head as he launches off a rooftop, (a scene repeated in countless comics, cartoons and movies) has never seemed so precarious.

Taylor balances the ticking clock scenario with some nice character moments that prove what and who Bruce Wayne and Batman are. Taylor also nails Batman’s clever “loophole” of a mobile quarantine Batsuit (albeit with a few wrinkles to still iron out). As if the forty Scarecrows aren’t enough, the fearsome and formidable The Lion proves more than a match for Batman yet again.

The lack of fear conceit is present throughout Detective Comics #1104, and it appears that Damian Wayne might be infected too, after Nightwing halts his attempt to chase down The Lion through a wall of fire. Batman is all about contingency plans and preparation, so his backup team of Batgirl, Nightwing and Robin was a welcome surprise. One wonders if a healthy Batman could contend with fearless Forty Scarecrows, but that is a story for another time.

Batman’s culpability in inadvertently shaping Leo into The Lion is possibly deeper than previously thought, as Jonathan Crane lays the blame squarely at the Dark Knight’s booted feet. (Seriously, what could scare even the Scarecrow?) Of course, others including Crane are also to blame. The interesting twist in this case is that Batman’s actions rudimentarily mirror those of Joe Chill. Although Leo’s father wasn’t murdered by Batman, a child still witnessed a violent event against a parent and received emotional scars.

Artist Mikel Janin turns in more gorgeous artwork in Detective Comics #1104, from the quiet scenes with Superman, Selina and Damian to the wild, chaotic cornfield battle, to the terrifying Scarecrow masks and his own spin on the classic chunky armored Batsuit.

Final Thoughts 

Detective Comics #1104 ramps up the tension, throws in a few nice twists and wraps the package in gorgeous artwork.

Detective Comics #1104 main cover by Mikel Janín (DC Comics)
Detective Comics #1104
Final Thoughts
Detective Comics #1104 ramps up the tension, throws in a few nice twists and wraps the package in gorgeous artwork.
4.7
Final Score
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December 24, 2025 0 comments
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episode 268 podcast cover kelly thompson
Batgirl to Oracle

Episode 268: Interview with Kelly Thompson

by Kimberley Rockmore December 23, 2025
written by Kimberley Rockmore

episode 268 podcast cover kelly thompson

https://media.blubrry.com/bto/thebatmanuniverse.net/video/Podcast/10-Batgirl%20to%20Oracle/E268/BTO%20E268.mp3

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(Contains some explicit language) Join me as I speak with Kelly Thompson about her Birds of Prey run. Who is her favorite Bird? Is Barbara really a murderer in the future? Is Batman a jerk?

December 23, 2025 0 comments
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