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preview of batgirl #4
Comic Reviews and Editorials

Comic Book Review: Batgirl #4

by D.M. Grant February 8, 2025
written by D.M. Grant
In this review of Batgirl #4, just as Cassandra thinks she’s got her hands full with the return of Nyssa Al Ghul, the Unburied are right on her heels to attack!

 

preview of batgirl #4

Batgirl #4 main cover by David Talaski

BATGIRL #4
Written by TATE BROMBAL
Art by TAKESHI MIYAZAWA
Main Cover: DAVID TALASKI
Variant Cover: SOZOMAIKA
Page Count: 32 pages
Release Date: February 5, 2025

This review contains spoilers

Batgirl #4 begins as Cass is greeted by Nyssa Al Ghul, who references her presumed death at the hands of Cassandra years ago in Robin #148 when she was under the mind control of Deathstroke. Nyssa’s appearance comes along with Angel Breaker – last seen during Shadow War – and a new face, Wu Lin a.k.a. Bloodmaster. They explain that the Unburied have attacked them from all across the globe, and that they must join together to survive and defeat them.

Just as Shiva is getting Cassandra to fall in, Batgirl notices a surprise ninja, and a fight breaks out. The Unburied have found their getaway train, unmooring it off the tracks. Shiva, Wu Lin, Angel Breaker and Nyssa all fight alongside Batgirl, until Shiva takes her daughter inside the train and reveals that she has petals from the Poppy flower the Unburied are after – revealing herself to be the one they’re looking for. Just then they’re attacked by Chodak the Unbowed, who overpowers the two of them, knocks Cass out and takes off with Shiva. When Cass comes to, Jayesh hops a motorcycle and beckons Cassandra to join him in rescuing Shiva. Batgirl #4 ends as the two take off in pursuit.

 

Image Credit: DC Comics

 

Analysis

With this series we’re still in the “good” side of the quality equator for a Cassandra Cain series, but I remain frustrated by Tate Brombal’s dialogue and overall presentation of these characters. Last issue I forced myself to make peace with his overly articulate voice for Shiva (which never stops), but here we’ve got Nyssa and Wu Lin and more members of the Unburied, and everyone speaks the same. It’s distracting, and rings too much of a guy way into old school Shaolin Monk action movies applying that into a 2025 superhero comic.

Cassandra’s got it too, referring to Batman as “father”, and that’s nice and all but I don’t feel it reflects her personality to think of him in those exact words. And I don’t think this is hard to parse, if one is a Cass Cain fan and has read even some of her adventures over the years. She never says things like “I have learned much from my father.”, that’s simply not her voice. When the voice is off, I become sensitive towards how her character is rendered in other ways.

Now that’s ultimately my biggest gripe with Batgirl #4 and series as a whole, because the characterization is still solid. Having Cass see herself surrounded by more villains and think “Okay, what would Batman do?” is very cool, and I like the touch of her playing out the scenario in her head and only Shiva can read her mind and hint for her to back off. Good stuff. Even better is how every issue so far has, fundamentally, been about how Cass views Shiva. At the start she’s thinking about what Batman would do, but her acceptance of Shiva is growing, and she considers her actions by the end of Batgirl #4.

This is important character development, as Cassandra hasn’t been able to move past her hatred for her mother beyond the realm of pity, and I think it’s high time she does that. They fought together in Batman and the Outsiders, and it’s been a very long time since Shiva’s plotted against her in any way. But of course, Cass’ views of her mom reflects how she sees herself, and along with her opinion of Shiva, her own self image has been evolving. There’s a lot of great potential in seeing where this goes once this first arc ends and she returns to Gotham and interacts with the rest of the Bat-Family.

All of this has been about the heart of the very best of Cass’ adventures in her original series in 2000 – how she views herself and working out of her self hatred. I applaud Brombal for explicitly referencing that title, and even the bad stories that came after like Cassandra being brainwashed to become a villain in the pages of Robin. There’s actually a ton of continuity referenced in this issue, even namechecking Cass’ Kasumi moniker in the pages of Justice League Elite – which is a reference only hardcore Cassandra fans know about. That goes to show how all of her life is still intact, presumably erasing the Batman and Robin Eternal continuity involving Mother and such…except her history as Orphan is still referenced.

Hmmm…how might Brombal reconcile this I wonder? Nevertheless, I like that those old events were referenced as “years ago”, placing Cass as in her early 20s at least. DC Continuity is still vaguely Post-Crisis POST-Dark Nights Metal, but there are definite cracks in the holes. Some things are being re-written in real time, see my reviews for Batman and Robin Year One.

Overall I had to remind myself I liked Batgirl #4 because the dialogue was really bothering me. It gets better as the plot returns to Casandra’s inner monologues and observations, and we’re staying with her headspace in driving the book. It can be better, but it’s still, overall, solid character work.

preview of batgirl #4
Batgirl #4
Final Thoughts
Overall I had to remind myself I liked this issue because the dialogue was really bothering me. It gets better as the plot returns to Casandra's inner monologues and observations, and we're staying with her headspace in driving the book. It can be better, but it's still, overall, solid character work.
3.5
Final Score
February 8, 2025 0 comments
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episode 271 cover
The Batman Universe Podcast

Episode 271: Batman’s Live-Action Debut: Pulp & Propaganda

by Scott Waldyn February 3, 2025
written by Scott Waldyn

https://media.blubrry.com/tbup/thebatmanuniverse.net/video/Podcast/01-The%20Batman%20Universe%20Podcast/Episode%20271/TBUP%20E271.mp3

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In Episode 271 of The Batman Universe Podcast, cohosts Scott and BJ take a trip back in time to Batman’s FIRST live-action debut. No, we’re not talking Adam West. We’re going back further, talking about Batman and Robin as portrayed by Lewis Wilson and Douglas Croft in the 1943 Columbia Pictures’ 15-part serial simply known as Batman.

Did you know that the Batman serial introduced TWO major developments to the Batman canon?

Along with covering how this 1943 serial changed Batman comics forever, Scott and BJ explore:

  • Characterization: How does this Dynamic Duo compare to their comic book counterparts?
  • Bat-Gadgetry: From the Batmobile to disguises and crime-fighting tools, what kind of weapons and tools does Batman use?
  • Plot & Propaganda: This serial came out in 1943, right in the middle of the United States’ involvement in World War II. Instead of a Batman villain, this Caped Crusader battles against the saboteur Dr. Tito Daka. How did the time period affect the story and portrayal of Batman, and how does that translate to how we view this serial in 2025?
  • Favorite Scenes: Despite this being a lower-budget serial, Batman packs quite a wallop! Scott and BJ go over their favorite sequences, both the thrilling action sets and humorous moments.
  • Did Robin Really Do That?: Yes. Yes, he did. We’ll talk about it.

 

For our Bat-Family: Were You Aware of the 1943 Batman Serial?

Drop us a line at TBU@TheBatmanUniverse.net.  As always, if you like this episode, please rate, share, and subscribe on the streaming platform of your preference. It’s a great way to show your support, and it’s quick and easy! Thank you, loyal Bat-fans!

Find past episodes of The Batman Universe Podcast right here. For more from your hosts, you can find Scott on Bluesky (@writerscott.bsky.social) or at ScottWaldynWrites.com and BJ on Twitter (@BJShea33).

February 3, 2025 0 comments
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preview of batgirl #4
Previews

Comic Preview: Batgirl #4

by Theodis Wright February 2, 2025
written by Theodis Wright

In this preview of Batgirl #4, a surprise attack changes everything! As Batgirl grapples with the unlikely allies Lady Shiva has assembled to combat the Unburied, a surprise attack derails their burgeoning plans. Suddenly, it’s all-out war with Cassandra Cain caught in the middle of the deadliest hands in the DC Universe! Will she stand and fight alongside the enemies of her enemy? Or will she take them all on herself?

Enjoy this preview of Batgirl #4, provided by DC Comics. And check back here at The Batman Universe later this week to see our review of the issue.

 

BATGIRL #4
Written by TATE BROMBAL
Art by TAKESHI MIYAZAWA
Main Cover: DAVID TALASKI
Variant Cover: SOZOMAIKA
Page Count: 32 pages
Released Date: February 5, 2025

 

Preview of Batgirl #4 Covers
preview of batgirl #4
Batgirl #4 main cover by David Talaski

 

 

February 2, 2025 0 comments
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catwoman #72 main cover
Comic Reviews and Editorials

Review: Catwoman # 72

by Ian Miller January 28, 2025
written by Ian Miller
In this review of Catwoman #72, Selina fights her way through three Belov brothers to find a key!

 

catwoman #72 main cover

Catwoman #72 main cover by Sebastian Fiumara

Catwoman #72
“Rules of the Land, Part 2”
Writer: Torunn Gronbekk
Artist: Marianna Ignazzi
Colors: Patricio Delpeche
Main Cover: Sebastian Fiumara
Variant Covers: Frank Cho, Ejikure, Nathan Szerdy, W. Scott Forbes
Release Date: January 22, 2025

Catwoman #72 begins in Budapest, years ago, Selina (going by Evie), looks at the safe where her criminal boss Theodore Belov keeps his (and her) secrets. In the present, Selina remembers the youngest of the family, Adam, now grown up and holding a knife to her throat at a Belov party. While he takes her to the wine cellar, she attacks, and he hits his head. Heading back upstairs, Selina breaks into the safe we saw in the beginning, stealing an egg and other items. She can’t find the “key”, and lingers until the oldest brother, Ivan, arrives. Selina holds him off threatening to start a fire with her lantern, then starts the fire, grabs a copy of Brothers Karamazov she remembers from the past, then fights her way past Ivan and his brother Anton in the flames. Opening it later, she finds the key, then runs, choosing a new disguise.

Analysis: As Torunn Gronbekk and Marianna Ignazzi continue their European crime story for Selina, the lack of anything that makes this specifically a Catwoman comic – connections to her past, familiar characters, even wearing the Catwoman costume – continues to frustrate this reader. Though she does spend a lot of time wearing a fancy dress cat mask, it’s not nearly enough to make it feel less like a generic crime comic and more like an actual Catwoman one.

Though Ignazzi’s art has a strong appeal – often hearkening back to Darwyn Cooke’s simple and intensely appealing linework in such classics as Trail of the Catwoman – the action in this surprisingly lets me down. As Selina tumbles down the wine cellar steps, the two panels are extremely awkward, like a jump cut without any real reason, leading into a fight that could have used the extra panel. The fight with the other two brothers is better, but not terribly memorable.

Some of the writing choices are pure convention without any real semblance of realism – Selina knowing the combination by just hearing it being typed in – but that would be more tolerable if the Catwoman part of the comic was emphasized. In something purporting to be more of a gritty crime comic, it’s frustrating.

Seba Fiumara’s main cover is extremely Anne Hathaway-esque, with Selina in a slinky black dress, a domino mask, and ears in her long hair, very different from her appearance and costume in the comic itself – though she is fighting through fire, similar to the interior! Frank Cho’s variant (repeated in virgin form as a 1 in 50 incentive variant) shows Selina in her new costume, extremely voluptuous and posed with her whip against five white cats, a purple background, and one batarang. Ejikure’s more anime-esque painted cover shows Selina sitting on a roof against a water tower, wisps of steam and bats floating around her as her whip frames her body. Nathan Szerdy’s “Sweater Weather” variant shows Selina in a shiny black swimsuit, holding cocoa with cat marshmallows, sitting in a hot tub next to a Bat-snowman – a lot of humor in this one. W. Scott Forbes’s 1 in 25 incentive variant gives us Selina sitting on a table amidst fire, a mirror behind her showing the faces of cat-eared white masks reminiscent of the Court of Owls.

Let me know what you think on twitter @ibmmiller, or join the conversation in our Discord!

Final Thoughts: The lack of real connection to anything much Catwoman-y, awkward action scenes, and thin story leave this chapter of Catwoman’s story a bit weak.

catwoman #72 main cover
Catwoman #72
Final Thoughts
The lack of real connection to anything much Catwoman-y, awkward action scenes, and thin story leave this chapter of Catwoman’s story a bit weak.
2.5
Final Score
January 28, 2025 0 comments
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episode 255 podcast cover
Batgirl to Oracle

Episode 255

by Kimberley Rockmore January 28, 2025
written by Kimberley Rockmore

episode 255 podcast cover

https://media.blubrry.com/bto/thebatmanuniverse.net/video/Podcast/10-Batgirl%20to%20Oracle/E255/BTO%20E255.mp3

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After briefly speaking on my hopes for the Buffalo Bills in the playoffs this year, I review Batgirl vol. 6 #3 and Birds of Prey vol. 5 #17. Stella’s Dungeon of Smut and my literature recommendations also appear.

 

Batgirl to Oracle Episode 255 Original Cut
https://thebatmanuniverse.net/wp-content/uploads/2025/01/BTO-E255O.mp3
January 28, 2025 0 comments
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season 17 episode 2 podcast cover
The Batman Universe Comic Podcast

TBU Comic Podcast: Season 17 Episode 2

by Theodis Wright January 27, 2025
written by Theodis Wright

season 17 episode 2 podcast cover

https://media.blubrry.com/tbucp/thebatmanuniverse.net/video/Podcast/02-The%20Batman%20Universe%20Comic%20Podcast/S17%20E2/TBUCP%20E411.mp3

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The Batman Universe Comic Podcast Season 17 Episode 2 is live on on your favorite platforms. In Season 17 Episode 1, Steph and Theo talk about why they were late in getting things recorded. Let’s just say is has to do with birthdays and between 7 and 10 inches of snow falling IN LOUISIANA. Why is Theo still feeling down about Detective Comics despite there being a new creative team? Is there anything to make things better? And why isn’t Cass fighting alongside her family in Tec? And why does Theo as the ultimate Cassandra Cain fan not care? Listen in and find out their thoughts.

Books Covered In Season 17 Episode 2

Detective Comics #1093

 

Greater Gotham Titles

Nightwing #122
Batman / Superman: World’s Finest #35
Batman and Robin: Year One #4
The Question: All Along the Watchtower #3
Catwoman #72
Little Batman: Month One #3
Batman: Wayne Family Adventures #147&148

Follow The Batman Universe

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January 27, 2025 0 comments
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Comic Reviews and Editorials

Comic Book Review: Harley Quinn #47

by Adam Koppel January 24, 2025
written by Adam Koppel

In this review of Harley Quinn #47, Harley’s role as the unconventional protector of her new neighborhood runs afoul of the strangest family reunion ever.

 

Harley Quinn #47 main cover by Elizabeth Torque

Harley Quinn #47 main cover by Elizabeth Torque

HARLEY QUINN #47
Written by ELLIOTT KALAN
Art by MINDY LEE
Main Cover: ELIZABETH TORQUE
Variant Covers: DAVID NAKAYAMA, JORGE FORNÉS, KNIGHT ZHANG, SIMONE DI MEO
Page Count: 32 pages
Release Date: January 22, 2025

This review contains spoilers 

Harley Quinn #47 kicks off with a leisurely but unsanctioned shopping spree at the local grocery store as Harley and her friend Chicken Fingers discuss Harley’s new venture as protector of the Throatcutter Hill neighborhood.

Harley’s exuberance is somewhat dampened by the elderly and disheveled Chicken Fingers’ reminder that he too was once the protector of their neighborhood. Harley dismisses her friend’s warning but cannot shake her own nagging inner voice.

As Harley and Chicken Fingers grapple with the herculean task of maneuvering their loaded shopping cart up the stairs of their apartment building, a mysterious woman named Althea observes their efforts from her balcony. Althea monologues in classic villain fashion about her plans for the neighborhood and revels in the fact that Harley is completely unaware of her schemes. As if in reply, Harley waves hello to Althea and asks if she is plotting revenge against her.

Harley is then confronted by her landlady Mrs. Grimaldi, who warns her to stay away from her grandson Richie. Harley assures her that their recent encounter was only a game. Chicken Fingers again warns Harley about her recent series of reckless decisions.

At her office upstairs Harley greets a new client named Dell Coleman, a sous chef for an up-and-coming restaurant. Dell wants Harley to rob the restaurant during a special event for a new clientele that could spell trouble for the Throatcutter Hill neighborhood.

An elated Harley agrees to Dell’s request and packs her gear for what she calls a night of “Activist Larceny”. Mrs. Grimaldi’s grandson Richie approaches Harley about their previous pseudo-romantic encounter. Harley reassures the clearly smitten and nervous Richie and tells him to put a pin in the discussion until he sorts out his thoughts.

That night as Harley sets up a series of explosives on the restaurant roof, the private event is in full swing. Unknown to Harley she is about to crash the party of a Clayface family reunion.

The original Clayface, former actor Basil Karlo welcomes the odd assortment of shape-shifters just as Harley blows the roof and crashes into the middle of the event. While Basil Karlo chides the stunned Harley’s rude entrance, the rest of the group go on the attack. Harley is unprepared to deal with this level of super powered mayhem as her inner voice admonishes her actions. Basil Karlo transforms into a clay version of Harley so she actually has to fight with herself. As Harley disappears under the mass of the Clayface horde, the floor collapses into a hidden basement that used to be part of a funeral home. Harley destroys one of the Clayfaces with a spray of formaldehyde and the rest of the group backs off.

Harley climbs out of the hole to find Dell Coleman standing in the remnants dining room, delighted with the destruction. He explains that he is actually the owner of the restaurant which is too cultured a venue for the neighborhood to ever make a profit. He figured he could use Harley’s talents for destruction to collect on the insurance. A horrified Harley realizes her mistake and clocks Dell.

Later back at her apartment, Richie approaches Harley again and asks if they could go out on a proper date, to which Harley bursts into laughter.

Analysis 

As a lapsed Harley Quinn reader, Harley Quinn #47 was a welcome surprise to this reviewer. Easily accessible with tiny, digestible bits of exposition seeded into conversation to get me up to speed.

Characters like Harley Quinn and Deadpool are extremely popular for their screwball antics as they deal with obstacles much differently than the typical straitlaced comic book heroes. However as lead characters it is important that they come across as relatable and even vulnerable. Comedy writer Elliot Kalan (Spider-Man and The X-Men) crafts a compelling series of challenges for Harley to overcome in Harley Quinn #47 as she attempts to reconcile her criminal and vigilante pasts with her new direction.

Harley was once a psychologist so it is interesting to watch her struggle to find a new path. Her combative inner voice actually functions on multiple levels as both an enjoyable comic foil, but also as a much needed therapist for Harley, who will call her out and challenge her on her choices.

The Clayface family reunion was an entertaining plot twist, (and who knew there were more than three Clayfaces?) Harley’s penchant for impulsive behavior continues to humble her at every turn. Hopefully after this recent encounter she will start to heed her inner voice at least a little bit.

Mindy Lee’s (Masters of the Universe) art is delightfully cartoonish and expressive, well-suited to the character and her world, while also providing the requisite emotion and pacing demanded from the whirlwind script. Each character is intricately detailed and distinct, and the panel layouts showcase a sense of energy whether Harley is in conversation or in a brawl with a dozen Clayfaces.

Final thoughts 

Harley Quinn #47 is packed to the ceiling with clever writing and gorgeous art that makes this regular sized issue feel like an anniversary event. Harley might still be questioning her own path in this story, but her new role as an anti-hero protector suits her well. The story embodies both the controlled mayhem of Harley’s world mixed with some character growth.

Harley Quinn #47
Final Thoughts
Harley Quinn #47 is packed to the ceiling with clever writing and gorgeous art that makes this regular sized issue feel like an anniversary event. The story embodies both the controlled mayhem of Harley's world mixed with some character growth.
4.5
Final Score
January 24, 2025 0 comments
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detective comics #1093 main cover
Comic Reviews and Editorials

TBU Comic Review: Detective Comics #1093

by Daniel Goldberg January 24, 2025
written by Daniel Goldberg
In this review of Detective Comics #1093, the pace quickens and readers are treated to the first confrontation between Batman and Asema. Some of the narrative choices are traditional, but it still engages, buoyed by artist Mikel Janín’s magnificent portraiture.

 

detective comics #1093 main cover

Detective Comics #1093 main cover by Mikel Janín (Credit: DC Comics)

Detective Comics #1093
Mercy of the Father, Part Four
Writer: Tom Taylor
Artist & Main Cover: Mikel Janín
Variant Covers: Dan Panosian and Juan Ferreyra, Juan Ferrerya
Release Date: January 22, 2025

This review contains spoilers

Detective Comics #1093 opens with a flashback to a makeshift memorial mourners set up for the Waynes outside Wayne Manor. Eventually, the mourners stop coming to pay their respects until a woman named Evelyn shows up with her young daughter. Through the gates of Wayne Manor, the daughter introduces herself to young Bruce as Scarlett Martha Scott. Evelyn confirms Bruce’s suspicion that Scarlett’s middle name is no accident. Evelyn clutches at Bruce, crying out that ‘she saved us both’ and he jumps back, alarmed. Alfred intercedes.

Flash forward, and there are seventeen teenagers who have been released from Faultless Juvenile Detention Center. Asema has murdered ten of them, but the Bat-Family is coordinating to ensure the remaining seven survive. Batman himself protects teenaged Spencer from his brute of a stepfather and then brings Spencer to an undisclosed location where the Family has gathered the other teenagers. Batgirl (Stephanie Brown version), Batwoman, Batwing, Red Hood, Robin, and Red Robin are all present. The superheroes hand out shoes, watches, and caps that they say are equipped with their own personal Bat-signals, but which also include microphones and cameras to permit surveillance. Red Robin is concerned about the ethics of this unconsented choice, but Batman says lives are being prioritized over privacy.

At Theromise, Scarlett rebuffs Bruce’s phoned invitation for a nightcap. Batman occupies himself with apprehending a mercenary, of which many have entered the city. The mercenary admits that someone put a hit out on the serial killer, but that the hit was canceled. Upon information and belief, Batman heads to the Iceberg Lounge to have a chat with Penguin. Penguin confirms that he placed the hit but states that it was canceled by someone connected and old. He also gives Batman the name of the killer (Asema).

Oracle comms Batman to say that an attack on Spencer is happening mere blocks away. Batman rushes over and engages Asema. She tells Batman she admires him and does not wish to harm him. When Batman engages, she is shocked that he would fight for Spencer. As they battle, she extends a hypodermic needle from her gauntlet and injects Batman with a powerful benzodiazepine. He loses consciousness quickly, but not before reaching out for Spencer’s hand, who has had an artery severed by Asema.

Back at Theromise headquarters, an unseen figure keys in past security, drops Asema’s gloves into a big, and crosschecks a vial of blood against the Sangraal patient database. Bruce Wayne’s profile flashes onto the screen. The unseen narrator demurs, expressing pity for what Bruce had to become.

Analysis

The slow burn writer Tom Taylor has adopted for issues two and three of the “Mercy of the Father” begins to heat up significantly here in Detective Comics #1093. In one book, Batman learns both the name of his new rogue and faces her for the first time. Readers connect the current set of events at Thermoise and with Scarlett with the dramatic rewriting of the origin myth that occurs in Detective Comics #1090. The Bat-Family roars onto the scene, we get a flashback that includes Alfred, Batman’s secret identity is discovered, and heavy hints are dropped as to Asema’s identity.

Personally, I appreciate the ways in which the narrative keys are fitting into the locks, but other readers may find the connections a bit too convenient. I continue to appreciate when The Batman Universe writers say less with more, and while few would consider Taylor a past master at that art, at a minimum the plot is tight and well-controlled, leaving ample space for the characters to shine. This Batman feels realistic, internal to the Universe, and speaks and acts in ways that seem to me to be right down the middle for most of the Batmans in the modern era. For me this is a feature; for others it might be a bug. True, there is little of the emotional depth and complexity in this Batman that we saw in writer Joshua Williamson’s run on Batman and Robin, but it’s also hard to ask for more than a character representation of The Caped Crusader that feels authentic.

It’s exciting to see so many members of the Bat-Family en scene, though I wish some of them had more lines. (For me as a professional ethicist, Red Robin’s tsk-tsking of Batman’s loose standards for privacy feels awfully timely these days …)

The art is stunning. I cannot say enough good things about artist and colorist Mikel Janín’s work; the straight lines, beautiful contrasting tones, and Gothic imagery are spectacular.

Final Thoughts:

The action heats up in Detective Comics #1093. While many of the narrative choices seem fairly conservative and, even, predictable, we still have a solid Batman story that connects to the origin myth, an intriguing new rogue, and absolutely gorgeous art. It’s sufficient!

detective comics #1093 main cover
Detective Comcis #1093
Final Thoughts
The action heats up in part four of the “Mercy of the Father” arc. While many of the narrative choices seem fairly conservative and, even, predictable, we still have a solid Batman story that connects to the origin myth, an intriguing new rogue, and absolutely gorgeous art. It’s sufficient!
Story
Art
Colors
3.7
Final Score
January 24, 2025 0 comments
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batman & robin: year one #4 main cover
Comic Reviews and Editorials

Batman and Robin Year One #4

by D.M. Grant January 18, 2025
written by D.M. Grant
Now that the Dynamic Duo have learned who’s behind the new crime wave in Gotham, can they stop his grip on the gangs before it’s too late? Check out our review of Batman & Robin: Year One #4.

 

batman & robin: year one #4 main cover

Batman & Robin: Year One #4 main cover by Chris Samnee

BATMAN & ROBIN: YEAR ONE #4
Written by MARK WAID and CHRIS SAMNEE
Art and Main Cover by CHRIS SAMNEE
Variant Covers: KHARY RANDOLPH, RILEY ROSSMO, DANNY EARLS
Page Count: 32 pages
Release Date: January 15, 2025

 

This review contains spoilers

Batman & Robin: Year One #4 begins as Robin dives into the ocean after Batman, who’s leg is stuck under a fallen crate. Panicked, he flashes his infrared light to find Batman already at work with an iron bar leveraging his leg free. Frustrated by being on the backfoot regarding the new crime boss General Grimaldi, they arrive back at Wayne Manor just in time to be greeted by Laura Lyn of Gotham Social Services. Bruce pretends to have been on a jog while Dick changes from his day clothes to his pajamas to feign sleeping, which just about convinces Lyn who wishes Dick a good next day. This is how Dick learns that he’s being enrolled in public school.

Grimaldi’s lieutenants inform their boss that his name was given up by Harvey Dent and that Batman now knows who he is. The next night, a boxed package “from Miami” arrives at Grimaldi’s door, revealed to be housing dozens of bats when unboxed. This distracts his Grimaldi’s men while Batman confronts him inside his office, warning him to leave town within 24 hours. Utilizing the bats, he escapes the gunmen and flies off the rooftop. Grimaldi admits defeat and underestimating Batman’s prowess, and vows not to make the same mistake, just as Alfred drives Dick to his first day at school.

 

Analysis

While this comic is still very much engaging and the story is well written, not much happens in Batman & Robin: Year One #4 and the consequences set up from the cliffhanger in #3 didn’t result in much impact on our heroes at all. Batman is not injured from a giant crate falling onto him and trapping his leg underwater, and Robin seems totally fine from witnessing that and the two of them almost dying.

I say this book is still well written, but what holds Batman & Robin: Year One #4 back is a lack of connection with the two main characters from the previous three issues. I think Waid’s starting to lose his grip on Dick’s perspective. We had a perfectly strong set-up for an attitude change with the boat adventure and Dent mentioning the Flying Graysons, but none of that is followed up on here. Batman survives his death trap, naturally, but it would’ve been more suspenseful if they both arrived back at the house to meet Laura Lyn, and he had to hide a leg injury. Also they both would stink of seawater. At the risk of pretentiously instructing Mark Waid on how to write this book, it seems moreso than last month that he’s getting more into the Grimaldi crime story that the developing of Batman and Robin as partners. That’s disappointing, as the excitement of the book is exactly that. How is their psychology adapting to not only a new threat but this new reality of fighting crime together? I was certain there’d be some scene of coming down from the night’s action on the boat ride back to the Batcave, but it almost reads like Marvel-esque hijinks. Additionally, Batman’s assault on Grimaldi’s office read like it came out of nowhere, immediately following the morning-time Wayne Manor scene.

Even Chris Samnee’s art -while still terrific – lacked a certain detail that chipped at the reality of the action sequences. In the beginning with Batman and Robin underwater, there’s hardly any water bubbles throughout. It has the sequence looked unfinished, and while the pencils, inks and colors are all still brilliant, the tension comes from being underwater and there’s not enough visual keys to keep that in mind aside from their capes floating up.

I worry this book is losing focus. I’m still enjoying it, but I’m finding more and more missed opportunities for weighty characterization. We spend four whole pages on Grimaldi, three of which are him spooking his father atop a tall office building. The writing and art are all solid, but is this really the best use of the page limit? Even if this guy returns in World’s Finest or Justice League Unlimited, he’s not really saying anything so unique to a mob boss compared to the millions of others we’ve seen in Batman stories. We’re really watching him and his dad for so long when we could be zeroing in on Bruce and Dick’s thought process on the smelly ride home, having just narrowly escaped death?

What we have on the page is fine, is solid comic action, but it reads as a distraction from the book’s priorities. A minor note is Dick being enrolled in school, which makes me want to bring up Robin Year One (the Dixon miniseries), but if I’m gonna whine about incongruities in DC continuity in 2025, I might as well quit. I’ll only mention that in that series, school was Dick’s idea and Bruce was unsure about it. I liked that take, because Dick would have never been in a school up to that point in his life, and as a young teenager he was eager to start interacting with girls his own age. Bruce’s upper crust upbringing had him balking at public school.

Here in Batman & Robin: Year One #4 it’s the opposite, with Dick not wanting to go to school like any other kid and Bruce wanting to guarantee a basic education. Now the history of Robin and school is, well, it’s not exactly interesting but it’s something I find interesting to think about, considering they’ve got a whole potential supporting cast and teachers and friends that we never see much of until Tim Drake’s era as Robin. Canonically, Dick has always attended school – both in the original comics and in the 1966 Adam West and Burt Ward show, but we hardly ever see what that side of his life is like! So I’m happy to see this element brought in here, but it does only make for generic characterization on Dick’s part to mope and be grumpy about attending classes like a normal kid. Again, Waid misses opportunities here by simply having Samnee render Dick crossing his arms and pouting, and not actually voicing what the hell he’s thinking. Showing, not telling, sure, but what they’re showing isn’t all that unique – despite Dick being a superhero.

Bottom line, Batman & Robin: Year One #4 is still fun but it’s eye is drifting off of the ball. I worry that we’re going to continue to be shown more and more Grimaldi plot and less about Bruce and Dick’s headspaces.

batman & robin: year one #4 main cover
Batman and Robin: Year One #4
Final Thoughts
Bottom line, the book is still fun but it's eye is drifting off of the ball. I worry that we're going to continue to be shown more and more Grimaldi plot and less about Bruce and Dick's headspaces.
3.5
Final Score
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January 18, 2025 0 comments
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nightwing #122 main cover
Comic Reviews and Editorials

Review: Nightwing #122

by Ian Miller January 18, 2025
written by Ian Miller
In this review of Nightwing #122, Nightwing reveals his past with the head of Spheric Solutions as Bludhaven burns!

 

nightwing #122 main cover

Nightwing #122 main cover by Dexter Soy

Nightwing #122
On with the Show, part 4: Little Circus Boy
Writer: Dan Watters
Artist: Dexter Soy
Colors: Veronica Gandini
Main Cover: Dexter Soy
Variant Covers: Dan Panosian, Babs Tarr, Yasmine Putri, Gleb Melnikov
Release Date: January 15th, 2025

 

This review contains spoilers

Nightwing #122 begins as Commissioner Maggie Sawyer talks to Mayor Grayson-Lin about the progress the Bludhaven police have made against the gangs, resulting in large plumes of smoke all over the city. Nightwing arrives angry, tells the Mayor and Commissioner the police killed a teen in front of him, and that the head of Spheric Solutions, Olivia, is actually a villain from when he was Robin in Gotham with Batman.

In flashback, we see Batman and Robin (Dick) investigating a mass slaughter at a circus, when Robin is attacked by a blonde girl calling herself Colombina. Spouting nihilistic murder-happy jargon, Colombina (Olivia) shows Robin the gang’s true leader, a horrifying clown who apparently can rip holes in reality.

The Commissioner and Mayor refuse to accept Nightwing’s lack of evidence, and plan to continue their campaign against the gangs. Seeking proof, Nightwing rushes to the latest bomb site at a Bludhaven police station, chases a Flyboi, who refuses to let Nightwing help him, so Dick leaves him for the cops. 

Looking out over the city from his skyscraper apartment, Babs tries to comfort and encourage Dick, but he remains furious.

Meanwhile, Nightwing #122 ends as a Flygirl desperately tries to reach Nightwing through the communicator he left the gang.

Analysis

Nightwing #122 produces a really excellent moment as young Robin sees the Clown pierce the fabric of reality in Nightwing’s flashback. Watters and Soy together really take advantage of the circus theme and give us something really memorable there. However, the rest of the issue basically treads water and only produces the one piece of information advancing the plot of Olivia being Columbina – and not even giving her any motivation. We already knew she was connected to the Clown. So there’s a sense of extremely slow moving machinery that frustrates a reader hoping for more relationship, character, or action development.

In addition, Watters expects the reader to feel that longtime favorite characters like Maggie Sawyer, or new characters who have been developed for nearly the entire run that preceded him like Mayor Grayson-Lin, are wrong and antagonistic, when if fact Dick is the one producing no results and expecting them to work against a legitimate business (Spheric Solutions) in the face of a massive bombing campaign. Unless you share the anti-authoritrian attitude which apparently must be required to enjoy this run, it seems that Nightwing isn’t helping anything, isn’t much of a detective, or a very good crimefighter at all.

All in all, while Dexter Soy does a very solid job with the art (and seeing Batman with the same symbol we see in Watters’ other Gotham title, Dark Patterns, is a nice bit of continuity), this issue is more than a bit frustrating with the parsimonious drip of information and development and expectations contrary to reason for emotional response to our hero’s actions.

Dexter Soy’s main cover gives a lovely display of the interior – Nightwing (looking way more cheerful than he does in the book itself), his parents in two acrobatic poses, Olivia/Columbina, and the scary clown leader, framed in an ornate golden frame. Dan Panosian’s variant has Dick leaping off an elevated train in Gotham, highlighting his death defying nature! Babs Tarr shows Dick, shirtless but covered in blood and bandages, wiping his mouth. Yasmine Putri’s Sweater Weather variant highlights Dick snowboarding in black shorts and nothing else, smiling like there’s no tomorrow. And Gleb Melnikov’s incentive variant shows Dick smiling slightly as he looks up into the light, a very hopeful image.

Let me know what you think on twitter @ibmmiller, or join the conversation in our Discord!

Final Thoughts

Watters and Soy produce some great moments like the Clown showing up, but the insistence on assuming rather than developing emotions hampers the story greatly.

nightwing #122 main cover
Nightwing #122
Final Thoughts
Watters and Soy produce some great moments like the Clown showing up, but the insistence on assuming rather than developing emotions hampers the story greatly.
2.5
Final Score
January 18, 2025 0 comments
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