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Comic Reviews and Editorials

Batman / Superman: World’s Finest #35 Comic Book Review

by Scott Waldyn January 16, 2025
written by Scott Waldyn

In Batman / Superman: World’s Finest #35, Batman, Superman, Robin, and Aquaman are summoned beneath the sea to stop a plague. 

 

Batman / Superman: World’s Finest #35 main cover by Dan Mora. Image: DC Comics

Batman / Superman: World’s Finest #35 main cover by Dan Mora. Image: DC Comics

Batman / Superman: World’s Finest #35
20,000 Leagues Part One
Writer: Mark Waid
Art: Adriȧn Gutiérrez
Colors: Tamra Bonvillain
Letters: Steve Wands
Main Cover: Dan Mora
Variant Covers: Frank Cho, Sabine Rich, Chris Samnee, Mat Lopes, Ethan Young, Kris Anka
Release Date: January 15, 2025

This comic book review contains spoilers.

After December’s Krypto-centric detour in Batman / Superman: World’s Finest #34, this issue plunges into a new arc. Down beneath the sea, Mera, Queen of the Atlanteans, sends out a psychic message to her husband, Arthur, and the Justice League. Two neighboring cities that make up the lost continent of Atlantis, Poseidonis and Tritonis, often steer clear of one another, save to harvest kelp that is mutually shared. However, some sort of disease has infected Tritonians, transforming them into monsters. 

This is all told in a prologue before the issue starts, with Adriȧn Gutiérrez on art and Tamra Bonvillain on colors. The colors match the tone and feel of Batman / Superman: World’s Finest that we’ve come to expect since this title relaunched over a year ago. Gutiérrez is newer to the title, having replaced series regular artist Dan Mora starting in Batman / Superman: World’s Finest #31. His art has a smoother, more manga-inspired look and feel to it, and it’s a style that might resonate with a younger audience, which is appropriate for this title. Personally, it feels a little too cherubic, especially with the design of Aquaman, who has a very angular, elf-like quality.

Right as Mera sends her message, Aquaman and Robin are hanging out atop the bleachers at a baseball stadium in Metropolis. Superman dropped them off on his way to bring Toyman back to jail. When he returns, Batman summons them all to the Batcave, so Batman and Robin can suit up and head to the ocean floor. 

The heroes spare no time in joining the fight. Batman and Robin use motorized batarangs to take down plagued Tronians. Superman quickly deduces that a fungal infection is the cause of the disease. Arthur summons a killer whale to help him stop the attack on Poseidonis, but he’s accosted by his own people, who demand he stop defending air breathers more than them and respect the throne. 

The action is lightning-fast, colorful, and full of beautiful undersea imagery. That’s what really shines in this section, and Gutiérrez’s backdrops, paired with Bonvillain’s colors, are quite eye-catching. It’s the character designs that fall a little flat, particularly those whose faces are seen. Batman and Robin look great in their underwater gear, but Aquaman looks unlike any Aquaman design we’ve seen, and when King Ronal is introduced, it’s very hard to decipher between Ronal and Arthur. 

Batman / Superman: World’s Finest #35 variant cover by Chris Samnee. Image: DC Comics

Batman / Superman: World’s Finest #35 variant cover by Chris Samnee. Image: DC Comics

As Superman heads to Tritonis, he reunites with Lori Lemaris, an Atlantean he once dated long ago. She pulls him aside to show him that Ronal is building an army to attack Poseidonis with. He’s convinced that it’s the Poseidonians that have been infecting Tritonians. Superman intervenes, but he’s no match against the magic that Ronal wields. 

The fight between Superman and Ronal is electric! In a few short panels, Gutiérrez creates an intense, luminous display that takes Superman out of the picture. Elsewhere, Batman and Robin are trapped, and the real villain unveils himself. It’s none other than The Floronic Man. 

The issue ends there, and one wonders if this is going to be a simple two-parter, or if Aquaman being seen as “abandoning his oath” will take centerstage, turning this into a three-part or longer storyline. That might be preferable, as it would add some meat to the bones of the story.

As an opening salvo to a new story, this issue fits in with the tone and action-focused nature of the Batman / Superman: World’s Finest series. But that’s about it. The thread of heart we’ve come to expect from many arcs in this series isn’t quite there, and much of the hook is left to the visual displays of undersea galavanting. Letterer Steve Wands really helps sell the dialogue though, making it stand out in colorful and creative ways this issue. 

Batman / Superman: World’s Finest #35 Comic Book Review
Final Thoughts
Batman / Superman: World’s Finest #35 launches a new undersea adventure for the titular heroes, as well as Robin and Aquaman. It’s a perfectly fine storyline, though nothing dazzling. 
3
Overall Score
January 16, 2025 0 comments
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episode 270 hush cover
The Batman Universe Podcast

Episode 270: Everything You Need to Know About Hush

by Scott Waldyn January 16, 2025
written by Scott Waldyn

episode 270 hush cover

https://media.blubrry.com/tbup/thebatmanuniverse.net/video/Podcast/01-The%20Batman%20Universe%20Podcast/Episode%20270/TBUP%20E270.mp3

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Hosts BJ and Scott return to The Batman Universe Podcast after the holidays, primed and ready to talk about this year’s upcoming major Bat-events, including the arrival of Hush 2 from superstars Jeph Loeb, Jim Lee, Alex Sinclair, Scott Williams, and Richard Starkings.

For those who haven’t heard, the creative team behind the original Batman: Hush storyline are returning to the main Batman title for a follow-up story that will begin in Batman #158. Fans can plan to pick up this new 12-issue storyline on March 26, 2025.

But has it really been since 2004, when the original Hush storyline ended, since we’ve seen the titular Batman villain? Of course not! For those who remember DC Comics back when Batman #609 first introduced readers to this character, Hush became an instant hit, and for years afterward, he was constantly gracing the pages of Batman books, including Detective Comics, Gotham Knights, and Streets of Gotham.

In episode #270 of The Batman Universe Podcast, BJ and Scott go through Hush’s history, from his origin and introduction through subsequent storylines and appearances to get you up to speed. And if you want to listen to our episode where we revisited Batman: Hush for its 20th anniversary, you can find it here: https://thebatmanuniverse.net/episode-219-5/

 

Other Topics Covered This Episode

  • Holiday Catch-Up
    • .BJ and Scott share books they’ve read or things they did over the holidays.
      • Scott mentions a Robert Eggers / Batman Returns connection that surfaced in a recent media circuit ahead of the latest Nosferatu remake. You can watch that here:

  • Golden Globes Awards
    • The Penguin was nominated for three Golden Globes (and the show won one).
      • Nominees:
        • [Nominated] Cristin Milioti was nominated for Best Performance by a Female Actor in a Limited Series, Anthology Series, or a Motion Picture Made for Television
        • [Nominated] The Penguin show was nominated for Best Television Limited Series, Anthology Series, or Motion Picture Made for Television
        • [Winner] Colin Farrell was nominated for Best Performance by a Male Actor in a Limited Series, Anthology Series, or a Motion Picture Made for Television
          • Watch Colin Farrell’s acceptance speech here:

For our Bat-Family: What’s your favorite Hush storyline?

Join our Discord, and share your thoughts. Prefer email? No problem. Drop us a line at TBU@TheBatmanUniverse.net.  As always, if you like this episode, please rate, share, and subscribe on the streaming platform of your preference. It’s a great way to show your support, and it’s quick and easy! Thank you, loyal Bat-fans!

Find past episodes of The Batman Universe Podcast right here. For more from your hosts, you can find Scott on Bluesky (@writerscott.bsky.social) or at ScottWaldynWrites.com and BJ on Twitter (@BJShea33).

January 16, 2025 0 comments
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Batgirl to Oracle

Episode 254: Interview With Tim Hanley

by Kimberley Rockmore January 14, 2025
written by Kimberley Rockmore

https://media.blubrry.com/bto/thebatmanuniverse.net/video/Podcast/10-Batgirl%20to%20Oracle/E254/BTO%20E254.mp3

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Interview with Tim Hanley, author of the 2024 book Never a Sidekick: Exploring the Dynamic History of Batgirl.

January 14, 2025 0 comments
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batman and robin #17 main cover
Comic Reviews and Editorials

TBU Comic Review: Batman & Robin #17

by Daniel Goldberg January 13, 2025
written by Daniel Goldberg
In this review of Batman and Robin #17, Batman battles Memento and some more familiar demons. He refuses help but needs it anyway, and receives it from Robin, Oracle, and a less-constrained member of the Bat-Family.

 

batman and robin #17 main cover

Batman and Robin #17 main cover by Javier Fernandez

Batman and Robin #17
“Memento, Part Four”
Writer: Phillip Kennedy Johnson
Artists: Javier Fernández, Carmine Di Giandomenico
Colorist: Marcelo Maiolo
Main Cover: Javier Fernández
Variant Cover: Simone Di Meo, Dustin Nguyen, Mike Perkins
Release Date: January 8, 2025

 

This review contains spoilers

Batman and Robin #17 begins years ago, while during Bruce’s training in London, Lautrec questions his motivation. After detecting several lies, she comes to the truth: Bruce does this because someone has to. They see Blye running into the power station where Memento might be waiting. Bruce jumps out of the car and runs in after him.

Flash forward, and Batman is fighting off the denizens of Arkham Tower, crazed by Gravedigger’s Poppy gas. They are driven by Memento. Batman instructs Lautrec to retrieve Jonathan Crane and seek out the panic room on the floor. Batman begins to see visions, but they are not caused by Scarecrow’s fear toxin, and they are also not even his fears – they are echoes of long-past events. Memento begins to rhyme again.

Across town at Sacred Heart Medical Center, Damian is volunteering. He walks past Emma’s room but is unable to go inside. Dr. Bashar sees him and comforts him. Damian states that he is afraid of seeming weak and afraid to his father; Dr. Bashar assures him this is not true and urges him to reach out, noting that his father needs help too sometimes. On queue, Damian receives a Batsignal.

Back at Arkham Tower, Batman ratiocinates and tries to convince himself that his opponent is a man. With the assistance of two guards, Lautrec secures Crane in the panic room, but it is too late – he too is under the influence of Gravedigger’s Poppy. Batman battles Memento, who appears to be something demoniacal or nonhuman at least. Batman is injured and thrown through a window, falling without a grappling hook, and struggling with the effects of the gas. Robin swoops in to save him and in the Batmobile administers some kind of serum. Later, in the Batcave, Batman regains consciousness. Robin has been reading Thomas Wayne’s journal and remarks how normal it seems. He asks Batman if they are the cause of Gotham’s darkness.

Batman laments that Robin was not there when Batman needed him, and Robin continues to argue that the violence seems to follow them. Batman says that they have a responsibility to Gotham and Robin reminds him that Alfred said something similar before Bruce chose his own path. Robin does the same, disobeying the injured Batman and rushing off to meet Gordon and Lautrec.

Batman suits up and prepares to follow, over Oracle’s strenuous objections. He asks Oracle to dig into Dr. Bashar. Robin finds Gordon and Lautrec waiting by the Batsignal. Lautrec indicates that Crane revealed the significance of his old lab. Robin offers to take them there, but Lautrec is skeptical about the wisdom of a child watching Batman’s back. Robin notes that someone has to. The phrase rings a bell for Lautrec and she consents.

Batman is perched, watching a police scene. Oracle continues to remonstrate, saying that Penguin and Tiger Shark’s crews are out and about and that he is not capable of handling the situation. He disagrees but it does not matter. Red Hood is on scene and the pair soar through the bright lights of Gotham at night.

Analysis

Part four of the Memento arc spends comparatively less time in flashbacks and on Memento specifically than the previous installment. I appreciate the contrast, as another series of flashbacks to the Knightsbridge investigations would likely have felt stale and tedious. Writer Phillip Kennedy Johnson is a skilled storyteller who understands how to vary structure and device to keep the narrative moving and fully engage his readers.

It’s fascinating to see Jonathan Crane, the big bad in James Tynion IV’s Fear State arc, reduced to a minor player by the effects of Gravedigger’s Poppy. This move is something of a bold play by Johnson; is he trying to comment on Tynion’s express wish to show Scarecrow as an A-list rogue? After all, if he is neutralized by an entirely new rogue, perhaps Scarecrow’s B- or even C-list status was the right league for him all along. Still, Crane has a role to play yet, or at least his old lab does.

The interplay between Batman and the Bat-Family grows more complex in Batman and Robin #17. Johnson deepens the tensions and issues, both between Batman and Robin and between Batman and the broader Family (here represented by Oracle and Red Hood primarily, as Gordon has almost no lines). The conflict between Batman’s loner tendencies and his need for support is a traditional trope, but one that I welcome when it’s handled well, which it is here – I almost cheered out loud at the final panel when Red Hood drops down! (Artist Javier Fernández teases the audience perfectly with a sharp splash of red in the final panel on p. 28 as the dialogue commences – we already know who Oracle has recruited!)

Fernández is back as the main artist, although once again DC Comics asks multiple different artists to illustrate the book (here, it’s Carmine DiGiandomenico). That said, the dark, grim tones fit Johnson’s style and the mood of the book well. The full-spread on pp. 14-15 is astonishing, and the demonic representation of Memento is an obvious allusion to the spate of monsters Hulk battled in the Mother of Horrors arc (also written by Johnson). I like both and appreciate the connection; Johnson isn’t hiding who he is as a writer and invites the readers to engage his work across universes.

Final Thoughts

Phillip Kennedy Johnson is doing fantastic work with Batman and Robin #17. The Memento arc is darker, more complicated, and more frightening than the simple and straightforward offerings from previous writer Joshua Williamson. I’m fascinated by Memento and Johnson’s use of historical monster genres to animate the detective fiction component undergirding Batman and Robin. This is a well-constructed and interesting book and I’m excited to see where it goes.

batman and robin #17 main cover
Batman and Robin #17
Final Thoughts
Phillip Kennedy Johnson is doing fantastic work with Batman and Robin #17. The Memento arc is darker, more complicated, and more frightening than the simple and straightforward offerings from previous writer Joshua Williamson. I’m fascinated by Memento and Johnson’s use of historical monster genres to animate the detective fiction component undergirding Batman and Robin. This is a well-constructed and interesting book and I’m excited to see where it goes.
4
Final Score
January 13, 2025 0 comments
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season 17 episode 1 podcast cover
The Batman Universe Comic Podcast

TBU Comic Podcast: Season 17 Episode 1

by Theodis Wright January 13, 2025
written by Theodis Wright

season 17 episode 1 podcast cover

https://media.blubrry.com/tbucp/thebatmanuniverse.net/video/Podcast/02-The%20Batman%20Universe%20Comic%20Podcast/S17%20E1/TBUCP%20E410.mp3

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It’s a new year and with that comes a new season of the Batman Universe Comic Podcast. In Season 17 Episode 1, Steph and Theo talk about their New Year’s holiday before jumping into our latest releases from the Batman Universe. Does Theo feel any better about Batman and Robin now that we are in a new year? If not, what will it take to get him there? What does the team think of the big reveal at the end of Batman #156. Listen in and find out their thoughts.

 

Books Covered In Season 17 Episode 1

Batman #156
Batman and Robin #17

 

Greater Gotham Titles

Poison Ivy #29
Batgirl #3
Birds of Prey #17
Batman: Full Moon #3
Two-Face #2
Absolute Batman #4
Batman: Dark Patterns #2
DC vs. Vampires: World War V #6
Batman: Wayne Family Adventures #145 + 146

 

Follow The Batman Universe

Twitter/X: https://twitter.com/BatmanUniverse
Instagram: https://www.instagram.com/thebatmanuniverse/
Discord: https://discord.gg/sKZncrm
BlueSky: https://bsky.app/profile/batmanuniverse.bsky.social

January 13, 2025 0 comments
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absolute batman #4 main cover
Comic Reviews and Editorials

TBU Review: Absolute Batman #4

by BJ Shea January 12, 2025
written by BJ Shea
In this review of Absolute Batman #4, readers get a background into Bruce’s trek to become the Absolute Batman.

 

absolute batman #4 main cover

Absolute Batman #4 main cover by Nick Dragotta

Absolute Batman #4
Story Plot: Scott Snyder, Nick Dragotta
Writer:
Scott Synder
Artist: Gabriel Hernandez Walta
Colorist: Frank Martin
Main Cover: Nick Dragotta
Variant Covers:
Yasmine Putri, James Harren, Jorge Fornés, Francesco Francavilla
Page Count: 32 pages
Release Date: January 8, 2025

A gang is trying to shake down some people for money. In exchange for the money they offer people “protection”. The people refuse so they push a woman off the roof. She is saved by “Batman”. This Batman has teeth and claws like he’s Wolverine and makes quick work of the thugs and has a gun pulled to one of them and ready to blow the leader away.

Cut to a flashback of Bruce with his father before that fateful day at the zoo and Bruce tells he is focusing his projects on bats. Cut to the “Batman” and we find out that this is Bruce in one of his early outings as the Absolute Batman. Bruce throws out the make up and teeth and refuses to use the gun.

Bruce is working on building Batman to be bigger while tracking the Ten Thieves gang. THe gang is backed by the Maroni and Falcone families. Batman tracks one of the shipments and flips the 18 wheeler with a little hyper powered RC remote control Batmobile. Batman makes quick work of the thugs and seems satisfied without how “Batman” is working now. Much better than before.

In a flashback, Thomas tells young Bruce that he wanted to be a doctor after his father died of a heart attack. As he was applying to med school, he and Martha discovered that they were pregnant so he became a teacher. Thomas comments that perhaps he is a teacher in another life (wink). 

Another flashback involves Bruce speaking at the trial of Joe Chill after Thomas’s murder. Bruce says that his father was so proud of him and that he could never be happier as he is at that moment. Intercut with this moment is Bruce and his dad working on the project and Bruce training to be Batman. In the courthouse, Bruce tells Chill that he hates him and doesn’t care what happens to him. 

The issue ends with Bruce finally realizing his vision of what he wants Batman to be and him meeting Joe Chill at the prison phones because Chill wants to talk to Bruce.

Analysis: Absolute Batman #4 involves flashbacks so it is not clear if Chill meeting Bruce is in the present or in those early days of Bruce as Batman. We will find out next issue.

This issue is definitely “Absolute Batman: Year One” and the art invokes that. Hernandez Walta’s art seems to be David Mazzucchelli inspired and I am sure that is a conscious choice on the part of Snyder. It is very jarring because when it comes to Absolute Batman I think of Nick Dragotta’s art and his giant Bruce. This Bruce does not seem as big as what we are used to.

Not much action in the story. Dragotta is much more dynamic with fight scenes but the core of the issue is Bruce and his dad and I don’t think Dragotta would have done those moments as well as Hernandez Walta. Snyder has made it a point so far in this series that we spend more time with Thomas Wayne and I appreciate that.

Final Thoughts

Absolute Batman #4 is a fun “Year One” type issue with some good father/son bonding time with Thomas and Bruce.

absolute batman #4 main cover
Absolute Batman #4
Final Thoughts
A fun “Year One” type issue with some good father/son bonding time with Thomas and Bruce.
3.9
Final Score
January 12, 2025 0 comments
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preview of batgirl #3 featured image
Comic Reviews and Editorials

Batgirl #3

by D.M. Grant January 5, 2025
written by D.M. Grant

In this review of Batgirl #3, Cassandra refuses to trust her mother, but learning more about the Order of Shiva gives her a new perspective on its leader…and maybe herself!

 

preview of batgirl #3 featured image

Batgirl #3 main cover by David Talaski

BATGIRL #3
Written by TATE BROMBAL
Art by TAKESHI MIYAZAWA
Main Cover: DAVID TALASKI
Variant Cover: MARCIO TAKARA, TAKESHI MIYAZAWA
Page Count: 32 pages
Release Date: January 1, 2025

 

This review contains spoilers

Batgirl #3 begins as Cassandra Cain is furious at her mother Lady Shiva for leading the Unburied to her friend Ba Bao’s restaurant, forcing the two of them to abandon them and leave them for dead. She gazes at a picture she keeps of herself and the Bat-Family, reminding herself on how she’s accepted by people she’s grown to love and respect, and how they represent everything Shiva does not. Shiva tries to tell her how she’s been truthful with Cassandra the entire time, but Cass is too upset to listen to her. She starts attacking Shiva, leading them into the next car of the train they’ve boarded, finding more members of the Order of Shiva. These leftover survivors see Shiva as a hopeful inspiration – someone who pushes them to follow their dreams and become better people. Cassandra is healed by Jayesh, the High Priest who’s brother died in issue #1. He explains to Cass that him and his daughter were drawn to the Order after the murder of his wife. Additionally, the resurrection of Cass by Shiva is part of a sacred text on Shiva’s legend which the Order reveres. Everything good about Shiva Jayesh says he sees in Cass, birthing doubts in Batgirl’s image of Shiva for the first time in the evening.

Suddenly a member of the League of Shadows walks into the car, and Batgirl strikes, finding more League members and beating them all throughout various train cars. Reaching the end of the train, Batgirl finds an old enemy – Nyssa Al Ghul.

Analysis: This is the best issue of this first arc so far, in that it utilizes Cassandra’s loathing for Shiva and very plainly positions it as a reflection for how she tries to see herself. Beginning with the picture of the Bat-Family (something that could’ve been taken from Wayne Family Adventures), Cass is constantly comparing Shiva to not just Batman but all of them – with the image of her in the middle representing how they enmesh the best of her and not the worst traits which she fears.

This is something that the original Cassandra Cain title dealt with all the time, and is a core element to her character. Cassandra feels guilt in being raised as a murderer, and learning that Shiva is her mother only makes her feel worse – especially since Shiva is one of the very few people on Earth who can best her in hand-to-hand combat. Shiva relates to Cass far more than Cass would like, so Cass worries that despite her heroism as Batgirl and the found family she’s enjoyed, she’ll never not be as murderous and dangerous as Shiva is. While Cassandra’s origin has yet to be invoked in this book so far, it’s really only a matter of time. Admittedly, I’m not sure which version of her origin they would go with – the original one with David Cain or the Batman and Robin Eternal one with the Mother character? Tate Brombal might stick with the original, but it does depend on what DC wants to land on and if Eternal is even still in continuity. What is in continuity however is the death duel between Shiva and Batgirl from Batgirl #25 (2000), where Shiva did briefly kill Cass before bringing her back to life with a special strike to the chest. As mentioned by Jayesh, Shiva said the trick took her a year to learn, which is Brombal strutting his fan bonafides. I’m here for it, as it’s a major moment in Cass and Shiva’s relationship that should always be kept intact.

Moreso than Cass’s characterization, we’re shown another side to Shiva that’s far different than the one-dimensional monster that Cass wants to see her as…as well as most of the DC Universe. Far too often, Shiva is depicted as an evil death-hungry monster. Here, we’re shown that she has a smoother side to her which has inspired an entire Order of people driven to achieve fulfillment after meeting her. This is actually completely in line with Shiva’s characterization from the 1989s Question comic series, where Shiva’s interest in Vic Sage was purely to see how he could better improve himself after his training with Richard Dragon. Contrary to popular belief, Shiva is not some bloodthirsty killer looking for her next victim. She yearns for the best in people and challenging the best. That she’s seen as a healer to some is an attribute many readers may be taken aback from, but not only is it in tandem with her character’s history, but it works to through Cassandra a loop as well. So Cass is left not knowing what to think about her mother, which further runs doubts with herself.

I’ve not real critiques of this issue, other than Shiva’s voice. It’s still overly flowery, referring to Cass as “Daughter”, I still disbelieve she talks like that naturally. But while Cass’ inner monologue isn’t limited, her speaking voice is back to been somewhat direct and curt, just how I like it. I also though Miyazawa really made her beat up face shine with the look of constant impatience in her eyes. Solid writing and art, with the return of a genuine DC bad guy (Nyssa was in the final Batgirl run in 2006) makes for an exciting cliffhanger to an exciting issue.

 

preview of batgirl #3 featured image
Batgirl #3
Final Thoughts
Solid writing and art, with the return of a genuine DC bad guy (Nyssa was in the final Batgirl run in 2006) makes for an exciting cliffhanger to an exciting issue with Batgirl #3.
4.5
Final Score
January 5, 2025 0 comments
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poison ivy #29 main cover
Comic Reviews and Editorials

Poison Ivy #29 Issue Review

by Gareth Turner January 4, 2025
written by Gareth Turner

In this review of Poison Ivy #29, Ivy returns to Seattle to find the first disciple of the Green Knight. 

 

poison ivy #29 main cover

Poison Ivy #29 main cover by Jessica Fong

Poison Ivy #29
Writer: G. Willow Wilson
Artist: Marcio Takara
Colors: Arif Prianto
Main
Cover: Jessica Fong
Variant Covers: Jenny Frison, Pablo Villalobos, Mostafa Moussa, Douglas P. Lobo, Mahmud Asrar
Release Date: January 1, 2025

 

This comic book review contains spoilers 

 

The Story

Poison Ivy #29 begins with Ivy walking through the Marshlands only to find a shortcut to the city of Seattle. She’s searching for the first discipline of The Order of the Green Knight to understand the origins of a mysterious cult that has cropped up, worshipping her. In disguise, she stumbles across a meeting of The Order and befriends a member who claims to know the first disciple (with the help of her influencing pheromones). When the police try to break up the meeting, she reveals her true form: Poison Ivy AKA The Green Knight. Once the cops are handled, Ivy uses her newfound clout to demand a meeting with the first disciple. 

She is led to the outskirts of town to an abandoned train car where she sees the first disciple is none other than Bella Garten AKA The Gardner (and Ivy’s former lover). Garten attempts to persuade Ivy to adopt and utilize her messianic status. She refuses and in her anger, she almost kills Garten. When she snaps out of it, she kisses Garten on the mouth before Garten attacks her and Ivy flees into the nearby woods. 

 

Analysis

We’ve been on shaky ground for a while in this book but it’s starting to feel like writer G. Willow Wilson is finally getting back in her groove. Poison Ivy #29 dives into some pretty heady and culturally relevant topics like authoritarian cultism and the public disillusionment of peaceful progress. 

Starting from the top, the scene where Ivy uses her pheromones on the male disciple is great. It’s almost as if he’s simply being manipulated by Ivy’s feminine charms but the slight green tint of his speech bubbles and his glazed over appearance convey that Ivy is using her pheromones, if only slightly. Shoutout to Hassan Otsamne-Elhaou or whoever’s idea it was to color the periphery of his speech bubbles like that. Very clever. 

I’ve shouted this out before but I really dug Ivy’s narration in Poison Ivy #29. “It doesn’t matter what you’re arguing about– When you hear the word police, you are all on the same side” sounds like something Chuck Palahniuk might write. I can even hear it in Edward  Norton’s voice. This whole run has given us a window into Ivy’s internal thought processes and evolution as a character in a way we’ve never seen before and it deserves credit for that. Although it has inevitably led to some internal contradictions within her world view. For example, “Zealots. Right about the problems. Deluded when it comes to solutions.” is pretty rich coming from someone with Ivy’s ecoterroism background.

Additionally, Ivy’s rejection of the messiah role here feels somewhat contrived and ambiguous. She starts with the notion that she must reject it outright on principle. She feels like this role was thrust upon her which angers her to the point of almost killing Garten. Then almost instantly, she reaffirms her belief by concluding that she’s too much of a monster to lead.  What exactly does she want anymore? Clearly this run has made an effort to recontextualize her as an antihero, but to what end? Is she no longer focused on preserving the environment at all costs? Is she now willing to accept humanity’s destructive influence on the world? It’s clear Wilson is interested in telling an anti-authoritarian anti-cult story, but the hard truth is, it’s hard not to imagine a more interesting story where Ivy does take advantage of her messianic status. Maybe I’m just barking up the wrong tree (speaking of which, how about those tree dogs, huh?). 

Garten’s reveal as the first disciple felt somewhat anticlimactic, I just don’t really care about that character very much. But I must admit, Garten’s passionate plea feels shockingly prescient as part of the ongoing discussion about the rising acceptance of violence as a reaction to societal issues that has been bubbling in the public sphere: “We’ve been waiting for this, Pam. Waiting for a generation that understands it’ll take more than compostable grocery bags to save this planet. A generation with nothing left to lose.” 

There’s not much more I can say about Marcio Takara and Arif Prianto that I haven’t said in past reviews. Perfect, no notes. Highlights are Ivy’s attack on the police and the Bella Garten revelation, specifically the white backgrounds near the end that punctuate the conflict and give Ivy and Garten an additional subconscious disconnect in the mind of the reader. 

 

Final Thoughts

The Order of the Green Knight story is forging an interesting path forward for Poison Ivy. Here’s hoping the payoff will be worth the investment.

poison ivy #29 main cover
Poison Ivy #29
Final Thoughts
The Order of the Green Knight story is forging an interesting path forward for Poison Ivy. Here’s hoping the payoff will be worth the investment.
4
Final Score
January 4, 2025 0 comments
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preview of batman #156 main cover
Comic Reviews and Editorials

Review: Batman #156

by Gareth Turner January 4, 2025
written by Gareth Turner

In this review of Batman #156, Riddler is double crossed by the Court of Owls and their  mysterious overseas backer. 

 

preview of batman #156 main cover

Batman #156 main cover by Jorge Jiménez

Batman #156
Written By
: Chip Zdarsky
Art By: Tony S. Daniel
Colors By: Tomeu Morey
Cover Art: Jorge Jiménez
Variant Covers: Tony S. Daniel, Tony Harris, Alexander Lozano, Dan Hipp, Ryan Benjamin, Valentin Sécher
Release Date: January 1, 2025

 

This comic book review contains spoilers 

 

The Story

Batman #156 sees writer Chip Zdarsky continue his excellent “The Dying City” story arc with artist Tony S. Daniel taking the reins. Gotham is in flames. Protestors rally against the perceived communist sympathies of the Wayne corporation while counter protesters aim to destroy a landmark “symbol of capitalism.” The question is, what’s their target?  

Batman, having deduced that Gordon only killed Mayor Nakano while under the influence of Mad Hatter’s mind control technology (which is being co-opted by the Riddler), tells Bullock what happened and vows to take the Riddler down. 

Riddler on the other hand, couldn’t be more pleased as he gleefully informs Leonid Kull, the current head of the Court of Owls, while donning his classic purple eye mask. “I believe we’re done here, comrade,” he says. When Kull asks how long Riddler has known about his communist ties Riddler reveals he’s known from the start but doesn’t care. All he cares about is “the game.” 

Batman goes to NygmaTech Tower where he has to answer a series of riddles to free the victims that Riddler has kidnapped and put inside Saw-traps. Think of the Gil Colson scene in The Batman. First up is Sandra Tilford, Mayor Nakano’s executive assistant. Well, ex-executive assistant. Once freed, Batman directs her to have the police evacuate Wayne Enterprises while he works to free the others. 

Meanwhile, an exonerated Gordon reunites with a newly widowed Koyuki Nakano, but she quickly rejects his advances when Gordon shows no sympathy for her husband’s death. Lest we forget, it technically was still Gordon who pulled the trigger (as far as we know). 

Back at NygmaTech, Batman solves another riddle and engages with a group of Talons before freeing Jervis Tetch AKA The Mad Hatter, another one of Riddler’s victims. Then Batman starts putting it all together: references to Dostoyevsky, Maykov, and a quote from Winston Churchill can only mean one thing: Riddler’s working with Russia. And he’s unknowingly just given them a supercomputer that can compromise everything: banks, data, even the nuclear codes. Riddler quickly realizes he no longer has control of the server so he tells Batman where to find it and how to shut it down. But Batman is abused and just when it seems like he might be overpowered by a talon goon, Gordon comes in using a fire hydrant to knock him out. 

Batman then supplies Gordon with his utility belt to take down the Riddler, which he does with a shockingly youthful alacrity for someone who’s gotta be pushing 70. Batman speaks to Wayne Enterprises CEO Rowan Birkemoe who tells him Wayne Tower was found clear of explosives but fears that Edward NygmaTech staged the WE protests in order to bring the stock price down so he could subsume the company.

Batman tracks Leonid Kull at Gotham Airfield preparing to make off to Russia while Gordon finds explosives planted at NygmaTech. The pair of them flee before the tower bursts into flames against the night sky. Finally, Batman unpacks Riddler’s last riddle about Gotham’s supposedly patriotic new hero: Commander Star. “Not in pounds, but I measure in weight. I won beauty’s love, which started as hate.”… KGBeast. 

 

Is This A Good Riddler Story? 

I continue to be impressed by the scale, prescience, intricacy, and unpredictability of Chip Zdarsky’s writing in this arc. After part two I had absolutely no idea where this was going, and while I thought Batman #155 was one of the best comics I’d ever read, Batman #156 settles for just being a ton of fun. It seems like what we’re in for in these last two issues is a Nolan-esque mega-climax where Zdarsky will presumably resolve all the seemingly disparate spinning plates he’s introduced in the first three. With the broader picture coming into starker focus with clues that are supplied piecemeal in each subsequent issue. Kinda like, oh I don’t know, a puzzle? 

Riddler stories are notoriously hard to write and I think Zdarsky has done an excellent job here. The riddles themselves are original and follow an internal logic, and his larger scheme unravels in a systematic and satisfying way. 

In addition to this intricate riddle structure, Zdarsky touches on a plethora of current events which include but aren’t limited to, the influence of big tech, cryptocurrency, US-Russia relations, the public assassination of a major figure (this one may even be a coincidence), etc. I do find that the “commie” subplot feels a little dated but then again, so does KGBeast, and who doesn’t want that? Riddler’s scheme to seed dissent and lower share prices for Wayne Enterprises by staging phony protests draws historical parallels to the CIA’s involvement in the 1953 Iranian coup d’état. And the troll-y Elon Musk/Ed Nygma parallels are too obvious to ignore. 

There’s something kind of Adam West-y about how Batman works out the final riddle about Commander Star’s true identity, but it’s still reader-solvable unlike those were, and that joke never got old anyway. 

 

Let’s Talk About Gordon (hear me out) 

Is it just me or does this Gordon thing feel kind of like an Adam Baldwin situation? Like I get that he didn’t knowingly commit a murder. But are we really willing to absolve him of all guilt? As far as I understand he still went to Nakano’s home of his own accord and engaged in a heated argument with him. The man whose wife Gordon was schmoozing. Jim Gordon is my favorite character in all of comics but I think I’m with Koyuki on this one. You were just directly involved in an innocent man’s death, why are you smiling?  

This is some of the most despicable we’ve ever seen Gordon but considering the fact that his most character-defining story ever is one where he cheats on his pregnant wife, I can’t honestly say that anything here feels completely out of character. Zdarsky and the Riddler both have found Gordon’s greatest weakness and they’ve exploited it. 

And this may be potentially colored by the aforementioned details but Gordon using smoke bombs and batarangs to take out the Riddler isn’t nearly as cool as it seems Zdarsky thinks it is. I prefer my Gordon to carry a gun. I don’t know, maybe he had a bad experience with that recently. 

 

The Art 

Tony S. Daniel steps in here without missing a beat, and Tomeu Morey’s vibrant colors give the proceedings a fiery apocalyptic scale. It’s surprising how cohesive this arc has felt despite being drawn by three different artists. This is an issue that’s nearly wall to wall action and Daniel chooses such dynamic angels and draws movement with such kinetic momentum that at a certain point the pages seem to turn themselves. Although I have no idea how Gordon survived getting body slammed. He didn’t even get the wind knocked out of him. Did I miss an issue where he gained superhuman resilience or something? 

 

Final Thoughts

Chip Zdarsky continues his excellent geopolitical Riddler epic in stylish fashion as we see the beginning of what is sure to be an exciting climax. 

 

4.5/5

preview of batman #156 main cover
Batman #156
Final Thoughts
Chip Zdarsky continues his excellent geopolitical Riddler epic in stylish fashion as we see the beginning of what is sure to be an exciting climax. 
4.5
Final Score
January 4, 2025 0 comments
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Batman/Santa Claus: Silent Knight Returns #5 main cover by Bernard Chang
Comic Reviews and Editorials

Review: Batman — Santa Clause: Silent Knight Returns #5

by Stephanie Mounce January 4, 2025
written by Stephanie Mounce

 

Batman/Santa Claus: Silent Knight Returns #5 main cover by Bernard Chang

Batman/Santa Claus: Silent Knight Returns #5 main cover by Bernard Chang

Batman — Santa Clause: Silent Knight Returns #5
Writer:
 Jeff Parker
Art: Lukas Ketner and Michele Bandini
Epilogue Art: Bernard Chang
Colors: Marcelo Maiolo
Main Cover:
Bernard Chang
Variant Covers:
Pete Woods, Michele Bandini
Release Date: 
December 26, 2024

 

This review contains spoilers

Batman — Santa Clause: Silent Knight Returns #5 begins with seven heroes—Etrigan, Mera, Robotman, Nubia, Metamorpho, Mary Marvel, and Ulah Claus—battle enchanted giants and the Silent Knight while another team of seven—Green Lantern, Superman, Santa, Zatanna, Robin, Batman, and Thunderheart—explores the Faerie Castle. Inside, the castle tests the heroes in the Melancholy Courtyard with their worst fears. Batman identifies the illusions, but Thunderheart discovers the truth: her father has been drained of life. Santa reveals he hid the truth but believes those affected by the Silent Knight’s life draining can be restored.

As they proceed, a misunderstanding insults the castle, triggering vines to ensnare all the heroes. Zatanna realizes the castle reacts to visitors’ reactions to the gifts it tries to bestow upon visitors. A Faerie Frog challenges the heroes with a cryptic question about what is in it’s gift box, and Batman solves it, deducing that the castle gives you whatever you request. The Silent Knight’s armor, enchanted by the castle, was what he had wanted, but it corrupted him.

Meanwhile, Etrigan’s fire destroys the giants’ brands and releases them from the Knight’s spell, turning them against him.

The heroes devise a plan: returning the Knight’s armor to the castle should break the enchantment. Ulah offers a pie to open the portcullis which opens it, and Jason Blood, in knightly armor made of Metamorpho, confronts the Knight. Enraged, the Knight is lured and pushed into the castle. As he enters, the enchantment lifts—life returns to those affected, undead soldiers crumble, and the armor is dismantled. Flash returns to Thunderheart who is very happy to see her daddy.

In the epilogue, the heroes celebrate at the North Pole with Santa and Ulah. Batman and Superman receive gifts, and Santa is inducted into the Justice League with a membership card and a new red cape.

The end.

Review: Let’s start again with things I liked in Batman — Santa Clause: Silent Knight Returns #5. and the run as a whole. The strange one liner dad jokes were almost completely missing from this run. There were a few “zingers” in the background, but it wasn’t nearly as distracting or odd as the first run. It was also cool to see the heroes working together and how the “heroes they needed” were able to help. Ulah is also a fun addition to the team. She’s very cool, has yeti friends, and is strong fighter. And she can also make pie out of thin air, which is a talent I wish I had.

The art was also lots of fun. There were little jokes or stories told just within the art that had nothing to do with the story. For instance, my favorite green fire breathing demon cat was featured in many of the fighting sequence, but was never mentioned in the story.

Fire Cat Demon Batman — Santa Clause: Silent Knight Returns #5

In the splash page where the Knight if finally dismantled we see all the different people hurt by the Knight getting better, including a man who was about to be cut open by a mortician, which appealed to my darker sense of humor.

Mortician Snaffoo Batman — Santa Clause: Silent Knight Returns #5

Thunderheart’s story, as short as it was, was also sweet. She seems like a fun character and I think I’d like to see more of her fighting with her dad.

Thunderheart Reunited with Flash Batman — Santa Clause: Silent Knight Returns #5

I also really liked the castle. It added an interesting element to the story that couldn’t be solved by punching something real hard. There was deducting and problem solving, which is where Batman came into play. And the way the heroes all worked together to defeat the Knight as the end made for  a really satisficing art panel.

Final Push to Victory Batman — Santa Clause: Silent Knight Returns #5

Overall it was a fun story and many of the different heroes had a role to play in one way or another throughout the story. And the story wasn’t completely straight forward either. There were unexpected and creative roadblocks they had to over come, again, not always but just punching their way through. I also appreciated that the enchanted giants had personalities, a voice, and a desire to be free of the Knight and not just be smashy-smashy villains.

Things I wasn’t a fan of in Batman — Santa Clause: Silent Knight Returns #5 and the run as a whole . This had originally come off a Zatanna/Damian/Santa story, and though they had a bit of time together, it really wasn’t much to speak of. There was mostly some time at the beginning where they do research together and Damian and Santa fight baddies in Gotham for a page or two. This was a bit disappointing for me as a reader as I had been looking forward to the Santa and Robin team up. The middle few issues were also very, very wordy. The first time reading through I would glaze over a lot and not until I was needing to read for reviews did I have the patience to sit and read. Though it did end up being interesting, I think it was a bit much for what this story delivered in five issues.
I also was confused why the Knight was draining the life from people. It appeared to make him more human and corporeal again, which made him easier to defeat.  Which was odd. Him marking certain heroes also didn’t seem to have much of an affect as no one really lost their strength or powers, nor did their mind’s turn  like the giants. It just seemed inconsequential for the most part.

But other than those nitpicky things, which really are more about the overall run, I think this was a fun run, and this was a very satisfying final issue. I would say it doesn’t hold a candle to the first run plot and story wise, but art, hero team work, and writing quality went up with Batman — Santa Clause: Silent Knight Returns.

Review: Batman — Santa Clause: Silent Knight Returns #5
Fun story and art, good ending, creative story line, interesting characters
Villain motivations was strange and dull, middle issues were wordy.
4
January 4, 2025 0 comments
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