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Batman and Robin: Year One #11 main cover
Comic Reviews and Editorials

Batman and Robin: Year One #11 Comic Review

by D.M. Grant September 18, 2025
written by D.M. Grant

The entire city of Gotham’s elite has been replaced by Clayface goons, and Batman must take them on alone without Robin in our review of Batman & Robin: Year One #11!

 

Batman and Robin: Year One #11 main cover

Batman and Robin: Year One #11 main cover by Chris Samnee (DC Comics)

BATMAN AND ROBIN: YEAR ONE #11
Written by MARK WAID and CHRIS SAMNEE
Art and Main Cover by CHRIS SAMNEE
Variant Covers: LEONARDO ROMERO, CHRIS SPROUSE, KARL STORY, TY TEMPLETON
Page Count: 32 pages
Release Date: 9/17/25

 

This review contains spoilers

Batman and Robin: Year One #11 begins five days after the arrest of Bruce Wayne and the redistribution of Dick Grayson to another foster home, as Bruce and Alfred meet at an underground location to the Batcave. Already suited up with a new Batmobile, we’re appraised of the situation thus far. Gotham’s wealthy have all been removed from their corporations, and the money is going to Grimaldi’s army under the guise of federal indictments. As Batman announces he’s heading to the Attorney General’s office to confront his Clayface replacement, Alfred starts to inform him about something he’s learned about Ms. Lyn, but is too late to get the information out.

Batman arrives at the AG’s office, with the official having been replaced by a Grimaldi soldier known as Brumley. As Clayface-disguised-as-Grimaldi and Two-Face inform him that their plan to take over Gotham is progressing smoothly, Batman arrives and warns the man that the chemicals used to turn him into a Clayface is unstable. Brumley begins to attack, but immediately disintegrates, proving that the chemicals were far more unstable than even Batman thought. Just before Brumley dies, he points our files on his desk that outline Grimaldi’s whole plan for Batman to use.

Briefly, Batman checks on Dick at his new foster home. Seemingly happy with his two parents, Dick secretly wishes he were back with Bruce and Alfred. However, Batman outside thinks to himself that he had no right to force Dick into his life and resolves to leave him alone, returning to being a solo act in Gotham City.

Batman finds Gordon and the other kidnapped officials at Grimaldi’s stronghold building. He frees the men, provides the files on Grimaldi’s citywide takeover and rushes to warn the Clayfaces about their precarious situation with the quickly disintegrating formula. It’s to no avail, as the Clayface goons keep crashing into each other and dying. Confused as to why Grimaldi was so sloppy with the formula’s distribution, Batman rushes to the boss’ office to take him down once and for all.

Grimaldi finally reveals himself as Clayface to a stunned Batman.  It’s a moment of hesitation that proves fatal, as Two-Face shocks him from behind with a cattle-prod. Dazed, exhausted and injured, Batman is thrown out of the offices, stories above ground, and starts falling to his death.

Batman and Robin: Year One #11 ends when at the last moment Batman’s saved by Robin, who admonishes him for going to take on Grimaldi’s army alone.

Analysis

With Batman and Robin: Year One #11, we’ve got a hat trick in the strongest run of issues out of the whole series. I was excited to see what happened next after last month, and that remains the case with this issue’s cliffhanger. Mark Waid keeps the tension high, and even with the revelation that the Clayface men are all doomed to die, you still feel that Batman is on his backfoot and is fighting an uphill battle.

Batman and Robin: Year One #11 is almost entirely Batman alone, with Robin off to the side. While I still lament the lack of focus on Dick’s perspective in this series, for this issue in particular it works out quite well. The Dark Knight is at his lowest point, with Gotham suffering a citywide takeover by super criminals. Batman hasn’t gotten everything figured out, and his wealth and home have been taken from him. Try as he might, he can’t help but feel like a failure and begins to see his adoption and grooming of Dick as a part of that failure.

While part of me lamented how readily he was willing to leave Dick to a normal life with strangers (and wanting him to remember the conversation they had in the Batcave where Dick said he’d be a crime fighter with or without Bruce), psychologically I understood it perfectly. Batman does not work best alone, but he likes to think he does to shoulder the burden and responsibility. This is also early days in their careers, but will go on to prove a frequent character trait. It also made for a terrific ending that recalled to me Batman Forever where Dick saved Batman from Two-Face’s deathtrap.

In all honesty, I’ve got the least amount to say about Batman and Robin: Year One #11, but for once it’s a good thing. This is solid, solid Batman and Robin action, and a great lead-up to our finale. The second half of Batman and Robin Year One has proven to be the stronger part of the series, and while I still wish the first half were stronger insofar as presenting Robin in a better light, the series has improved in the last few months for me and will stick the landing as a healthily solid series to recommend for the ages.

Hopefully.

It’s Mark Waid, so I’d be surprised if the ending is fumbled badly enough to regret my goodwill at this point in the story.

Batman and Robin: Year One #11 main cover
Batman and Robin: Year One #11
Final Thoughts
It's Mark Waid, so I'd be surprised if the ending is fumbled badly enough to regret my goodwill at this point in the story.
4
Final Score
September 18, 2025 0 comments
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Nightwing #130 main cover
Comic Reviews and Editorials

Review: Nightwing #130

by Ian Miller September 17, 2025
written by Ian Miller

Dealing with the aftermath of the attack on Nite-Mite, Dick Grayson’s life and city start to spin out of control in this review of Nightwing #130.

 

Nightwing #130 main cover

Nightwing #130 main cover by Dexter Soy (DC Comics)

NIGHTWING #130
Written by DAN WATTERS
Art and Main Cover by DEXTER SOY
Variant Covers: JORGE FORNÉS, JUAN FERREYRA, KEVIN WADA, ETHAN YOUNG
Page Count: 32 pages
Release Date: 9/17/25

 

This review contains spoilers

Nightwing #130 begins as the corrupt Blockbuster gang member Bisogni is elected mayor of Bludhaven while Dick Grayson’s half sister is struggling for her life after the attack by Spheric System’s chief Olivia Pearce. Spheric’s militarized police force fights the Clean-Cut Crew who are dosing on Venom/Man-Bat drugs. Nightwing intervenes in the battle, and a Spheric animal-powered drone attacks. Nightwing-Prime saves Nightwing from both the police, the drone, and the mutated gang, but flees before Nightwing can talk to him.

Batman and the Justice League arrive, and Dick assures them he’ll help Nightwing-Prime change back. He also tells Bruce he’ll visit Damian and Gotham soon.

At the graveyard, Nightwing meets Nightwing-Prime at his brother’s grave, and they talk. Nightwing almost talks Bryce into returning to his normal state, but decides to train him as a superhero instead, despite the fear of the Zanni lurking in his eye.

Elsewhere in Bludhaven, two kids see a ghostly circus and want to investigate…

Analysis

Nightwing #130 feels very much like a transitional or epilogue one. While things are mentioned as happening, like the mayoral election, it’s mostly dealing with fallout and setting up for later. The character work, therefore, must drive the piece, and for the most part, Dan Watters and Dexter Soy do an excellent job of doing so. While we’re back to only one perspective and one narrative throughline – purely Dick Grayson’s POV and actions – the changes of scene and action help so that it doesn’t feel too short and decompressed. The heart of the issue, the interaction between Dick and Nightwing-Prime/Bryce, is nicely handled, and foreshadows some very fun but also very dangerous future situations. It’s a bit frustrating that Watters feels the need for Dick to be a rebel against Batman and the League by breaking his promise to them, as it feels like everything is going to end in tragedy for poor Bryce. Thankfully, he’s no Tad Ryerstad – this is not Nite-Wing, the psychotic murderer. Nightwing-Prime, despite his fifth dimensional memories of being on Krypton, is just a good, if traumatized, kid who wants to help. Sadly for him, that’s exactly the type of innocent archetype that comic writers love to put in fridges.

The treatment of gangs vs police continues to be frustrating. Even when they’re taking terrifying steroids, it’s never depicted in the cost it has to normal people. It’s just defense against the evil police. There are no situations where lethal force from the police is presented as justified, or the police are actually acting in legitimate defense of the public or even themselves. It’s ludicrously tribal. Nightwing’s moral position seems to be “defend criminals above any other consideration” because Watters refuses to show those criminals doing the things that actually make them criminal, leading to a deeply morally immature framework for his storytelling. Given the way Watters treated the comics code in the Annual, such moral immaturity and hypocrisy has to be expected, but it’d be nice if Watters grew his perspective a bit beyond its current undeveloped state. It’s also a bit frustrating that a finished comic is released with a pretty blatant typo – “the watchtower hasn’t been picking up AND alien signal” in the conversation Dick has with the Justice League.

Dexter Soy’s art in this one, getting to draw five Justice League members, plus Nightwing-Prime and Nightwing in action, and a lot of great emotional beats, is very polished, ably assisted by Veronica Gandini’s moody and clear-cut coloring. Nightwing continues to be one of the most artistically consistent books on the shelves – something that should be the hallmark of the Bat-books, as the most popular and best-selling of the line, and thankfully is true of this one.

Series main artist Dexter Soy’s main cover is stark and dramatic – Nightwing atop an eagle grotesque against a red sky, the angles and minimalistic colors beautifully chosen. Jorge Fornes produces another nicely designed cover of Nightwing traipsing down the stairs made of his own name, large shadow behind him on a light blue background. Juan Ferreyra’s cover features Nightwing thrusting a gun-toting criminal into the air in a confusing but awesome looking confrontation.

Kevin Wada’s Pumpkin Spicy variant shows Dick in an orange speedo spinning a pumpkin like a basketball on top of a pile of pumpkins – goofy, but funny. Gabriele Dell’Otto’s variant immediately heads in the opposite, super serious direction, with a bloody Nightwing wiping his mouth while walking away from a blood spattered concrete brick wall. Ethan Young’s 1 in 25 incentive variant features the hero in cartoony, Michael Cho or Darwyn Cooke-esque rendering atop a rooftop with his name spelled out in bricks and pipes – a clever and fun cover, though as expected nothing to do with the interior.

Final Thoughts

While Dan Watters and Dexter Soy do a strong job with Dick’s relationships with other heroes in Nightwing #130, the nature of the moral dilemma forming the narrative backbone of the book continues to collapse under its own immaturity.

Nightwing #130 main cover
Nightwing #130
Final Thoughts
While Dan Watters and Dexter Soy do a strong job with Dick’s relationships with other heroes in Nightwing #130, the nature of the moral dilemma forming the narrative backbone of the book continues to collapse under its own immaturity.
3
Final Score
September 17, 2025 0 comments
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Batman: Dark Patterns #10 main cover
Comic Reviews and Editorials

TBU Review: Batman: Dark Patterns #10

by BJ Shea September 12, 2025
written by BJ Shea

In this review of Batman: Dark Patterns #10, as Batman nurses his wounds, Gotham is ablaze. Can James Gordon do anything to stop the flames?

 

Batman: Dark Patterns #10 main cover

Batman: Dark Patterns #10 main cover by Hayden Sherman (DC Comics)

BATMAN: DARK PATTERNS #10
Written by DAN WATTERS
Art and Main Cover by HAYDEN SHERMAN
Variant Cover: STEVAN SUBIC
Page Count: 32 pages
Release Date: 9/10/25

 

This review contains spoilers

Our next arc is titled “Child of Fire”.

Batman: Dark Patterns #10 begins as a couple is walking down the street on a cool Gotham night and come across a fire in a building. While looking into the building, they see a doll figure standing there and the doll grabs them and brings them into the fire.

Bruce is unable to stop this because he is laid up in the Batcave nursing his injuries from the previous issue. Alfred is tending to him while Bruce is unconscious but is mad at himself for letting Bruce push himself so hard.

Gordon goes to see Garfield Lynns AKA Firefly in jail to see if he has any information on the arsons that have been happening. Lynns says that he has to ask him for help because Batman is gone.

Gordon goes to see Dr. Sereika who is studying one of the burned bodies. As he opens the door he sees a dummy in a bat costume and the room on fire. He tries to get the fire extinguisher but it wont work. Meanwhile, someone locks the door on him. Gordon sees the man in the doll mask looking back at him while the lab burns. 

As it looks like all hope is lost, Batman crashes through for the save. Batman was only there because he put it together that Sereika might be the mystery arsonist. Gordon asks him where he has been and Batman responds with “My city has been burning up but the fever is about to break”. Holy quips, Batman!

Batman: Dark Patterns #10 ends with not Dr. Sereika as the arsonist but….. Newspaper reporter Nicky Harris who plans on burning Gotham to the ground.

Analysis

Batman: Dark Patterns #10 is a new arc so there is a lot of set up but a great bait and switch by Watters at the end.

I thought that Bruce would have been out of commission more. Might have been interesting to see Gordon and the GCPD handle the dark patterns of Gotham without the help of the Dark Knight for a while. Bruce did dream that Sereika was the arsonist (or so he thought) while in his mini coma and woke up when he pieced it together. A trope that I don’t really care for but it is what it is.

The art remains strong. I do love the way that Sherman deals with Batman and the shadows. The way the big, yellow oval pops off the page is awesome. Credit to the colorist as well. 

I have only been reading this series for a few issues but it seems like some characters and plot threads are coming together. Harris has been a help to Batman so to see him turn like this is unexpected. Serieka seemed a little off so it made sense that he was evil but perhaps he is an eccentric doctor who is in the wrong place at the wrong time. I wonder how Batman will react to being betrayed by an ally of his. I could see him cutting off Gordon and being jaded by the whole thing.

Strong start to this new arc.

Batman: Dark Patterns #10 main cover
Batman: Dark Patterns #10
Final Thoughts
I have only been reading this series for a few issues but it seems like some characters and plot threads are coming together.
4.4
Final Score
September 12, 2025 0 comments
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Birds of Prey #25 main cover
Comic Reviews and Editorials

Review: Birds of Prey #25

by Ian Miller September 12, 2025
written by Ian Miller

In this review of Birds of Prey #25, The Birds face an unexpected ally…Inque!

 

Birds of Prey #25 main cover

Birds of Prey #25 main cover by Annie Wu (DC Comics)

Birds of Prey #25
Writer: Kelly Thompson
Artist: Cliff Richards (p.1-20) and Sami Basri (p.21-26)
Main Cover: Annie Wu
Variant Covers: Leonardo Romero, Greg Land, Gabrielle Dell’otto, Gerald Parel
Page Count: 22 pages
Release Date: September 10, 2025

 

This review contains spoilers

Birds of Prey #25 opens with Barda breaking down rocks in a quarry with her bare fists, with Cass Batgirl and a bunch of quarry workers watching appreciatively. After a selfie with the workers, Cass and Barda boom tube back to the temporary sewer HQ.

Six weeks ago, Barda threatened to leave the team when Inque showed up asking to help fight the Shadow army. Canary persuades her to stay, and promises Barda can pay Inque back if she betrays them. Inque reveals she tortured Mia Mizoguchi (Meridian from the first arc of this run) to steal her time travel tech, which Mia then destroyed so Inque could hide in the past from the people she angered. She helped the Shadow Army for money, but the plan became too dangerous, and so she offered to help the Birds stop it.

Fast forwarding back to the present, Barda and Cass arrive at HQ, and Babs sends them off to attack the three Shadow Army bases simultaneously. Cass faces steroidal Copperhead at the Docks, Dinah and Sin hit the Chinatown base, getting surprised by Golden Lion, and Barda pretends to be controlled by Inque again to attack the main base. They capture Daemon, but Inque takes a boobytrap to save Barda, and Barda reluctantly carries her back to base. Cass, Canary, and Sin are forced to flee their two attacks when something explodes both bases they’re attacking.

The teams have captured VR suits, and spend some time picking avatars for their virtual space. They then test their reaction to the drugs they also captured, which apparently turn them into violent villains.

 

page from birds of prey #25

Barda and Cass work off some tension… (DC Comics)

 

Analysis

Kelly Thompson teams up with some DC Comics veterans in penciller Cliff Richards and variant cover artist Greg Land to continue delivering a classic Birds of Prey tale. As the fight against the Shadow Army continues, Thompson keeps the focus on the team and their abilities and friendships, in classic Birds of Prey fashion. After an enjoyable character opening featuring Barda and Cass in a nicely balanced appreciation of Barda’s physical appeal and abilities, we dive into the tense situation caused by the quite evil Inque trying to team up with the Birds to stop the Shadow Army.

The action gets a bit confused – maybe the opening could have been condensed a little more – and it’s confusing which team is attacking which base, and what their objectives are, but in general, the writing and art work really well together to continue to produce a fun, appealing, action packed and friendship focused title that continues to feel like a classic Birds of Prey series. Another small problem with this issue appears in Barda’s dialogue. While generally Thompson does a really good job of capturing Barda’s speech patterns – the grandiose, big hearted, awkward power and warmth – sometimes there’s a fall into the easy, Buffyesque quips, such as when Barda shuts Meagara down. But generally the voices are pretty solid, so it sticks out more when they (thankfully only occasionally) break.

Since this is an extra sized 25th issue (DC loves their 25, 50, 75, and 100 issue bumps!), we get an additional 4-6 pages, with art handled in the end by main series artist at this point Sami Basri. Though Richards does excellent work (being a bit unrecognizable, honestly, to longtime Richards fans – perhaps an inker was needed?), it’s nice seeing the whimsy that Basri brings in the outfit choosing scene. And he doesn’t leave the creepiness of the ending page out – it’s very disturbing!

The Annie Wu main cover features our five main cast members in classic torn-paper style collage looking at their new mysterious ally – a nice emotional effect! This run’s first artist, Leonardo Romero, provides a group shot of all the members from this run together in the Clocktower as a 25th issue celebration (sadly, still with the dreadful faded coloring choices that marred the first year of the run). Classic Birds of Prey artist Greg Land provides a surprisingly restrained cover of Oracle and Black Canary, with a tiny Batgirl plushie for longtime fans. Gabrielle Dell’Otto’s beautiful painted Barda variant is full of light. And Gerald Parel’s 1 in 25 incentive variant shows the team in action movie poster fashion.

Let me know what you think on twitter @ibmmiller, or join the conversation in our Discord!

Final Thoughts

Birds of Prey #25 is a fun Birds adventure highlighting the tech and banter aspects which are their specialties!

Birds of Prey #25 main cover
Birds of Prey #25
Final Thoughts
Birds of Prey #25 is a fun Birds adventure highlighting the tech and banter aspects which are their specialties! 3.5 out of 5 Batarangs.
3.5
Final Score
September 12, 2025 0 comments
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Absolute Batman #12 main cover
Comic Reviews and Editorials

TBU Review: Absolute Batman #12

by BJ Shea September 10, 2025
written by BJ Shea

In this review of Absolute Batman #12, Bruce awakens to find out what has happened since escaping the torture at Ark-M.

 

Absolute Batman #12 main cover

Absolute Batman #12 main cover by Nick Dragotta (DC Comics)

ABSOLUTE BATMAN #12
Written by SCOTT SNYDER
Art and Main Cover by NICK DRAGOTTA
Variant Covers: PAUL POPE, DENYS COWAN, STEVAN SUBIC
Page Count: 32 pages
Release Date: 9/10/25

 

This review contain spoilers

Absolute Batman #12 opens with Batman and Waylon in the aftermath of their escape from Bane. Batman thanks Waylon for saving him and Waylon asks for him to do the same because he hungers so much. Batman thinks he’s asking for a cure but Waylon wants Bruce to kill him. Bruce can’t bring himself to do it and Waylon says he should have left. Bruce pleads with him as his best friend swims off in the sewers.

Flashback to Bruce and Selina buying an apartment together as Bruce still struggles with how to tell Waylon that he can’t win the fight. Selina tells him to bend the rules in their favor.

Bruce wakes up after being unconscious for twenty days with Alfred by his side. Alfred says there is a delivery system woven into his spine and brain loaded up with venom. Bruce wants to leave but Alfred says that he does not understand what he has gotten himself into. Bruce leaves. 

 

page from absolute batman #12

Waylon wants Bruce’s help. But it’s not what he thinks. (DC Comics)

 

Bruce returns home to his mother after being missing for so long. Martha tells him that something has happened to Ozzie. Bruce goes to see Ozzie at the hospital. Ozzie is hooked up with wires and looks more like Krang from TMNT with legs. We see snippets of what Bane did to Ozzie. He broke every bone in his body and if he recovers, Ozzie will be almost two feet shorter. Bruce asks if Harvey has been by and Leslie Thompkins says that he is next door. 

Harvey has 4th degree burns on the left side of his body and his skull was fractured in practically two pieces. Harvey tells Bruce that what happened to them is his fault and that he only hates Bruce half the time. Bruce rushes to see Eddie who had his brain smashed by Bane and now believes he is smarter and is all about questions now. 

Alfred is telling Bruce that Bane wants war and the only way is through. The alarms go off and they think it’s Bane. But it is not Bane. Selina knocks out Alfred and has returned to see Bruce dressed as Catwoman.

Analysis

Pretty, pretty gruesome stuff here. The way Ozzie, Harvey, and Eddie look now and the brief glimpses into how they were beaten and mangled by Bane. I think moments like that is why Dragotta is the perfect artist for this series. The gruesomeness and brutalness is where he can really let loose and show just how bad Bane has destroyed Bruce and his friends.

The transformations of Waylon, Harvey, Ozzie, and Eddie evoke Marvel’s Ultimate Universe, where characters undergo significant physical changes, such as Norman Osborn becoming a goblin monster. Oswald turns short and stout like a penguin, Harvey’s skull cracks, Eddie has an odd brain, and Waylon resembles a bulked-up Leatherhead (from TMNT). It would have been preferable for them to retain more normalcy before becoming their alternate universe versions, as there’s a notable lack of regular characters in comic books today.

We still have questions. Why is Selina back now? What is up with the venom in Bruce’s body? Is he going to hulk out at some point and take over this Ark M organization? Is Bruce stuck with that venom inside him forever? Is Selina somehow tied into this Arm M scheme? And why is her mask like a giant Technodrome? (Another one!)

I liked Absolute Batman #12. Bane is really making things personal with Bruce. He has gone after his best friends and it makes you wonder if his mother and Jim Gordon are next.

Absolute Batman #12 main cover
Absolute Batman #12
Final Thoughts
I liked Absolute Batman #12. Bane is really making things personal with Bruce. He has gone after his best friends and it makes you wonder if his mother and Jim Gordon are next.
3.5
Final Score
September 10, 2025 0 comments
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Batman and Robin #25 main cover
Comic Reviews and Editorials

Review: Batman and Robin #25

by Stephanie Mounce September 10, 2025
written by Stephanie Mounce

In this review of Batman and Robin #25, the Quiet Man is coming, and he has his sights set on the Penguin.

 

Batman and Robin #25 main cover

Batman and Robin #25 main cover by Javier Fernández (DC Comics)

Batman and Robin #25
Written by Phillip Kennedy Johnson
Art by Fico Ossio
Main Cover: Javier Fernández
Variant Covers: GUILLEM MARCH, FICO OSSIO, MIGUEL MERCADO, LEONARDO ROMERO, GABRIELE DELL’OTTO, ASHLEY WOOD
Page Count: 32 pages
Release Date: September 10, 2025

 

This review contains spoilers

Batman and Robin #25 features two currently unconnected stories that will likely intersect next issue. The first story follows Batman and Robin as they take down Tiger Shark and his gang. Afterward, Batman spends time with Damian, expressing pride in him and planning a movie outing, despite Damian’s concerns about potential stress for Bruce. As they head to the Monarch Theater, Bruce is focused on bonding with Damian as his son rather than as Robin.

The second story is about a man named Cy being released from prison. Whenever he speaks, he only whispers. He goes to an old church graveyard and dicks up a small suitcase from a headstone with three quarter cross marked on it. In the suitcase is pendant of the same cross and a newspaper article about the death of a feared mob boss. The grave must be Cy’s son’s, and he walks away with the case whispering that they will take one more trip together.

Batman and Robin #25 ends that night, with Cy approaching the Iceberg Lounge where Penguin is indeed having a private celebration observing Tiger Shark’s downfall. Cy proceeds to John Wick his way through the Penguin’s goons and sets fire to the Lounge.

Review

Let’s start with the art in Batman and Robin #25. I like the colors for sure, and the art isn’t bad. In fact, Ossio does a really great job with the action scenes. They’re vibrant and fun, and look really cool. I will say, his character faces use too much cross hatch shading, so it looks really scratchy. That’s just a personal preference though, and all in all, I liked the look of the characters. Penguin is back to looking Danny-DeVito-esque, with black lips, greasy long hair, pointy teeth, and flipper hands, but I’m sure that’s how many (most?) people see him.

There was a moment where Bruce passes the chessboard he got upset about in the previous arc I didn’t quite understand, but Bruce talks to Ra’s (talking to the chessboard) stating that his boy’s happy and belongs here (in Gotham). I don’t know if this is foreshadowing of the return of Ra’s. Though when we last saw Ra’s (pre-assassination) he was enlightened, chill, and actually a pretty cool grandpa, but we will have to wait and see.

It was very sweet seeing Damian worried about Bruce’s reaction to going to the Monarch Theater. It shows that not only that Damian understands his father’s history, but also that he isn’t criticizing or minimizing as he may have done in the past. Damian is growing and maturing.

The main plot. I am mildly interested in the Quiet Man aka John Wick, but this creepy ex-con, mountain hermit loner, who has it out for Penguin better get more interesting soon. I really hope the weird pendant/symbol he pulled from the tombstone isn’t associated with a cult, cause I have really enjoyed our break from cults in Batman these last few years.

All in all, I’d say this is an okay start, but this 2nd arc isn’t gearing up to excite me as much as Williams ever did in this book, but we shall have to wait and see.

 

Batman and Robin #25 main cover
Batman and Robin #25
Final Thoughts
All in all, I'd say this is an okay start, but this 2nd arc isn't gearing up to excite me as much as Williams ever did in this book, but we shall have to wait and see.
Pros
Happy we're back to an encouraging Bat-Dad
3
Final Score
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September 10, 2025 0 comments
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tbu podcast episode 285 podcast cover
The Batman Universe Podcast

Episode 285: Batman Knightfall: Prodigal

by Ian Miller September 8, 2025
written by Ian Miller

tbu podcast episode 285 podcast cover

https://media.blubrry.com/tbup/thebatmanuniverse.net/video/Podcast/01-The%20Batman%20Universe%20Podcast/Episode%20285/TBUP%20E285.mp3

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Subscribe: Apple Podcasts | Spotify | RSS

 

In episode 285 of The Batman Universe Podcast, Ian (@ibmmiller) and BJ (@bjshea33) take a look at the penultimate arc of Batman: Knightfall, in one of the first times Dick Grayson took the place of Batman! What was this collaboration between Chuck Dixon, Doug Moench, and Alan Grant like with a different central character? Was the juggling good or did some balls drop? And what artist really blew us away?

For our Bat-Family: Why do you think this arc is called Prodigal?

Drop us a line at TBU@TheBatmanUniverse.net.  As always, if you like this episode, please rate, share, and subscribe on the streaming platform of your preference. It’s a great way to show your support, and it’s quick and easy! Thank you, loyal Bat-fans!

Find past episodes of The Batman Universe Podcast right here.

September 8, 2025 0 comments
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Poison Ivy #36 main cover
Comic Reviews and Editorials

Comic Book Review: Poison Ivy #36

by Gareth Turner September 5, 2025
written by Gareth Turner

In this review of Poison Ivy #36, Poison Ivy faces off against the GCPD while Janet tries to get help from several of Ivy’s old friends and acquaintances. 

 

Poison Ivy #36 main cover

Poison Ivy #36 main cover by Jessica Fong (DC Comics)

Poison Ivy #36
Writer: G. Willow Wilson
Artist: Atagun Ilhan
Main Cover: Jessica Fong
Variant Covers: Noobovich, Kyuyong Eom, Gabriele Dell’Otto, Manny Carbonilla
Page Count: 28 pages
Release Date: September 3, 2025

 

This comic book review contains spoilers 

Poison Ivy #36 opens with Ivy laying in Bella Garten’s bed after infecting her with labia spores. She hides away while the members of the Order of the Green Knight grow impatient outside. Meanwhile, Janet from HR tells Peter Undine that she’s worried what Ivy will do with followers. When she finally reemerges, Ivy tells her followers that they must feed their oppressors to the land. Janet goes to seek the help of her secret conspirator: Bog Venus. 

Wendy Richardson tells Ivy that she saw Janet go into the woods, but Ivy dismisses her as trying to sow division. Ivy then confronts the group to find out who betrayed them by revealing their location. Finally, Undine comes running to tell Ivy that Janet from HR has been inquired in the woods.

Analysis

Poison Ivy #36 presents a chaotic plot with numerous characters and elements, making it hard to follow. Ivy appears out of character, having distanced herself from her villainous past, but suddenly takes control of the Order of the Green Knight and organizes environmental terror attacks without sufficient explanation. While the idea of her cult-like influence affecting her behavior is intriguing, it feels underexplored and rushed, lacking the depth needed for a more impactful narrative.

Janet from HR remains a least favorite for me and her half baked betrayal is still being milked for everything it’s worth. I’m not sure what this revelation can really do for Ivy’s character at this point. Ivy is still clearly in a place where she will defend Janet from every accusation, but she’s also turned back to villainy so will Janet’s betrayal just make her more jaded? Will she kill Janet? I doubt it but it’s not impossible. If there was ever a disposable comic book character, this is it. 

Atagun Ilhan picks up art duties this month and it’s a mixed bag. Initially, I really dug his style, especially on page 4 during Janet’s conversation with Peter Undine. There’s a great panel where Janet closes her eyes and her bruised face is cast with dark shadows. I also love how Ilhan draws Undine from a side profile with super thin pedals, and gives him a wiry frame inside his casual white shirt and slacks.  I also like Atagun Ilhan’s take on Bog Venus. It’s much more 90s Liefeld than Takara’s Jamaican Ent iteration (the feet are even obscured!), but it works. 

However, I don’t like the way he draws Ivy. She looks ok in some panels, but her proportions change widely and near the end of the issue, she starts looking very off model. There are also some pages that look like they were redrawn with extra foliage/environmental details to cover up awkward character poses.

Final Thoughts

Overall, Poison Ivy #36 has some interesting ideas but Ivy feels oddly out of character and the plot is moving at breakneck speed. This book remains on unstable ground.

Poison Ivy #36 main cover
Poison Ivy #36
Final Thoughts
Overall, Poison Ivy #36 has some interesting ideas but Ivy feels oddly out of character and the plot is moving at breakneck speed. This book remains on unstable ground. 
2.5
Final Score
September 5, 2025 0 comments
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Trinity: Daughter of Wonder Woman #4 main cover
Comic Reviews and Editorials

Review: Trinity: Daughter of Wonder Woman #4

by Stephanie Mounce September 4, 2025
written by Stephanie Mounce

In this review of Trinity: Daughter of Wonder Woman #4, it’s Wedding Day at Wayne Manor, but young Lizzie Prince is on a mission – find the corgi.

 

Trinity: Daughter of Wonder Woman #4 main cover

Trinity: Daughter of Wonder Woman #4 main cover by Belén Ortega (DC Comics)

TRINITY: DAUGHTER OF WONDER WOMAN #4
Written by TOM KING
Art and Main Cover: BELÉN ORTEGA
Variant Covers: DERRICK CHEW, MIKEL JANÍN, KAREN S. DARBOE
Page Count: 32 pages
Release Date: 9/10/25

 

This review contains spoilers

Like most of the series, the “summary” of Trinity: Daughter of Wonder Woman #4 is very simple. Little Lizzy goes to Wayne Manor on Bruce and Selina’s wedding day to catch a Robin Corgi Puppy and enlists the help of Alfred. By the end, Wayne Manor is in rough shape, but everyone is in good humor. The story is told by the currently deceased Alfred Pennyworth to Steve Trevor, both of whom are rowing boats down the River Styx.

However, as with most Tom King stories, the meat and substance in the story come from the interaction and the dialogue. And boy, he doesn’t disappoint in this one.

Review

I am struggling with wanting to take this whole comic page by page, dissecting why I love every word bubble and action taken by the characters. Since I don’t really want to write an entire book on it, I will try to contain myself to just a few highlights.

Trinity: Daughter of Wonder Woman #4 starts with Lizzy bursting into the Kitchen and telling Alfred who she is and why she is looking for the Damian Wayne Robin Corgi Puppy, else the universe and time itself should explode. Alfred, of course, is not phased by any of it and appears to accept it. She explains how she doesn’t have time, she really shouldn’t tell Alfred anything, but she proceeds to pull up a chair, tell him everything as best she can, which isn’t very well, and ask multiple times for a piece of cake…wedding cake.

King manages to capture the charm of Little Lizzy, her desire to help save the world, but also take into account that she is about six years old and loves cake. Alfred, the de facto leader of the Wayne/Batman household, takes her story in stride and maintains a strict stance on cake consumption, corgi chasing, and world saving, but making her feel heard and cared for.

 

page from trinity: daughter of wonder woman #4

Lizzie Prince, meet Alfred Pennyworth… (DC Comics)

 

Another thing I adore about Tom King’s writing are his reoccurring jokes. After interacting with Bruce, who is having a stress induced meltdown because he’s getting married, there’s a strange Wonder Robin in his house, and he just stepped in dog feces, Alfred understates his reaction in typical British Butler fashion by describing it as “minor bots of ill humor”. Lizzy points out the minor bout again when Bruce completely loses his cool over Ace destroying the Grandfather Clock Secret Cave Entrance. It’s hilarious.

A second interaction that deserves highlighted is Ace and Robin Corgi Puppy. The juxtaposition in story telling, a particular strength of Kings, is done to perfection here. Ace, who’s top notch Bat-training Alfred the Narrator describes in detail, is shown at first from a low angle barking and viciously growling at Robin. By the end, though, Robin has asserted his dominance by way of being Damian Wayne.

The story ends, as they often have, with the girls breaking one final law of time travel by telling Alfred that the wedding won’t happen and that Alfred is going to die. She gives him a hug before he can react. But he tells her that he hasn’t as much fun or laughed as hard as that day, and in spite of the near or far future may bring, he will hang on to that moment of merriment, and their current hug. It’s such a sweet moment, and a reaction only Alfred could give.

Trinity: Daughter of Wonder Woman #4 ends with a cloaked figure rowing away from Steve Trevor on the River Styx, giving a fleeting hope that Alfred will come back to the world of the living with Steve.

 

Trinity: Daughter of Wonder Woman #4 main cover
Review: Trinity: Daughter of Wonder Woman #4
Final Thoughts
I miss Alfred so much, and I really hope they are hinting at a return.
Reader Rating0 Votes
Pros
I miss Alfred and this scratched an itch
Izzy is adorable
The Tom King humor runs through the whole issue
Cons
It's too short
4
Final Score
September 4, 2025 0 comments
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batman #1 (2025) main cover
Comic Reviews and Editorials

Comic Book Review: Batman #1 (2025)

by Gareth Turner September 3, 2025
written by Gareth Turner

In this review of Batman #1, Batman encounters Killer Croc like he’s never seen him before.

 

batman #1 (2025) main cover

Batman #1 (2025) main cover by Jorge Jiménez (DC Comics)

BATMAN #1 (2025)
Written by MATT FRACTION
Art and Main Cover: JORGE JIMÉNEZ
Variant Covers: JIM LEE, MARC SILVESTRI, J. SCOTT CAMPBELL, FRANK QUITELY, GABRIELE DELL’OTTO, JULIAN TOTINO TEDESCO, ANDY KUBERT, DAVID AJA, STANLEY “ARTGERM” LAU, JORGE JIMÉNEZ
Page Count: 40 pages
Release Date: September 3, 2025

 

This comic book review contains spoilers

This month we get another Batman #1, something we’ve only technically gotten three other times before. Jim Gordon is back as a beat cop, sipping coffee with his partner Officer Espinoza when they see a giant creature crash into a meat truck. 

Meanwhile at Arkham towers, Batman talks to Dr. Zeller about Waylon Jones AKA Killer Croc’s recent breakout. She tells him that due to recent exposure to morphotoxins, Croc is regressing into a childlike state. She doesn’t know why or how he broke out but she insists that he’s changed. Batman says that no one can really change before flying off into the night. 

At Gotham City Police Headquarters, Vandal Savage holds a press conference where he announces that he will be deploying “tactical urban combat officers” aka robot police to tackle the city’s crime (including Batman himself). Batman stops the creeps gang from attacking some bystanders while catching up with a holographic version of Alfred. Batman traces Croc to the Gotham Natural History Museum. 

Croc is very deformed and juvenile and he’s just sitting alone in the museum. Batman gears up to fight him but Waylon doesn’t engage so Batman removes his mask and sits down to chat with him. Holographic Alfred postulates that maybe people can change. 

Dr. Zeller returns to take Waylon back to Arkham before he tells Batman that she could help him too. Batman #1 ends as Batman sets him a miniature T-Rex in his new home base before getting a call from Robin who is being held up at gunpoint.

 

splash page from batman #1

(Image Credit: DC Comics)

 

Analysis

DC is back with another soft reboot of its flagship character with Batman #1, a solid Batman story. I enjoyed this nice little standalone Killer Croc tale. Did it blow my mind? No. Did it justify the book’s numerical reset? Also no. But it was enjoyable all the same. Matt Fraction does a good job reintroducing Batman’s world at this late date. We are immediately reintroduced to Gordon as a beat cop, Savage as commissioner, Alfred’s passing, and Batman’s relocation. Giving Alfred a kind of second life through an Obi-Wan/Jarvis holographic ghost is a nice touch that I think fans will really appreciate. I find the whole “people can change/no they can’t” dialectic to be pretty tired and it feels weird that Bruce and Alfred are debating it like a novel concept. 

The Croc stuff is good, although as I alluded to earlier, not groundbreaking. I am grateful the climax didn’t involve a standard brawl between Bats and Croc. I was actually reminded of the Justice League Unlimited episode Epilogue, with Batman relating to the villain on an almost childlike level. 

The Luthor-funded robot police that Vandal Savage is putting on streets feels overly familiar as well. How many times have we seen a robot police force or Batman vs the GCPD story at this point? I’ll withhold judgment, and the cliffhanger has potential, but I’m skeptical.  

Jorge Jimenez provides the art and while I’m not the biggest fan of his style, this is a good looking issue. It’s bright and inviting (shoutout to Tomeu Morey on colors), and the new suit is clean. Probably my favorite aspect of the art would be Croc’s deformed redesign. I love how he’s both monstrous and childlike with huge obnoxious teeth and big innocent eyes. 

Final Thoughts

Batman #1 is a completely enjoyable story. Even if I wanted a little more, it’s a great jumping on point for new fans. Just more Jim Gordon please. 

batman #1 (2025) main cover
Batman #1 (2025)
Final Thoughts
Batman #1 is a completely enjoyable story. Even if I wanted a little more, it’s a great jumping on point for new fans. Just more Jim Gordon please. 
3.5
Final Score
September 3, 2025 0 comments
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